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        &lt;ol class=&quot;chapter&quot;&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;../../index.html&quot; class=&quot;active&quot;&gt;Home&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;../index.html&quot;&gt;Table of Contents&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;index.html&quot;&gt;12.1&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;12.2.html&quot;&gt;12.2&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;12.3.html&quot;&gt;12.3&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;12.4.html&quot;&gt;12.4&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;12.5.html&quot;&gt;12.5&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;12.6.html&quot;&gt;12.6&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;12.7.html&quot;&gt;12.7&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a 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&lt;nav id=&quot;sidebar&quot; class=&quot;sidebar&quot; aria-label=&quot;Table of contents&quot;&gt; &lt;div class=&quot;sidebar-scrollbox&quot;&gt; &lt;ol class=&quot;chapter&quot;&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;../../index.html&quot; class=&quot;active&quot;&gt;Home&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;../index.html&quot;&gt;Table of Contents&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;index.html&quot;&gt;11.1&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.2.html&quot;&gt;11.2&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.3.html&quot;&gt;11.3&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.4.html&quot;&gt;11.4&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.5.html&quot;&gt;11.5&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a 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href=&quot;11.16.html&quot;&gt;11.16&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.17.html&quot;&gt;11.17&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.18.html&quot;&gt;11.18&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.19.html&quot;&gt;11.19&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.20.html&quot;&gt;11.20&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.21.html&quot;&gt;11.21&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.22.html&quot;&gt;11.22&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.23.html&quot;&gt;11.23&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.24.html&quot;&gt;11.24&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.25.html&quot;&gt;11.25&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.26.html&quot;&gt;11.26&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.27.html&quot;&gt;11.27&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.28.html&quot;&gt;11.28&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.29.html&quot;&gt;11.29&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.30.html&quot;&gt;11.30&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.31.html&quot;&gt;11.31&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.32.html&quot;&gt;11.32&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.33.html&quot;&gt;11.33&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.34.html&quot;&gt;11.34&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.35.html&quot;&gt;11.35&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.36.html&quot;&gt;11.36&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.37.html&quot;&gt;11.37&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.38.html&quot;&gt;11.38&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.39.html&quot;&gt;11.39&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.40.html&quot;&gt;11.40&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.41.html&quot;&gt;11.41&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.42.html&quot;&gt;11.42&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.43.html&quot;&gt;11.43&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.44.html&quot;&gt;11.44&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.45.html&quot;&gt;11.45&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.46.html&quot;&gt;11.46&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.47.html&quot;&gt;11.47&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.48.html&quot;&gt;11.48&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.49.html&quot;&gt;11.49&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.50.html&quot;&gt;11.50&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.51.html&quot;&gt;11.51&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.52.html&quot;&gt;11.52&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.53.html&quot;&gt;11.53&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.54.html&quot;&gt;11.54&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.55.html&quot;&gt;11.55&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.56.html&quot;&gt;11.56&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.57.html&quot;&gt;11.57&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.58.html&quot;&gt;11.58&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.59.html&quot;&gt;11.59&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.60.html&quot;&gt;11.60&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.61.html&quot;&gt;11.61&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.62.html&quot;&gt;11.62&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.63.html&quot;&gt;11.63&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.64.html&quot;&gt;11.64&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.65.html&quot;&gt;11.65&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.66.html&quot;&gt;11.66&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.67.html&quot;&gt;11.67&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.68.html&quot;&gt;11.68&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.69.html&quot;&gt;11.69&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.70.html&quot;&gt;11.70&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.71.html&quot;&gt;11.71&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.72.html&quot;&gt;11.72&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.73.html&quot;&gt;11.73&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.74.html&quot;&gt;11.74&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.75.html&quot;&gt;11.75&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.76.html&quot;&gt;11.76&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.77.html&quot;&gt;11.77&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.78.html&quot;&gt;11.78&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.79.html&quot;&gt;11.79&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.80.html&quot;&gt;11.80&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.81.html&quot;&gt;11.81&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.82.html&quot;&gt;11.82&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.83.html&quot;&gt;11.83&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.84.html&quot;&gt;11.84&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.85.html&quot;&gt;11.85&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.86.html&quot;&gt;11.86&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.87.html&quot;&gt;11.87&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.88.html&quot;&gt;11.88&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.89.html&quot;&gt;11.89&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.90.html&quot;&gt;11.90&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.91-93.html&quot;&gt;11.91-93&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.94.html&quot;&gt;11.94&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.95.html&quot;&gt;11.95&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.96.html&quot;&gt;11.96&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.97.html&quot;&gt;11.97&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.98.html&quot;&gt;11.98&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.99.html&quot;&gt;11.99&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.100.html&quot;&gt;11.100&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.101.html&quot;&gt;11.101&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.102.html&quot;&gt;11.102&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.103.html&quot;&gt;11.103&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.104.html&quot;&gt;11.104&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.105.html&quot;&gt;11.105&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.106.html&quot;&gt;11.106&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.107.html&quot;&gt;11.107&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a 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Home - Caitanya-caritamrta
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&lt;nav id=&quot;sidebar&quot; class=&quot;sidebar&quot; aria-label=&quot;Table of contents&quot;&gt; &lt;div class=&quot;sidebar-scrollbox&quot;&gt; &lt;ol class=&quot;chapter&quot;&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;../../index.html&quot; class=&quot;active&quot;&gt;Home&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;../index.html&quot;&gt;Table of Contents&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;index.html&quot;&gt;10.1&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.2.html&quot;&gt;10.2&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.3.html&quot;&gt;10.3&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.4.html&quot;&gt;10.4&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.5.html&quot;&gt;10.5&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.6.html&quot;&gt;10.6&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.7.html&quot;&gt;10.7&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.8.html&quot;&gt;10.8&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.9-11.html&quot;&gt;10.9-11&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.12.html&quot;&gt;10.12&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.13.html&quot;&gt;10.13&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.14.html&quot;&gt;10.14&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.15-16.html&quot;&gt;10.15-16&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.17.html&quot;&gt;10.17&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.18.html&quot;&gt;10.18&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.19.html&quot;&gt;10.19&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.20.html&quot;&gt;10.20&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.21.html&quot;&gt;10.21&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.22.html&quot;&gt;10.22&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.23.html&quot;&gt;10.23&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.24.html&quot;&gt;10.24&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.25.html&quot;&gt;10.25&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.26.html&quot;&gt;10.26&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.27.html&quot;&gt;10.27&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.28.html&quot;&gt;10.28&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.29-30.html&quot;&gt;10.29-30&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.31.html&quot;&gt;10.31&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.32.html&quot;&gt;10.32&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.33.html&quot;&gt;10.33&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.34.html&quot;&gt;10.34&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.35.html&quot;&gt;10.35&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.36.html&quot;&gt;10.36&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.37.html&quot;&gt;10.37&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.38.html&quot;&gt;10.38&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.39.html&quot;&gt;10.39&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.40.html&quot;&gt;10.40&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.41.html&quot;&gt;10.41&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.42.html&quot;&gt;10.42&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.43.html&quot;&gt;10.43&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.44.html&quot;&gt;10.44&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.45.html&quot;&gt;10.45&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.46.html&quot;&gt;10.46&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.47.html&quot;&gt;10.47&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.48.html&quot;&gt;10.48&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.49.html&quot;&gt;10.49&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.50.html&quot;&gt;10.50&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.51.html&quot;&gt;10.51&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.52.html&quot;&gt;10.52&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.53.html&quot;&gt;10.53&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.54.html&quot;&gt;10.54&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.55.html&quot;&gt;10.55&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.56.html&quot;&gt;10.56&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.57.html&quot;&gt;10.57&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.58.html&quot;&gt;10.58&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.59.html&quot;&gt;10.59&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.60.html&quot;&gt;10.60&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.61.html&quot;&gt;10.61&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.62.html&quot;&gt;10.62&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.63.html&quot;&gt;10.63&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.64.html&quot;&gt;10.64&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.65.html&quot;&gt;10.65&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.66.html&quot;&gt;10.66&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.67.html&quot;&gt;10.67&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.68.html&quot;&gt;10.68&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.69.html&quot;&gt;10.69&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.70.html&quot;&gt;10.70&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.71.html&quot;&gt;10.71&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.72.html&quot;&gt;10.72&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.73.html&quot;&gt;10.73&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.74.html&quot;&gt;10.74&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.75.html&quot;&gt;10.75&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.76.html&quot;&gt;10.76&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.77.html&quot;&gt;10.77&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.78.html&quot;&gt;10.78&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.79.html&quot;&gt;10.79&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.80.html&quot;&gt;10.80&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.81.html&quot;&gt;10.81&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.82.html&quot;&gt;10.82&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.83-84.html&quot;&gt;10.83-84&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.85.html&quot;&gt;10.85&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.86.html&quot;&gt;10.86&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.87.html&quot;&gt;10.87&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.88.html&quot;&gt;10.88&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.89.html&quot;&gt;10.89&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.90.html&quot;&gt;10.90&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.91.html&quot;&gt;10.91&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.92.html&quot;&gt;10.92&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.93.html&quot;&gt;10.93&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.94.html&quot;&gt;10.94&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.95.html&quot;&gt;10.95&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.96.html&quot;&gt;10.96&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.97.html&quot;&gt;10.97&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.98.html&quot;&gt;10.98&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.99.html&quot;&gt;10.99&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.100.html&quot;&gt;10.100&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.101.html&quot;&gt;10.101&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.102.html&quot;&gt;10.102&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.103.html&quot;&gt;10.103&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.104.html&quot;&gt;10.104&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.105.html&quot;&gt;10.105&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.106.html&quot;&gt;10.106&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.107.html&quot;&gt;10.107&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.108.html&quot;&gt;10.108&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.109.html&quot;&gt;10.109&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.110.html&quot;&gt;10.110&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.111.html&quot;&gt;10.111&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.112.html&quot;&gt;10.112&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.113.html&quot;&gt;10.113&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.114.html&quot;&gt;10.114&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.115.html&quot;&gt;10.115&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.116.html&quot;&gt;10.116&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.117.html&quot;&gt;10.117&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.118.html&quot;&gt;10.118&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.119.html&quot;&gt;10.119&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.120.html&quot;&gt;10.120&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.121.html&quot;&gt;10.121&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.122.html&quot;&gt;10.122&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.123.html&quot;&gt;10.123&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.124.html&quot;&gt;10.124&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.125-126.html&quot;&gt;10.125-126&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.127.html&quot;&gt;10.127&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.128.html&quot;&gt;10.128&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.129.html&quot;&gt;10.129&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.130.html&quot;&gt;10.130&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.131.html&quot;&gt;10.131&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a 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        &amp;amp;lt;h1 class=&amp;amp;quot;menu-title&amp;amp;quot;&amp;amp;gt;Caitanya-caritamrta&amp;amp;lt;/h1&amp;amp;gt;

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Home - Caitanya-caritamrta
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&lt;nav id=&quot;sidebar&quot; class=&quot;sidebar&quot; aria-label=&quot;Table of contents&quot;&gt; &lt;div class=&quot;sidebar-scrollbox&quot;&gt; &lt;ol class=&quot;chapter&quot;&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;../../index.html&quot; class=&quot;active&quot;&gt;Home&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;../index.html&quot;&gt;Table of Contents&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;index.html&quot;&gt;1.1&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.2.html&quot;&gt;1.2&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.3-4.html&quot;&gt;1.3-4&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.5.html&quot;&gt;1.5&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.6.html&quot;&gt;1.6&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.7.html&quot;&gt;1.7&lt;/a&gt;&lt;/li&gt;&lt;li 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href=&quot;1.18.html&quot;&gt;1.18&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.19.html&quot;&gt;1.19&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.20.html&quot;&gt;1.20&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.21.html&quot;&gt;1.21&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.22.html&quot;&gt;1.22&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.23.html&quot;&gt;1.23&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.24.html&quot;&gt;1.24&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.25.html&quot;&gt;1.25&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.26.html&quot;&gt;1.26&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.27.html&quot;&gt;1.27&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.28.html&quot;&gt;1.28&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.29.html&quot;&gt;1.29&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.30.html&quot;&gt;1.30&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.31.html&quot;&gt;1.31&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.32.html&quot;&gt;1.32&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.33.html&quot;&gt;1.33&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.34.html&quot;&gt;1.34&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.35.html&quot;&gt;1.35&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.36.html&quot;&gt;1.36&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;1.37.html&quot;&gt;1.37&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a 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Table of Contents

14.1

krsna-viccheda-vibhrantya

manasa vapusa dhiya

yad yad vyadhatta gaurangas

tal-lesah kathyate ’dhuna

SYNONYMS

krsna-viccheda—of separation from Krsna; vibhrantya—by the bewilderment; manasa—by the mind; vapusa—by the body; dhiya—by the intelligence; yat yat—whatever; vyadhatta—performed; gaurangah—Sri Caitanya Mahaprabhu; tat—of that; lesah—a very small fragment; kathyate—is being described; adhuna—now.

I shall now describe a very small portion of the activities performed by Sri Caitanya Mahaprabhu with His mind, intelligence and body when He was bewildered by strong feelings of separation from Krsna.

14.2

jaya jaya sri-caitanya svayam bhagavan

jaya jaya gauracandra bhakta-gana-prana

SYNONYMS

jaya jaya—all glories; sri-caitanya—to Sri Caitanya Mahaprabhu; svayam bhagavan—the Personality of Godhead Himself; jaya jaya—all glories; gaura-candra—to Sri Caitanya Mahaprabhu; bhakta-gana-prana—the life and soul of the devotees.

All glories to Sri Caitanya Mahaprabhu, the Supreme Personality of Godhead! All glories to Lord Gauracandra, the life and soul of His devotees.

14.3

jaya jaya nityananda caitanya-jivana

jayadvaitacarya jaya gaura-priyatama

SYNONYMS

jaya jaya—all glories; nityananda—to Lord Nityananda; caitanya-jivana—the life of Sri Caitanya Mahaprabhu; jaya—all glories; advaita-acarya—to Advaita Acarya; jaya—all glories; gaura-priya-tama—very, very dear to Sri Caitanya Mahaprabhu.

All glories to Lord Nityananda, who is Sri Caitanya Mahaprabhu’s very life.

And all glories to Advaita Acarya, who is extremely dear to Sri Caitanya Mahaprabhu.

14.4

jaya svarupa, srivasadi prabhu-bhakta-gana

sakti deha’,--kari yena caitanya-varnana

SYNONYMS

jaya—all glories; svarupa—to Svarupa Damodara; srivasa-adi—headed by Srivasa Thakura; prabhu-bhakta-gana—to the devotees of the Lord; sakti deha’-please give strength; kari—I can make; yena—so that; caitanya-varnana—description of Lord Caitanya Mahaprabhu.

All glories to Svarupa Damodara and the devotees, headed by Srivasa Thakura.

Please give me the strength to describe the character of Sri Caitanya Mahaprabhu.

14.5

prabhura virahonmada-bhava gambhira

bujhite na pare keha, yadyapi haya ’dhira’

SYNONYMS

prabhura—of Sri Caitanya Mahaprabhu; viraha-unmada—of the transcendental madness of separation from Krsna; bhava—emotion; gambhira—very deep and mysterious; bujhite—to understand; na pare keha—no one is able; yadyapi—although; haya—is; dhira—a very learned and gentle scholar.

Sri Caitanya Mahaprabhu’s emotion of transcendental madness in separation from Krsna is very deep and mysterious.

Even though one is very advanced and learned, he cannot understand it.

14.6

bujhite na pari yaha, varnite ke pare?

sei bujhe, varne, caitanya sakti dena yanre

SYNONYMS

bujhite—to understand; na pari—not being able; yaha—subject which; varnite ke pare—who can describe; sei bujhe—he can understand; varne—can describe; caitanya—Sri Caitanya Mahaprabhu; sakti—capacity; dena—gives; yanre—to whom.

How can one describe unfathomable subject matters? It is possible only if Sri Caitanya Mahaprabhu gives him the capability.

14.7

svarupa-gosani ara raghunatha-dasa

ei duira kadacate e-lila prakasa

SYNONYMS

svarupa-gosani—Svarupa Damodara Gosvami; ara—and; raghunatha-dasa—Raghunatha dasa Gosvami; ei duira—of these two; kadacate—in the notebooks; e-lila—these pastimes; prakasa—described.

Svarupa Damodara Gosvami and Raghunatha dasa Gosvami recorded all these transcendental activities of Sri Caitanya Mahaprabhu in their notebooks.

PURPORT

Sri Caitanya Mahaprabhu’s transcendental feelings of separation from Krsna and His consequent madness are not at all understandable by a person on the material platform.

Nonetheless, a so-called party of devotees named nadiya-nagari has sprung up and introduced the worship of Visnupriya.

This certainly indicates their ignorance concerning Sri Caitanya Mahaprabhu’s pastimes.

In the opinion of Bhaktisiddhanta Sarasvati Thakura, such worship is a product of the imagination.

Many other methods of worshiping Caitanya Mahaprabhu have also been introduced, but they have all been rejected by stalwart devotees like Bhaktivinoda Thakura.

The groups practicing such unauthorized worship have been listed by Srila Bhaktivinoda Thakura:

aula, baula, kartabhaja, neda, daravesa, sani

sahajiya, sakhibheki, smarta, jata-gosani

ativadi, cudadhari, gauranga-nagari Svarupa Damodara Gosvami and Raghunatha dasa Gosvami witnessed Caitanya Mahaprabhu’s activities firsthand, and they recorded them in two notebooks.

Therefore, without reference to these notebooks, one cannot understand the activities of Sri Caitanya Mahaprabhu.

Anyone inventing some new method for worshiping Sri Caitanya Mahaprabhu is certainly unable to understand the Lord’s pastimes, for he is bereft of the real process of approaching the Lord.

14.8

se-kale e-dui rahena mahaprabhura pase

ara saba kadaca-karta rahena dura-dese

SYNONYMS

se-kale—in those days; e-dui—these two; rahena—stayed; mahaprabhura pase—with Sri Caitanya Mahaprabhu; ara—other; saba—all; kadaca-karta—commentators; rahena—remained; dura-dese—far away.

In those days, Svarupa Damodara and Raghunatha dasa Gosvami lived with Sri Caitanya Mahaprabhu, whereas all other commentators lived far away from Him.

PURPORT

Besides Svarupa Damodara and Raghunatha dasa Gosvami, there were many others who also recorded Sri Caitanya Mahaprabhu’s activities.

Srila Bhaktisiddhanta Sarasvati Thakura believes that the people of the world would benefit greatly if such notes were available.

It is a most unfortunate situation for human society that none of these notebooks are still extant.

14.9

ksane ksane anubhavi’ ei dui-jana

sanksepe bahulye karena kadaca-granthana

SYNONYMS

ksane ksane—moment by moment; anubhavi’-understanding; ei dui-jana—these two persons; sanksepe—in brief; bahulye—elaborately; karena—do; kadaca-granthana—compiling the notebooks.

These two great personalities (Svarupa Damodara and Raghunatha dasa Gosvami) recorded the activities of Sri Caitanya Mahaprabhu moment by moment.

They described these activities briefly as well as elaborately in their notebooks.

PURPORT

For future reference, we should remember that Svarupa Damodara Gosvami recorded the pastimes briefly, whereas Raghunatha dasa Gosvami recorded them elaborately.

These two great personalities simply recorded the facts; they did not create any descriptive literary embellishments.

14.10

svarupa--’sutra-karta’, raghunatha--’vrttikara’

tara bahulya varni--panji-tika-vyavahara

SYNONYMS

svarupa—Svarupa Damodara Gosvami; sutra-karta—maker of short codes; raghunatha—Raghunatha dasa Gosvami; vrttikara—maker of elaborate explanations; tara—of those; bahulya—more elaborately; varni—I shall describe; panji—fluffing out (as of cotton); tika—explanation; vyavahara—behavior.

Svarupa Damodara wrote short codes, whereas Raghunatha dasa Gosvami wrote elaborate descriptions.

I shall now describe Sri Caitanya Mahaprabhu’s activities more elaborately, as if fluffing out compressed cotton.

PURPORT

Panji-tika means further explanations of a subject.

Writing such explanations is likened to the process of fluffing out cotton.

14.11

tate visvasa kari’ suna bhavera varnana

ha-ibe bhavera jnana, paiba prema-dhana

SYNONYMS

tate—therefore; visvasa kari’-having faith; suna—please hear; bhavera varnana—description of ecstatic emotions; ha-ibe—there will be; bhavera—of ecstatic emotions; jnana—knowledge; paiba—you will get; prema-dhana—love of Krsna.

Please hear faithfully this description of Caitanya Mahaprabhu’s ecstatic emotions.

Thus you will come to know of His ecstatic love, and ultimately you will achieve love of Godhead.

14.12

krsna mathuraya gele, gopira ye dasa haila

krsna-vicchede prabhura se dasa upajila

SYNONYMS

krsna mathuraya gele—when Lord Krsna departed for Mathura; gopira—of the gopis; ye dasa—which condition; haila—was; krsna-vicchede—by separation from Krsna; prabhura—of Sri Caitanya Mahaprabhu; se dasa—that situation; upajila—happened.

When Sri Caitanya Mahaprabhu felt separation from Krsna, His condition exactly corresponded to the condition of the gopis in Vrndavana after Krsna’s departure for Mathura.

14.13

uddhava-darsane yaiche radhara vilapa

krame krame haila prabhura se unmada-vilapa

SYNONYMS

uddhava-darsane—by seeing Uddhava; yaiche—as; radhara—of Srimati Radharani; vilapa—lamentation; krame krame—gradually; haila—became; prabhura—of Sri Caitanya Mahaprabhu; se—that; unmada-vilapa—lamentation in madness.

The lamentation of Srimati Radharani when Uddhava visited Vrndavana gradually became a feature of Sri Caitanya Mahaprabhu’s transcendental madness.

14.14

radhikara bhave prabhura sada ’abhimana’

sei bhave apanake haya ’radha’-jnana

SYNONYMS

radhikara bhave—in the emotion of Srimati Radharani; prabhura—of Sri Caitanya Mahaprabhu; sada—always; abhimana—conception; sei bhave—under such a conception; apanake—upon Himself; haya—becomes; radha-jnana -consideration as Srimati Radharani.

Srimati Radharani’s emotions after seeing Uddhava exactly correspond to those of Sri Caitanya Mahaprabhu.

He always conceived of Himself in Her position and sometimes thought that He was Srimati Radharani Herself.

PURPORT

Srila Bhaktisiddhanta Sarasvati Thakura explains that the purport of the word abhimana, or “self-conception,” is that Sri Caitanya Mahaprabhu thought Himself to be in the position of Srimati Radharani and was always ready to render service in that way.

Although Sri Caitanya Mahaprabhu is Krsna Himself, He assumed the complexion and emotions of Srimati Radharani and remained in that status.

He never assumed the complexion or status of Lord Krsna.

Of course, Krsna wanted to experience the role of Srimati Radharani; that is the original cause of His assuming the body of Sri Caitanya Mahaprabhu.

Therefore pure Vaisnavas never disturb Sri Caitanya Mahaprabhu’s conception of being Srimati Radharani.

Unfortunately, at the present time a group of so-called devotees maintain that Sri Caitanya Mahaprabhu is the enjoyer and that they are enjoyers as well.

They have actually deviated from devotional service to the Lord.

Sri Caitanya Mahaprabhu manifested Himself to show that cultivation of love for Krsna in separation is the easiest way of success for all living entities.

Despite this fact, there are some theosophists who declare that because Sri Caitanya Mahaprabhu is the Supreme Personality of Godhead, such cultivation is easy for Him but difficult for the living entity and that one can therefore approach Krsna in any way he likes.

To nullify this idea, Sri Caitanya Mahaprabhu demonstrated practically how one can achieve love of Krsna by adopting Srimati Radharani’s mood in separation from Krsna.

14.15

divyonmade aiche haya, ki iha vismaya?

adhirudha-bhave divyonmada-pralapa haya

SYNONYMS

divya-unmade—in transcendental madness; aiche—such; haya—is; ki iha vismaya—what is the wonder; adhirudha-bhave—in highly elevated love of Krsna; divya-unmada—in transcendental madness; pralapa—talking; haya—there is.

Such is the state of transcendental madness.

Why is it difficult to understand? When one is highly elevated in love of Krsna, he becomes transcendentally mad and talks like a madman.

14.16

etasya mohanakhyasya

gatim kamapy upeyusah

bhramabha kapi vaicitri

divyonmada itiryate

udghurna-citra-jalpadyas

tad-bheda bahavo matah

SYNONYMS

etasya—of this; mohana-akhyasya—mood known as mohana, or enchanting; gatim—progress; kamapi—inexplicable; upeyusah—having obtained; bhrama-abha—resembling bewilderment; kapi—some; vaicitri—condition bringing about astonishment; divya-unmada—transcendental madness; iti—thus; iryate—it is called; udghurna—of the name udghurna; citra-jalpa—of the name citra-jalpa; adyah—and so on; tat-bhedah—different features of that; bahavah—many; matah—described “When the ecstatic emotion of enchantment gradually progresses, it becomes similar to bewilderment.

Then one reaches the stage of astonishment (vaicitri), which awakens transcendental madness.

Udghurna and citra-jalpa are two among the many divisions of transcendental madness.”

PURPORT

This is a quotation from the Ujjvala-nilamani (Sthayibhava-prakarana 190).

14.17

eka-dina mahaprabhu kariyachena sayana

krsna rasa-lila kare,--dekhila svapana

SYNONYMS

eka-dina—one day; mahaprabhu—Sri Caitanya Mahaprabhu; kariyachena sayana—was taking rest; krsna—Lord Krsna; rasa-lila kare—performs rasa-lila dance; dekhila—He saw; svapana—a dream.

One day while He was resting, Sri Caitanya Mahaprabhu dreamed He saw Krsna performing His rasa dance.

14.18

tribhanga-sundara-deha, murali-vadana

pitambara, vana-mala, madana-mohana

SYNONYMS

tri-bhanga—curved in three places; sundara—beautiful; deha—body; murali-vadana—with a flute to the mouth; pita-ambara—with yellow garments; vana-mala—forest flower garlands; madana-mohana—enchanting Cupid.

Sri Caitanya Mahaprabhu saw Lord Krsna standing with His beautiful body curved in three places, holding His flute to His lips.

Wearing yellow garments and garlands of forest flowers, He was enchanting even to Cupid.

14.19

mandali-bandhe gopi-gana karena nartana

madhye radha-saha nace vrajendra-nandana

SYNONYMS

mandali-bandhe—in a circle; gopi-gana—the gopis; karena nartana—engaged in dancing; madhye—in the middle; radha-saha—with Srimati Radharani; nace—dances; vrajendra-nandana—Krsna, the son of Maharaja Nanda.

The gopis were dancing in a circle, and in the middle of that circle, Krsna, the son of Maharaja Nanda, danced with Radharani.

14.20

dekhi’ prabhu sei rase avista haila

’vrndavane krsna painu’--ei jnana kaila

SYNONYMS

dekhi’-seeing; prabhu—Sri Caitanya Mahaprabhu; sei—that; rase—in the transcendental mellow; avista haila—became overwhelmed; vrndavane—in Vrndavana; krsna painu—I have gotten Krsna; ei—this; jnana kaila—He thought.

Seeing this, Sri Caitanya Mahaprabhu was overwhelmed with the transcendental mellow of the rasa dance, and He thought, “Now I am with Krsna in Vrndavana.”

14.21

prabhura vilamba dekhi’ govinda jagaila

jagile ’svapna’-jnana haila, prabhu duhkhi haila

SYNONYMS

prabhura—of Sri Caitanya Mahaprabhu; vilamba—delay; dekhi’-seeing; govinda jagaila—caused to awaken; jagile—when He awoke; svapna-jnana haila—could understand that it was a dream; prabhu—Sri Caitanya Mahaprabhu; duhkhi haila—became unhappy.

When Govinda saw that the Lord had not yet risen, he awakened Him.

Understanding that He had only been dreaming, the Lord was somewhat unhappy.

14.22

dehabhyase nitya-krtya kari’ samapana

kale yai’ kaila jagannatha darasana

SYNONYMS

deha-abhyase—as a habit; nitya-krtya—the daily duties; kari’ samapana—finishing; kale—at the proper time; yai’-going; kaila—performed; jagannatha darasana—seeing Lord Jagannatha.

Sri Caitanya Mahaprabhu performed His customary daily duties, and at the usual time He went to see Lord Jagannatha in the temple.

14.23

yavat kala darsana karena garudera pache

prabhura age darsana kare loka lakhe lakhe

SYNONYMS

yavat kala—as long as; darsana—seeing; karena—performs; garudera pache—from the back of the Garuda column; prabhura age—in front of Sri Caitanya Mahaprabhu; darsana kare—see; loka—people; lakhe lakhe—in hundreds of thousands.

As He viewed Lord Jagannatha from behind the Garuda column, hundreds and thousands of people in front of Him were seeing the Deity.

14.24

udiya eka stri bhide darsana na pana

garude cadi’ dekhe prabhura skandhe pada diya

SYNONYMS

udiya—a native of Orissa; eka—one; stri—woman; bhide—in the crowd; darsana na pana—being unable to see; garude cadi’-climbing up the column of Garuda; dekhe—sees; prabhura—of Sri Caitanya Mahaprabhu; skandhe—on the shoulder; pada—her foot; diya—placing.

Suddenly, a woman from Orissa, unable to see Lord Jagannatha because of the crowd, climbed the column of Garuda, placing her foot on Sri Caitanya Mahaprabhu’s shoulder.

14.25

dekhiya govinda aste-vyaste strike varjila

tare namaite prabhu govinde nisedhila

SYNONYMS

dekhiya—seeing; govinda—the personal servant of Sri Caitanya Mahaprabhu; aste-vyaste—with great haste; strike—the woman; varjila—got down; tare—her; namaite—to get down; prabhu—Sri Caitanya Mahaprabhu; govinde—Govinda; nisedhila—forbade.

When he saw this, Caitanya Mahaprabhu’s personal secretary, Govinda, hastily got her down from her position.

Sri Caitanya Mahaprabhu, however, chastised him for this.

PURPORT

Because Garuda is the carrier of Lord Visnu, he is the supreme Vaisnava.

Therefore to touch his body with one’s feet or to climb the column of Garuda is certainly a vaisnava-aparadha, an offense to a Vaisnava.

The woman was also offensive to Krsna by putting her foot on the shoulder of Sri Caitanya Mahaprabhu.

Seeing all these offenses, Govinda very hastily made her get down.

14.26

’adi-vasya’ ei strire na kara varjana

karuka yathesta jagannatha darasana

SYNONYMS

adi-vasya—uncivilized; ei—this; strire—woman; na kara varjana—do not forbid; karuka—let her do; yatha-ista—as desired; jagannatha darasana—seeing Lord Jagannatha.

Sri Caitanya Mahaprabhu said to Govinda, “O adi-vasya (uncivilized man), do not forbid this woman to climb the Garuda-stambha.

Let her see Lord Jagannatha to her satisfaction.”

PURPORT

For an explanation of the word adi-vasya, refer to Antya-lila, Chapter Ten, verse 116.

14.27

aste-vyaste sei nari bhumete namila

mahaprabhure dekhi’ tanra carana vandila

SYNONYMS

aste-vyaste—in great haste; sei nari—that woman; bhumete—on the ground; namila—got down; mahaprabhure dekhi’-seeing Sri Caitanya Mahaprabhu; tanra—His; carana vandila—begged pardon at the lotus feet.

When the woman came to her senses, however, she quickly climbed back down to the ground and, seeing Sri Caitanya Mahaprabhu, immediately begged at His lotus feet for forgiveness.

14.28

tara arti dekhi’ prabhu kahite lagila

"eta arti jagannatha more nahi dila!

SYNONYMS

tara—her; arti—eagerness; dekhi’-seeing; prabhu—Sri Caitanya Mahaprabhu; kahite lagila—began to speak; eta arti—so much eagerness; jagannatha—Lord Jagannatha; more—unto Me; nahi dila—did not bestow.

Seeing the woman’s eagerness, Sri Caitanya Mahaprabhu said, "Lord Jagannatha has not bestowed so much eagerness upon Me.

PURPORT

The woman was so eager to see Lord Jagannatha that she forgot she was offending the feet of a Vaisnava by climbing the column of Garuda.

She also neglected to consider that by putting her foot on the shoulder of Sri Caitanya Mahaprabhu, she offended the Supreme Personality of Godhead.

These are both grievous offenses that displease the Supreme Lord and Vaisnavas.

She was so eager to see Lord Jagannatha, however, that she committed all these offenses obliviously.

Sri Caitanya Mahaprabhu praised her eagerness; He regretted that Lord Jagannatha had not bestowed such great eagerness upon Him.

14.29

jagannathe avista ihara tanu-mana-prane

mora skandhe pada diyache, taho nahi jane

SYNONYMS

jagannathe—in Lord Jagannatha; avista—fully absorbed; ihara—of this woman; tanu—body; mana—mind; prane—life; mora skandhe—upon My shoulder; pada—foot; diyache—has put; taho—she; nahi jane—did not understand "She has fully absorbed her body, mind and life in Lord Jagannatha.

Therefore she was unaware that she was putting her foot on My shoulder.

14.30

aho bhagyavati ei, vandi ihara paya

ihara prasade aiche arti amara va haya"

SYNONYMS

aho—alas; bhagyavati—very, very fortunate; ei—she; vandi—let Me offer prayers; ihara paya—at her feet; ihara prasade—by her favor; aiche—such; arti—eagerness; amara va haya—may be Mine “Alas! How fortunate this woman is! I pray at her feet that she favor Me with her great eagerness to see Lord Jagannatha.”

14.31

purve asi’ yabe kaila jagannatha darasana

jagannathe dekhe--saksat vrajendra-nandana

SYNONYMS

purve—before this; asi’-coming; yabe—when; kaila—executed; jagannatha darasana—seeing Lord Jagannatha; jagannathe dekhe—sees Lord Jagannatha; saksat vrajendra-nandana—personally the son of Maharaja Nanda.

Just previously, Sri Caitanya Mahaprabhu had been seeing Lord Jagannatha as the son of Maharaja Nanda, Krsna, in person.

14.32

svapnera darsanavese tad-rupa haila mana

yahan tahan dekhe sarvatra murali-vadana

SYNONYMS

svapnera—of the dream; darsana-avese—by being fully absorbed in the vision; tat-rupa—like that; haila mana—the mind became; yahan tahan—anywhere and everywhere; dekhe—sees; sarvatra—all around; murali-vadana—Krsna with His flute to His mouth.

Becoming fully absorbed in that vision, Sri Caitanya Mahaprabhu had assumed the mood of the gopis, so much so that everywhere He looked He saw Krsna standing with His flute to His lips.

14.33

ebe yadi strire dekhi’ prabhura bahya haila

jagannatha-subhadra-balaramera svarupa dekhila

SYNONYMS

ebe—now; yadi—when; strire—the woman; dekhi’-seeing; prabhura—of Sri Caitanya Mahaprabhu; bahya haila—there was external consciousness; jagannatha—Lord Jagannatha; subhadra—His sister, Subhadra; balaramera—and of His elder brother, Balarama; sva-rupa—forms; dekhila—saw.

After seeing the woman, the Lord’s external consciousness returned, and He saw the original Deity forms of Lord Jagannatha, Subhadra and Lord Balarama.

14.34

kuruksetre dekhi’ krsne aiche haila mana

’kahan kuruksetre ailana, kahan vrndavana’

SYNONYMS

kuruksetre—in Kuruksetra; dekhi’-seeing; krsne—Lord Krsna; aiche—in that way; haila mana—became His mind; kahan—where; kuruksetre ailana—I have come to Kuruksetra; kahan—where; vrndavana—Vrndavana.

When He saw the Deities, Lord Caitanya thought He was seeing Krsna in Kuruksetra.

He wondered, “Have I come to Kuruksetra? Where is Vrndavana?”

14.35

prapta-ratna harana aiche vyagra ha-ila

visanna hana prabhu nija-vasa aila

SYNONYMS

prapta-ratna—the achieved jewel; harana—having lost; aiche—in that way; vyagra ha-ila—became very agitated; visanna hana—being morose; prabhu—Sri Caitanya Mahaprabhu; nija—own; vasa—to His residential place; aila—returned.

Lord Caitanya grew very agitated, like a person who has just lost a recently acquired jewel.

Then He became very morose and returned home.

14.36

bhumira upara vasi’ nija-nakhe bhumi likhe

asru-ganga netre vahe, kichui na dekhe

SYNONYMS

bhumira upara—on the ground; vasi’-sitting down; nija-nakhe—with His nails; bhumi likhe—marked the ground; asru-ganga—a flow of tears like the Ganges; netre—in the eyes; vahe—flows; kichui—anything; na dekhe—could not see.

Sri Caitanya Mahaprabhu sat down on the ground and began to mark it with His nails.

He was blinded by tears, which flowed from His eyes like the Ganges.

14.37

’pailun vrndavana-natha, punah harailun

ke mora nileka krsna? kahan mui ainu’?

SYNONYMS

pailun—I got; vrndavana-natha—the Supreme Lord of Vrndavana; punah—again; harailun—I have lost; ke—who; mora—My; nileka—took away; krsna—Lord Krsna; kahan—where; mui ainu—have I come.

Sri Caitanya Mahaprabhu said, “I found Krsna, the Lord of Vrndavana, but I have lost Him again.

Who has taken My Krsna? Where have I come?”

PURPORT

These are the feelings of Srimati Radharani.

First Lord Caitanya felt that He had been taken to Vrndavana, where He saw Krsna’s rasa dance with the gopis.

Then He was brought to Kuruksetra to see Lord Jagannatha, His sister (Subhadra) and Lord Balarama.

Sri Caitanya Mahaprabhu lost Vrndavana and Krsna, the master of Vrndavana.

At this time, Caitanya Mahaprabhu experienced divyonmada, transcendental madness in separation from Krsna.

At Kuruksetra, Krsna displays His opulence, whereas in Vrndavana He is in His original position.

Krsna never goes even a step away from Vrndavana; therefore Kuruksetra is less important for the gopis than Vrndavana.

Although devotees who worship Krsna in opulence (His Vaikuntha aspect) may prefer to see Lord Krsna at Kuruksetra along with Subhadra and Balarama, the gopis want to see Krsna in Vrndavana, performing the rasa dance with Srimati Radharani.

Sri Caitanya Mahaprabhu showed by practical example how one can cultivate the mood of Radharani and the other gopis in separation from Krsna.

Devotees absorbed in this mood do not like to see Krsna anywhere else but Vrndavana.

Therefore Sri Caitanya Mahaprabhu lamented, “I found Krsna in Vrndavana, and now I have again lost Him and come to Kuruksetra.” Unless one is a very highly advanced devotee, he cannot understand these intricate feelings.

The author of Sri Caitanya-caritamrta, however, has tried to explain this divyonmada as far as possible, and it is our duty simply to appreciate it as far as possible.

Therefore the author has made the following request in verse 11:

tate visvasa kari’ suna bhavera varnana

ha-ibe bhavera jnana, paiba prema-dhana “My dear readers, simply try to hear this description with faith and love.

That will help you to understand transcendental ecstasy, and at last you will achieve love of Godhead very easily.”

14.38

svapnavese preme prabhura gara gara mana

bahya haile haya--yena haraila dhana

SYNONYMS

svapna-avese—when absorbed in dreams; preme—in love of Krsna; prabhura—of Sri Caitanya Mahaprabhu; gara gara—fully absorbed; mana—mind; bahya haile—when He awakens; haya—it is; yena—as if; haraila—He has lost; dhana—something very precious.

When Sri Caitanya Mahaprabhu dreamed of the rasa dance, He was fully absorbed in transcendental bliss, but when His dream broke, He thought He had lost a precious jewel.

14.39

unmattera praya prabhu karena gana-nrtya

dehera svabhave karena snana-bhojana-krtya

SYNONYMS

unmattera praya—as if mad; prabhu—Sri Caitanya Mahaprabhu; karena—performs; gana-nrtya—singing and dancing; dehera—of the body; svabhave—by nature; karena—carries out; snana—bathing; bhojana—eating; krtya—duties.

Thus Sri Caitanya Mahaprabhu would chant and dance, always absorbed in the bliss of transcendental madness.

He carried out the necessities of the body, such as eating and bathing, merely out of habit.

14.40

ratri haile svarupa-ramanande lana

apana manera bhava kahe ughadiya

SYNONYMS

ratri haile—when there was night; svarupa—Svarupa Damodara Gosvami; ramanande—Ramananda Raya; lana—taking together; apana manera—of His own mind; bhava—the ecstatic feelings; kahe—speaks; ughadiya—revealing.

At night, Lord Caitanya would reveal to Svarupa Damodara and Ramananda Raya the ecstatic feelings of His mind.

14.41

prapta-pranastacyuta-vitta atma

yayau visadojjhita-deha-gehah

grhita-kapalika-dharmako me

vrndavanam sendriya-sisya-vrndah

SYNONYMS

prapta—achieved; pranasta—lost; acyuta—Krsna; vittah—the treasure; atma—mind; yayau—went; visada—by lamentation; ujjhita—given up; deha-gehah—body and home; grhita—accepted; kapalika-dharmakah—the religious principles of a kapalika-yogi, a kind of mendicant; me—My; vrndavanam—to Vrndavana; sa—with; indriya—senses; sisya-vrndah—disciples.

Sri Caitanya Mahaprabhu said, “At first My mind somehow achieved the treasure of Krsna, but it again lost Him.

Therefore it gave up My body and home because of lamentation and accepted the religious principles of a kapalika-yogi.

Then My mind went to Vrndavana with its disciples, My senses.,”

PURPORT

This verse is clearly metaphorical.

14.42

prapta-ratna harana, tara guna sanariya, mahaprabhu santape vihvala

raya-svarupera kantha dhari’, kahe ’haha hari hari’, dhairya gela, ha-ila capala

SYNONYMS

prapta—acquired; ratna—gem; harana—having lost; tara—of it; guna—attributes; sanariya—remembering; mahaprabhu—Sri Caitanya Mahaprabhu; santape—in lamentation; vihvala—overwhelmed; raya—of Ramananda Raya; svarupera—of Svarupa Damodara Gosvami; kantha dhari’-catching the necks; kahe—said; haha hari hari—alas, where is Hari, where is Hari; dhairya—patience; gela—lost; ha-ila capala—became restless.

Having lost His acquired gem, Sri Caitanya Mahaprabhu became overwhelmed with lamentation by remembering its attributes.

Then, grasping the necks of Ramananda Raya and Svarupa Damodara Gosvami, He cried, “Alas, where is My Lord Hari? Where is Hari?” Finally He became restless and lost all patience.

14.43

"suna, bandhava, krsnera madhuri

yara lobhe mora mana, chadi’ loka-veda-dharma, yogi hana ha-ila bhikhari

SYNONYMS

suna—please hear; bandhava—My friends; krsnera madhuri—the sweetness of Lord Krsna; yara—for which; lobhe—by the greed; mora mana—My mind; chadi’-giving up; loka-veda-dharma—social and Vedic religious principles; yogi hana—having become a yogi; ha-ila bhikhari—has become a beggar “My dear friends,” He said, "please hear of Krsna’s sweetness.

Because of a great desire for that sweetness, My mind has given up all social and Vedic religious principles and taken to the profession of begging, exactly like a mystic yogi.

14.44

krsna-lila-mandala, suddha sankha-kundala, gadiyache suka karikara

sei kundala kane pari’, trsna-lau-thali dhari’, asa-jhuli kandhera upara

SYNONYMS

krsna-lila-mandala—the ring of the pastimes of Krsna; suddha—pure; sankha-kundala—an earring of conchshell; gadiyache—has manufactured; suka—Sukadeva Gosvami; karikara—craftsman; sei kundala—that earring; kane pari,—putting on the ear; trsna—aspiration; lau—of squash or gourd; thali—the bowl; dhari’-taking; asa—expectation; jhuli—bag; kandhera upara—on the shoulder "The ring of Krsna’s rasa-lila, manufactured by Sukadeva Gosvami, the most auspicious craftsman, is as pure as an earring made from a conchshell.

The yogi of My mind is wearing that earring upon his ear.

From a gourd he has carved out the bowl of My aspirations, and he has taken the bag of My expectations on his shoulder.

14.45

cinta-kantha udhi gaya, dhuli-vibhuti-malina-kaya, ’haha krsna’ pralapa-uttara

udvega dvadasa hate, lobhera jhulani mathe, bhiksabhave ksina kalevara

SYNONYMS

cinta—of anxiety; kantha—the torn quilt; udhi—covering; gaya—on the body; dhuli—dust; vibhuti—ashes; malina-kaya—dirty body; haha—alas; krsna—Krsna; pralapa-uttara—crazy replies; udvega—distress; dvadasa—twelve (bangles); hate—on the wrist; lobhera—of greed; jhulani—turban; mathe—on the head; bhiksa-abhave—in the absence of alms; ksina—skinny; kalevara—body "The yogi of My mind wears the torn quilt of anxiety on his dirty body, which is covered with dust and ashes.

His only words are,’Alas! Krsna!’ He wears twelve bangles of distress on his wrist and a turban of greed on his head.

Because he has not eaten anything, he is very thin.

14.46

vyasa, sukadi yogi-gana, krsna atma niranjana, vraje tanra yata lila-gana

bhagavatadi sastra-gane, kariyache varnane, sei tarja pade anuksana

SYNONYMS

vyasa—Dvaipayana Vyasa; suka-adi—and other sages, such as Sukadeva Gosvami; yogi-gana—great mystic yogis; krsna—Lord Krsna; atma—the Supersoul; niranjana—without material contamination; vraje—in Vrndavana; tanra—His; yata—all; lila-gana—pastimes; bhagavata-adi—Srimad-Bhagavatam and others; sastra-gane—in revealed scriptures; kariyache varnane—have described; sei tarja—that competition of poetry between two parties; pade—reads; anuksana—every moment "The great yogi of My mind always studies the poetry and discussions of Lord Krsna’s Vrndavana pastimes.

In the Srimad-Bhagavatam and other scriptures, great saintly yogis like Vyasadeva and Sukadeva Gosvami have described Lord Krsna as the Supersoul, beyond all material contamination.

14.47

dasendriye sisya kari’, ’maha-baula’ nama dhari’, sisya lana karila gamana

mora deha sva-sadana, visaya-bhoga maha-dhana, saba chadi’ gela vrndavana

SYNONYMS

dasa-indriye—the ten senses; sisya kari’-making disciples; maha-baula—of a great mendicant; nama dhari’-taking the name; sisya lana—taking disciples; karila gamana—has gone; mora—My; deha—body; sva-sadana—own home; visaya-bhoga—material enjoyment; maha-dhana—great treasure; saba chadi’-leaving aside everything; gela vrndavana—has gone to Vrndavana "The mystic yogi of My mind has assumed the name Mahabaula and made disciples of My ten senses.

Thus My mind has gone to Vrndavana, leaving aside the home of My body and the great treasure of material enjoyment.

PURPORT

Sri Caitanya Mahaprabhu compares His mind to one of the mystic yogis known as baula, who makes at least ten disciples.

14.48

vrndavane praja-gana, yata sthavara-jangama, vrksa-lata grhastha-asrame

tara ghare bhiksatana, phala-mula-patrasana, ei vrtti kare sisya-sane

SYNONYMS

vrndavane—in Vrndavana; praja-gana—the citizens; yata—all; sthavara-jangama—nonmoving and moving; vrksa-lata—the trees and creepers; grhastha-asrame—in household life; tara ghare—at his house; bhiksa-atana—begging from door to door; phala-mula-patra—fruits, roots and leaves; asana—eating; ei vrtti—this business; kare—performs; sisya-sane—with the disciples "In Vrndavana, he goes from door to door begging alms with all his disciples.

He begs from both the moving and the inert inhabitants-the citizens, the trees and the creepers.

In this way he lives on fruits, roots and leaves.

14.49

krsna-guna-rupa-rasa, gandha, sabda, parasa, se sudha asvade gopi-gana

ta-sabara grasa-sese, ani’ pancendriya sisye, se bhiksaya rakhena jivana

SYNONYMS

krsna—of Lord Krsna; guna-rupa-rasa—attributes, beauty and sweetness; gandha sabda parasa—aroma, sound and touch; se sudha—that nectar; asvade—taste; gopi-gana—all the gopis; ta-sabara—of all of them; grasa-sese—remnants of food; ani’-bringing; panca-indriya—five senses; sisye—the disciples; se bhiksaya—by such alms; rakhena—maintain; jivana—life "The gopis of Vrajabhumi always taste the nectar of Krsna’s attributes, His beauty, His sweetness, His aroma, the sound of His flute and the touch of His body.

My mind’s five disciples, the senses of perception, gather the remnants of that nectar from the gopis and bring them to the yogi of My mind.

The senses maintain their lives by eating those remnants.

14.50

sunya-kunja-mandapa-kone, yogabhyasa krsna-dhyane, tahan rahe lana sisya-gana

krsna atma niranjana, saksat dekhite mana, dhyane ratri kare jagarana

SYNONYMS

sunya-kunja-mandapa-kone—in the corner of a pavilion in a solitary garden; yoga-abhyasa—practice of mystic yoga; krsna-dhyane—by meditating on Krsna; tahan—there; rahe—remains; lana—taking; sisya-gana—disciples; krsna—Lord Krsna; atma—the Supersoul; niranjana—without material contamination; saksat—directly; dekhite—to see; mana—mind; dhyane—in meditation; ratri—at night; kare jagarana—keeps awake "There is a solitary garden where Krsna enjoys His pastimes, and in one corner of a pavilion in that garden, the yogi of My mind, along with his disciples, practices mystic yoga.

Wanting to see Krsna directly, this yogi remains awake throughout the night, meditating on Krsna who is the Supersoul, uncontaminated by the three modes of nature.

14.51

mana krsna-viyogi, duhkhe mana haila yogi, se viyoge dasa dasa haya

se dasaya vyakula hana, mana gela palana, sunya mora sarira alaya"

SYNONYMS

mana—the mind; krsna-viyogi—bereft of Krsna’s association; duhkhe—in unhappiness; mana—the mind; haila—became; yogi—a mystic yogi; se viyoge—by that feeling of separation; dasa—ten; dasa—transcendental transformations; haya—there are; se dasaya—by those transcendental transformations; vyakula hana—being very agitated; mana—the mind; gela—went away; palana—fleeing; sunya—void; mora—My; sarira—body; alaya—place of residence “When My mind lost the association of Krsna and could no longer see Him, he became depressed and took up mystic yoga.

In the void of separation from Krsna, he experienced ten transcendental transformations.

Agitated by these transformations, My mind fled, leaving My body, his place of residence, empty.

Thus I am completely in trance.”

PURPORT

In this verse, the outward activities of the kapalika mendicants have been described, but not their actual life.

The kapalika mendicants are tantric materialists who carry skulls in their hands.

They are not Vaisnavas and have nothing to do with spiritual life.

Therefore they are untouchable.

Only an outward comparison has been made between the mind and their activities, but their behavior should never be imitated.

14.52

krsnera viyoge gopira dasa dasa haya

sei dasa dasa haya prabhura udaya

SYNONYMS

krsnera viyoge—by separation from Krsna; gopira—of the gopis; dasa dasa—ten kinds of transcendental transformations of the body; haya—there are; sei—those; dasa dasa—ten kinds of transcendental transformations; haya—are; prabhura udaya—visible in the body of Sri Caitanya Mahaprabhu.

When the gopis felt separation from Krsna, they experienced ten kinds of bodily transformations.

These same symptoms appeared on the body of Sri Caitanya Mahaprabhu.

14.53

cintatra jagarodvegau

tanavam malinangata

pralapo vyadhir unmado

moho mrtyur dasa dasa

SYNONYMS

cinta—anxiety; atra—here (because of separation from Krsna); jagara—wakefulness; udvegau—and mental agitation; tanavam—thinness; malina-angata—an unclean, almost dirty state of the body; pralapah—talking like a madman; vyadhih—disease; unmadah—madness; mohah—illusion; mrtyuh—death; dasa—conditions; dasa—ten “The ten bodily transformations resulting from separation from Krsna are anxiety, wakefulness, mental agitation, thinness, uncleanliness, talking like a madman, disease, madness, illusion and death.”

PURPORT

This verse is part of a description of Srimati Radharani’s different traits from Ujjvala-nilamani by Srila Rupa Gosvami.

In this book, he elaborately explains the ten symptoms as follows.

Cinta.

As stated in the Hamsaduta:

yada yato gopi-hrdaya-madano nanda-sadanan

mukundo gandinyas tanayam anurundhan madhu-purim

tadamanksic cinta-sariti ghana-ghurnaparicayair

agadhayam vadhamaya-payasi radha virahini “At the request of Akrura, Krsna and Balarama left the house of Nanda Maharaja for Mathura.

At that time, Srimati Radharani’s mind was disrupted, and She became almost mad because of extreme separation from Krsna.

She experienced great mental pain and agitation, which caused Her to drown in mental speculation in the river of anxiety.

She thought, ’Now I am going to die, and when I die, Krsna will surely come back to see Me again.

But when He hears of My death from the people of Vrndavana, He will certainly be very unhappy.

Therefore I shall not die.’ ” This is the explanation of the word cinta.

Jagara.

As stated in the Padyavali:

yah pasyanti priyam svapne

dhanyastah sakhi yositah

asmakam tu gate krsne

gata nidrapi vairini Thinking Herself very unfortunate, Srimati Radharani addressed Her very dear friend Visakha, “My dear friend, if I could see Krsna in My dreams, I would certainly be glorified for My great fortune.

But what can I do? Sleep also plays mischievously with Me.

Indeed, it has become My enemy.

Therefore I have not slept since the departure of Krsna.”

Udvega.

This word is also explained in the Hamsaduta as follows:

mano me ha kastam jvalati kim aham hanta karavai

na param navaram sumukhi kalayam yasya jaladheh

iyam vande murdhna sapadi tam upayam kathaya me

paramrsye yasmad dhrti-kanikayapi ksani-kaya Srimati Radharani addressed Lalita, “My dear beautiful-faced Lalita, I cannot express how My heart is burning.

It is a great, unfathomable ocean of anxiety.

Still, I wish to offer My obeisances at your lotus feet.

What shall I do? Please consider My condition and advise Me how I can become peaceful.

That is My desire.”

Tanava is described as follows:

udancad-vaktrambhoruha-vikrtir antah-kulasita

sadaharabhava-glapita-kucakoka yadu-pate

visusyanti radha tava viraha-tapad anudinam

nidaghe kuly eva krasima-paripakam prathayati When Uddhava returned to Mathura after visiting Vrndavana, Lord Krsna inquired from him about Radharani and Visakha.

Uddhava replied as follows: “Consider the condition of the gopis! Srimati Radharani especially is in a very painful condition because of separation from You.

She has grown skinny, and Her bodily luster is almost gone.

Her heart is immersed in pain, and because She has given up eating, Her breast has become black, as if diseased.

Because of separation from You, all the gopis, especially Radharani, appear like dried-up water holes under the scorching heat of the sun.”

Malina-angata is described as follows:

hima-visara-visirnambhoja-tulyanana-srih

khara-marud-aparajyad-bandhu-jivopamausthi

agha-hara sarad-arkottapitendivaraksi

tava viraha-vipatti-mlapitasid visakha Uddhava said to Krsna, “O most auspicious Krsna, please hear me.

The tribulation caused by Your absence has made Visakha languid.

Her lips tremble like trees in a strong wind.

Her beautiful face is like a lotus flower that has withered under the snow, and Her eyes are like lotus petals scorched by the heat of the autumn sun.”

Pralapa is explained in Lalita-madhava as follows:

kva nanda-kula-candramah kva sikhi-candra-kalankrtih

kva manda-murali-ravah kva nu surendra-nila-dyutih

kva rasa-rasa-tandavi kva sakhi jiva-raksausadhir

nidhir mama suhrttamah kva tava hanta ha dhig-vidhih This is Srimati Radharani’s lamentation for Her beloved Krsna, who was away from home.

A woman whose husband has left home and gone to a foreign land is called prosita-bhartrka.

Lamenting for Krsna in the same way as such a woman laments for her husband, Srimati Radharani said, “My dear friend, where is the glory of the family of Maharaja Nanda, who wears a half-moon ornament on His head? Where is Krsna, whose hue is like that of the indranila jewel and who plays so nicely on His flute? Where is your friend, the best of all men, so expert in dancing in the circle of the rasa dance? Where is He who is the real medicine to save Me from dying of heart disease? I must condemn Providence, for he has caused Me so many tribulations by separating Me from Krsna.”

Vyadhi is also described in Lalita-madhava:

uttapi puta-pakato ’pi garala-gramad api ksobhano

dambholer api duhsahah katur alam hrn-magna-sulyad api

tivrah praudha-visucikani-cayato ’py uccair mamayam bali

marmany adya bhinatti gokula-pater vislesa-janma jvarah Being greatly afflicted by the pain of separation from Krsna, Srimati Radharani said, “My dear Lalita, kindly hear Me.

I cannot bear suffering the fever of separation from Krsna, nor can I explain it to you.

It is something like gold melting in an earthen box.

This fever produces more distress than poison, and it is more piercing than a thunderbolt.

I suffer exactly like someone almost dead from cholera.

To be giving Me so much pain, this fever must be very strong indeed.”

Unmada is explained as follows:

bhramati bhavana-garbhe nirnimittam hasanti

prathayati tava vartam cetanacetanesu

luthati ca bhuvi radha kampitangi murare

visama-viraha-khedodgari-vibhranta-citta Uddhava said to Krsna, “My dear Krsna, all the gopis are so afflicted by Your absence that they have become almost mad.

O Murari, at home Srimati Radharani laughs unnecessarily and, like a madwoman, inquires about You from every entity without distinction, even from the stones.

She rolls on the ground, unable to bear the agony of Your absence.”

Moha is explained as follows:

nirundhe dainyabdhim harati guru-cinta paribhavam

vilumpaty unmadam sthagayati balad baspa-laharim

idanim kamsare kuvalaya-drsah kevalam idam

vidhatte sacivyam tava viraha-murccha-sahacari Lalita wrote Krsna the following letter on Srimati Radharani’s behalf: “My dear Krsna, separation from You has greatly agitated Srimati Radharani’s mind, and She has fallen unconscious on the ground.

O enemy of Kamsa, You have now become a first-class politician, and therefore You can supposedly give relief to everyone.

Therefore please consider the plight of Srimati Radharani, or very soon You will hear of Her death.

Maybe at that time You will lament, although now You are jubilant.”

Mrtyu is explained in the Hamsaduta:

aye rasa-krida-rasika mama sakhyam nava-nava

pura baddha yena pranaya-lahari hanta gahana

sa cen muktapeksas tvam asi dhig imam tulasakalam

yad etasya nasa-nihitam idam adyapi calati In the following letter, Lalita chastised Krsna for staying in Mathura: “Simply by dancing in the circle of the rasa dance, You attracted Srimati Radharani’s love.

Why are You now so indifferent to my dear friend Radharani? She is lying nearly unconscious, thinking of Your pastimes.

14.54

ei dasa-dasaya prabhu vyakula ratri-dine

kabhu kona dasa uthe, sthira nahe mane

SYNONYMS

ei—these; dasa-dasaya—by ten conditions; prabhu—Sri Caitanya Mahaprabhu; vyakula—overwhelmed; ratri-dine—night and day; kabhu—sometimes; kona—some; dasa—condition; uthe—arises; sthira—steady; nahe—is not; mane—the mind.

Sri Caitanya Mahaprabhu was overwhelmed night and day by these ten ecstatic conditions.

Whenever such symptoms arose, His mind became unsteady.

14.55

eta kahi’ mahaprabhu mauna karila

ramananda-raya sloka padite lagila

SYNONYMS

eta kahi’-speaking this; mahaprabhu—Sri Caitanya Mahaprabhu; mauna karila—became silent; ramananda-raya—Ramananda Raya; sloka—verses; padite lagila—began to recite.

After speaking in this way, Sri Caitanya Mahaprabhu fell silent.

Then Rama-nanda Raya began to recite various verses.

14.56

svarupa-gosani kare krsna-lila gana

dui jane kichu kaila prabhura bahya jnana

SYNONYMS

svarupa-gosani—Svarupa Damodara Gosani; kare—does; krsna-lila—of the pastimes of Krsna; gana—singing; dui jane—both of them; kichu—some; kaila—revived; prabhura—of Sri Caitanya Mahaprabhu; bahya jnana—external consciousness.

Ramananda Raya recited verses from Srimad-Bhagavatam, and Svarupa Damodara Gosvami sang of Krsna’s pastimes.

In this way, they brought Sri Caitanya Mahaprabhu to external consciousness.

14.57

ei-mata ardha-ratri kaila niryapana

bhitara-prakosthe prabhure karaila sayana

SYNONYMS

ei-mata—in this way; ardha-ratri—half the night; kaila niryapana—passed; bhitara-prakosthe—in the inner room; prabhure—Sri Caitanya Mahaprabhu; karaila sayana—they made to lie down.

After half the night had passed in this way, Ramananda Raya and Svarupa Damodara Gosvami made Sri Caitanya Mahaprabhu lie down on His bed in the inner room.

14.58

ramananda-raya tabe gela nija ghare

svarupa-govinda dunhe suilena dvare

SYNONYMS

ramananda-raya—Ramananda Raya; tabe—thereupon; gela—returned; nija ghare—to his home; svarupa—Svarupa Damodara Gosvami; govinda—and Govinda; dunhe—both; suilena—lay down; dvare—at the door.

Then Ramananda Raya returned home, and Svarupa Damodara Gosvami, along with Govinda, lay down in front of the door to Sri Caitanya Mahaprabhu’s room.

14.59

saba ratri mahaprabhu kare jagarana

ucca kari’ kahe krsna-nama-sankirtana

SYNONYMS

saba ratri—all night; mahaprabhu—Sri Caitanya Mahaprabhu; kare—does; jagarana—remaining without sleep; ucca kari’-very loudly; kahe krsna-nama-sankirtana—chants the holy name of Krsna.

Sri Caitanya Mahaprabhu remained awake throughout the entire night, chanting the Hare Krsna mantra very loudly.

14.60

sabda na pana svarupa kapata kaila dure

tina-dvara deoya ache, prabhu nahi ghare!

SYNONYMS

sabda—sound; na—not; pana—hearing; svarupa—Svarupa Damodara Gosvami; kapata—the door; kaila dure—opened; tina-dvara—three doors; deoya ache—were locked; prabhu—Sri Caitanya Mahaprabhu; nahi ghare—was not within the room.

After some time, Svarupa Damodara could no longer hear Sri Caitanya Mahaprabhu chanting.

When he entered the room, he found the three doors locked, but Sri Caitanya Mahaprabhu had gone.

14.61

cintita ha-ila sabe prabhure na dekhiya

prabhu cahi’ bule sabe deuti jvaliya

SYNONYMS

cintita ha-ila—became very anxious; sabe—all the devotees; prabhure—Sri Caitanya Mahaprabhu; na dekhiya—not seeing; prabhu—Sri Caitanya Mahaprabhu; cahi’-searching for; bule—wander; sabe—all of them; deuti—lamp; jvaliya—lighting.

All the devotees were very anxious when they saw that the Lord was not in His room.

They wandered about searching for Him with a warning lamp.

14.62

simha-dvarera uttara-disaya ache eka thani

tara madhye padi’ achena caitanya-gosani

SYNONYMS

simha-dvarera—of the gate known as Simha-dvara; uttara-disaya—on the northern side; ache—there is; eka thani—a place; tara madhye—within that place; padi’-lying down; achena—was; caitanya-gosani—Sri Caitanya Mahaprabhu.

After searching for some time, they came upon Sri Caitanya Mahaprabhu lying in a corner by the northern side of the Simha-dvara gate.

14.63

dekhi’ svarupa-gosani-adi anandita haila

prabhura dasa dekhi’ punah cintite lagila

SYNONYMS

dekhi’-seeing; svarupa-gosani-adi—all the devotees, headed by Svarupa Damodara Gosvami; anandita haila—became very glad; prabhura—of Sri Caitanya Mahaprabhu; dasa—the condition; dekhi’-seeing; punah—again; cintite lagila—they began to feel anxiety.

At first they were overjoyed to see Him, but when they saw His condition, all the devotees, headed by Svarupa Damodara Gosvami, were very anxious.

14.64

prabhu padi’ achena dirgha hata panca-chaya

acetana deha, nasaya svasa nahi vaya

SYNONYMS

prabhu—the Lord; padi’ achena—was lying down; dirgha—prolonged; hata panca-chaya—five to six cubits (one cubit equals about a foot and a half); acetana deha—unconscious body; nasaya—in the nostrils; svasa—breath; nahi vaya—does not flow.

Sri Caitanya Mahaprabhu was lying unconscious, and His body had become elongated to five or six cubits (eight or nine feet).

There was no breath from His nostrils.

14.65-66

eka eka hasta-pada--dirgha tina tina-hata

asthi-granthi bhinna, carma ache matra tata

hasta, pada, griva, kati, asthi sandhi yata

eka eka vitasti bhinna hanache tata

SYNONYMS

eka eka—each one; hasta-pada—arms and legs; dirgha—prolonged; tina tina-hata—three cubits; asthi-granthi—joints of the bones; bhinna—separated; carma—skin; ache—there is; matra—only; tata—a slight temperature indicating life; hasta—arms; pada—legs; griva—neck; kati—waist; asthi—bones; sandhi—joints; yata—as many; eka—one; eka—one; vitasti—about six inches; bhinna—separated; hanache—were; tata—so many.

Each of His arms and legs had become three cubits long; only skin connected the separated joints.

The Lord’s body temperature, indicating life, was very low.

All the joints in His arms, legs, neck and waist were separated by at least six inches.

14.67

carma-matra upare, sandhi ache dirgha hana

duhkhita ha-ila sabe prabhure dekhiya

SYNONYMS

carma-matra—only skin; upare—over; sandhi—joints; ache—are; dirgha—prolonged; hana—being; duhkhita—very sorry; ha-ila—became; sabe—all of them; prabhure—Sri Caitanya Mahaprabhu; dekhiya—seeing.

It appeared that only skin covered His elongated joints.

Seeing the Lord’s condition, all the devotees were very unhappy.

14.68

mukhe lala-phena prabhura uttana-nayana

dekhiya sakala bhaktera deha chade prana

SYNONYMS

mukhe—at the mouth; lala—saliva; phena—foam; prabhura—of Sri Caitanya Mahaprabhu; uttana—turned upwards; nayana—eyes; dekhiya—seeing; sakala bhaktera—of all the devotees; deha—body; chade—leaves; prana—life.

They almost died when they saw Sri Caitanya Mahaprabhu with His mouth full of saliva and foam and His eyes turned upward.

14.69

svarupa-gosani tabe ucca kariya

prabhura kane krsna-nama kahe bhakta-gana lana

SYNONYMS

svarupa-gosani—Svarupa Damodara Gosani; tabe—at that time; ucca kariya—very loudly; prabhura kane—in the ear of Sri Caitanya Mahaprabhu; krsna-nama—the holy name of Lord Krsna; kahe—began to chant; bhakta-gana lana—with all the other devotees.

When they saw this, Svarupa Damodara Gosvami and all the other devotees began to chant the holy name of Krsna very loudly into Sri Caitanya Mahaprabhu’s ear.

14.70

bahu-ksane krsna-nama hrdaye pasila

’hari-bola’ bali’ prabhu garjiya uthila

SYNONYMS

bahu-ksane—after a long time; krsna-nama—the holy name of Lord Krsna; hrdaye pasila—entered the heart; hari-bola bali’-saying Hari bol; prabhu—Sri Caitanya Mahaprabhu; garjiya—making a loud sound; uthila—got up.

After they chanted in this way for a long time, the holy name of Krsna entered the heart of Sri Caitanya Mahaprabhu, and He suddenly arose with a loud shout of “Hari bol.”

14.71

cetana paite asthi-sandhi lagila

purva-praya yathavat sarira ha-ila

SYNONYMS

cetana paite—after coming to consciousness; asthi-sandhi—the joints of the bones; lagila—contracted; purva-praya—as before; yathavat—in a normal condition; sarira—the body; ha-ila—became.

As soon as the Lord returned to external consciousness, all His joints contracted, and His entire body returned to normal.

14.72

ei lila mahaprabhura raghunatha-dasa

’gauranga-stava-kalpavrkse’ kariyache prakasa

SYNONYMS

ei lila—this pastime; mahaprabhura—of Sri Caitanya Mahaprabhu; raghunatha-dasa—Raghunatha dasa Gosvami; gauranga-stava-kalpa-vrkse—in the book known as Gauranga-stava-kalpavrksa; kariyache prakasa—has described.

Srila Raghunatha dasa Gosvami has described these pastimes elaborately in his book Gauranga-stava-kalpavrksa.

14.73

kvacin misravase vraja-pati-sutasyoru-virahat

slathac chri-sandhitvad dadhad-adhika-dairghyam bhuja-padoh

luthan bhumau kakva vikala-vikalam gadgada-vaca

rudan sri-gaurango hrdaya udayan mam madayati

SYNONYMS

kvacit—sometimes; misra-avase—in the house of Kasi Misra; vraja-pati-sutasya—of the son of Nanda Maharaja; uru-virahat—because of strong feeling of separation; slathat—being slackened; sri-sandhitvat—from the joints of His transcendental body; dadhat—obtaining; adhika-dairghyam—extraordinary longness; bhuja-padoh—of the arms and legs; luthan—rolling; bhumau—on the ground; kakva—with a cry of lamentation; vikala-vikalam—very sorrowfully; gadgada-vaca—with a faltering voice; rudan—crying; sri-gaurangah—Lord Sri Caitanya Mahaprabhu; hrdaye—in the heart; udayan—awakening; mam—me; madayati—maddens “Sometimes Sri Caitanya Mahaprabhu would go to the house of Kasi Misra.

There He would be greatly aggrieved, feeling separation from Krsna.

The joints of His transcendental body would slacken, and His arms and legs would become elongated.

Rolling on the ground, the Lord would cry out in distress in a faltering voice and weep very sorrowfully.

The appearance of Sri Caitanya Mahaprabhu, awakening in my heart, maddens me.”

14.74

simha-dvare dekhi’ prabhura vismaya ha-ila

’kanha kara ki’--ei svarupe puchila

SYNONYMS

simha-dvare—at the gate known as Simha-dvara; dekhi’-seeing; prabhura—of Sri Caitanya Mahaprabhu; vismaya ha-ila—there was astonishment; kanha—where; kara ki’-what am I doing; ei—this; svarupe puchila—inquired from Svarupa Damodara Gosvami.

Sri Caitanya Mahaprabhu was very astonished to find Himself in front of the Simha-dvara.

He asked Svarupa Damodara Gosvami, “Where am I? What am I doing here?”

14.75

svarupa kahe,--’utha, prabhu, cala nija-ghare

tathai tomare saba karimu gocare’

SYNONYMS

svarupa kahe—Svarupa Damodara Gosvami replied; utha prabhu—my dear Lord, please get up; cala—go; nija-ghare—to Your place; tathai—there; tomare—unto You; saba—all; karimu gocare—I shall inform.

Svarupa Damodara said, “My dear Lord, please get up.

Let us go to Your place.

There I shall tell You everything that has happened.”

14.76

eta bali’ prabhure dhari’ ghare lana gela

tanhara avastha saba kahite lagila

SYNONYMS

eta bali’-saying this; prabhure dhari’-taking Mahaprabhu; ghare—home; lana gela—took back; tanhara avastha—His condition; saba—all of them; kahite lagila—began to speak.

Thus all the devotees carried Sri Caitanya Mahaprabhu back to His residence.

Then they all described to Him what had happened.

14.77

suni’ mahaprabhu bada haila camatkara

prabhu kahe,--’kichu smrti nahika amara

SYNONYMS

suni’-hearing; mahaprabhu—Sri Caitanya Mahaprabhu; bada—very much; haila camatkara—became astonished; prabhu kahe—Sri Caitanya Mahaprabhu said; kichu—any; smrti—remembrance; nahika—is not; amara—Mine.

Hearing the description of His condition while lying near the Simha-dvara, Sri Caitanya Mahaprabhu was very astonished.

He said, "I do not remember any of these things.

14.78

sabe dekhi--haya mora krsna vidyamana

vidyut-praya dekha diya haya antardhana’

SYNONYMS

sabe—only this; dekhi—I know; haya—there is; mora—My; krsna—Lord Krsna; vidyamana—brightly present; vidyut-praya—like lightning; dekha diya—appearing; haya—there is; antardhana—disappearance “I can only remember that I saw My Krsna, but only for an instant.

He appeared before Me, and then, like lightning, immediately disappeared.”

14.79

hena-kale jagannathera pani-sankha bajila

snana kari’ mahaprabhu darasane gela

SYNONYMS

hena-kale—at this time; jagannathera—of Lord Jagannatha; pani-sankha—a conchshell that can be held in the hand; bajila—vibrated; snana kari’-after bathing; mahaprabhu—Sri Caitanya Mahaprabhu; darasane gela—went to see Lord Jagannatha.

Just then, everyone heard the blowing of the conchshell at the Jagannatha temple.

Sri Caitanya Mahaprabhu immediately took His bath and went to see Lord Jagannatha.

14.80

ei ta’ kahilun prabhura adbhuta vikara

yahara sravane loke lage camatkara

SYNONYMS

ei ta’-thus; kahilun—I have described; prabhura—of Sri Caitanya Mahaprabhu; adbhuta vikara—uncommon transformations of the body; yahara sravane—hearing which; loke—people; lage—feel; camatkara—astonishment.

Thus I have described the uncommon transformations of the body of Sri Caitanya Mahaprabhu.

When people hear about this, they are very astonished.

14.81

loke nahi dekhi aiche, sastre nahi suni

hena bhava vyakta kare nyasi-cudamani

SYNONYMS

loke—among people; nahi dekhi—we do not see; aiche—such; sastre—in scripture; nahi suni—we do not hear; hena—such; bhava—emotions; vyakta kare—exhibits; nyasi-cudamani—the supreme sannyasi.

No one has witnessed such bodily changes elsewhere, nor has anyone read of them in the revealed scriptures.

Yet Sri Caitanya Mahaprabhu, the supreme sannyasi, exhibited these ecstatic symptoms.

14.82

sastra-lokatita yei yei bhava haya

itara-lokera tate na haya niscaya

SYNONYMS

sastra-loka-atita—beyond the conception of people and the revealed scriptures; yei yei—whatever; bhava—emotional ecstasies; haya—there are; itara-lokera—of common men; tate—in that; na haya—there is not; niscaya—belief.

These ecstasies are not described in the sastras, and they are inconceivable to common men.

Therefore people in general do not believe in them.

14.83

raghunatha-dasera sada prabhu-sange sthiti

tanra mukhe suni’ likhi kariya pratiti

SYNONYMS

raghunatha-dasera—of Raghunatha dasa Gosvami; sada—always; prabhu-sange—with Sri Caitanya Mahaprabhu; sthiti—living; tanra mukhe—from his mouth; suni’-hearing; likhi—I write; kariya pratiti—accepting in total.

Raghunatha dasa Gosvami lived continuously with Sri Caitanya Mahaprabhu.

I am simply recording whatever I have heard from him.

Although common men do not believe in these pastimes, I believe in them totally.

14.84

eka-dina mahaprabhu samudre yaite

’cataka’-parvata dekhilena acambite

SYNONYMS

eka-dina—one day; mahaprabhu—Sri Caitanya Mahaprabhu; samudre yaite—while going to the sea; cataka-parvata—the Cataka-parvata sand hill; dekhilena—saw; acambite—suddenly.

One day, while Sri Caitanya Mahaprabhu was going to the sea to bathe, He suddenly saw a sand dune named Cataka-parvata.

14.85

govardhana-saila-jnane avista ha-ila

parvata-disate prabhu dhana calila

SYNONYMS

govardhana-saila—Govardhana Hill; jnane—by the understanding; avista ha-ila—became overwhelmed; parvata-disate—in the direction of the sand hill; prabhu—Sri Caitanya Mahaprabhu; dhana calila—began to run.

Sri Caitanya Mahaprabhu mistook the sand dune for Govardhana Hill and ran toward it.

14.86

hantayam adrir abala hari-dasa-varyo

yad rama-krsna-carana-sparasa-pramodah

manam tanoti saha-go-ganayos tayor yat

paniya-suyavasa-kandara-kanda-mulaih

SYNONYMS

hanta—oh; ayam—this; adrih—hill; abalah—O friends; hari-dasa-varyah—the best among the servants of the Lord; yat—because; rama-krsna-carana—of the lotus feet of Lord Krsna and Balarama; sparasa—by the touch; pramodah—jubilant; manam—respects; tanoti—offers; saha—with; go-ganayoh—cows, calves and cowherd boys; tayoh—to Them (Sri Krsna and Balarama); yat—because; paniya—drinking water; suyavasa—very soft grass; kandara—caves; kanda-mulaih—and by roots “Of all the devotees, this Govardhana Hill is the best! O My friends, this hill supplies Krsna and Balarama, as well as Their calves, cows and cowherd friends, with all kinds of necessities-water for drinking, very soft grass, caves, fruits, flowers and vegetables.

In this way the hill offers respect to the Lord.

Being touched by the lotus feet of Krsna and Balarama, Govardhana Hill appears very jubilant.”

PURPORT

This is a quotation from Srimad-Bhagavatam (10.21.18).

It was spoken by the gopis when Lord Krsna and Balarama entered the forest in the autumn.

The gopis spoke among themselves and glorified Krsna and Balarama for Their pastimes.

14.87

ei sloka padi’ prabhu calena vayu-vege

govinda dhaila pache, nahi paya lage

SYNONYMS

ei sloka—this verse; padi’-reciting; prabhu—Sri Caitanya Mahaprabhu; calena—goes; vayu-vege—at the speed of the wind; govinda—Govinda; dhaila—ran; pache—behind; nahi paya lage—could not catch.

Reciting this verse, Sri Caitanya Mahaprabhu ran toward the sand dune as fast as the wind.

Govinda ran after Him, but he could not approach Him.

14.88

phukara padila, maha-kolahala ha-ila

yei yahan chila sei uthiya dhaila

SYNONYMS

phu-kara—a loud call; padila—arose; maha-kolahala—a tumultuous sound; ha-ila—there was; yei—whoever; yahan—wherever; chila—was; sei—he; uthiya dhaila—got up and began to run.

First one devotee shouted loudly, and then a tumultuous uproar arose as all the devotees stood up and began to run after the Lord.

14.89

svarupa, jagadananda, pandita-gadadhara

ramai, nandai, ara pandita sankara

SYNONYMS

svarupa—Svarupa Damodara Gosvami; jagadananda—Jagadananda Pandita; pandita-gadadhara—Gadadhara Pandita; ramai—Ramai; nandai—Nandai; ara—and; pandita-sankara—Sankara Pandita.

Svarupa Damodara Gosvami, Jagadananda Pandita, Gadadhara Pandita, Ramai, Nandai and Sankara Pandita are some of the devotees who ran after Sri Caitanya Mahaprabhu.

14.90

puri-bharati-gosani aila sindhu-tire

bhagavan-acarya khanja calila dhire dhire

SYNONYMS

puri—Paramananda Puri; bharati-gosani—Brahmananda Bharati; aila—came; sindhu-tire—on the shore of the sea; bhagavan-acarya—Bhagavan Acarya; khanja—lame; calila—ran; dhire dhire—very slowly.

Paramananda Puri and Brahmananda Bharati also went toward the beach, and Bhagavan Acarya, who was lame, followed them very slowly.

14.91

prathame calila prabhu,--yena vayu-gati

stambha-bhava pathe haila, calite nahi sakti

SYNONYMS

prathame—in the beginning; calila—went; prabhu—Sri Caitanya Mahaprabhu; yena—like; vayu-gati—the speed of the wind; stambha-bhava—the emotion of being stunned; pathe—on the way; haila—there was; calite—to move; nahi—no; sakti—power.

Sri Caitanya Mahaprabhu was running with the speed of the wind, but He suddenly became stunned in ecstasy and lost all strength to proceed further.

14.92

prati-roma-kupe mamsa--vranera akara

tara upare romodgama--kadamba-prakara

SYNONYMS

prati-roma-kupe—in every hair hole; mamsa—the flesh; vranera akara—like pimples; tara upare—upon that; roma-udgama—standing of the hair; kadamba-prakara—like the kadamba flowers.

The flesh at each of His pores erupted like pimples, and His hair, standing on end, appeared like kadamba flowers.

14.93

prati-rome prasveda pade rudhirera dhara

kanthe gharghara, nahi varnera uccara

SYNONYMS

prati-rome—from each hair; prasveda—sweat; pade—drops; rudhirera—of blood; dhara—flow; kanthe—in the throat; gharghara—gargling sound; nahi—not; varnera—of letters; uccara—pronunciation.

Blood and perspiration flowed incessantly from every pore of His body, and He could not speak a word but simply produced a gargling sound within His throat.

14.94

dui netre bhari’ asru vahaye apara

samudre milila yena ganga-yamuna-dhara

SYNONYMS

dui netre—in the two eyes; bhari’-filling; asru—tears; vahaye—flow; apara—unlimited; samudre—the ocean; milila—met; yena—as if; ganga—of the Ganges; yamuna—of the Yamuna; dhara—flow.

The Lord’s eyes filled up and overflowed with unlimited tears, like the Ganges and Yamuna meeting in the sea.

14.95

vaivarnye sankha-praya sveta haila anga

tabe kampa uthe,--yena samudre taranga

SYNONYMS

vaivarnye—by fading; sankha-praya—like a conchshell; sveta—white; haila—became; anga—body; tabe—at that time; kampa—shivering; uthe—arises; yena—as if; samudre—in the ocean; taranga—waves.

His entire body faded to the color of a white conchshell, and then He began to quiver, like the waves in the ocean.

14.96

kanpite kanpite prabhu bhumete padila

tabe ta’ govinda prabhura nikate aila

SYNONYMS

kanpite kanpite—while shivering; prabhu—Sri Caitanya Mahaprabhu; bhumete—on the ground; padila—fell down; tabe—at that time; ta’-certainly; govinda—Govinda; prabhura—to Sri Caitanya Mahaprabhu; nikate—near; aila—came.

While quivering in this way, Sri Caitanya Mahaprabhu fell down on the ground.

Then Govinda approached Him.

14.97

karangera jale kare sarvanga sincana

bahirvasa lana kare anga samvijana

SYNONYMS

karangera jale—with water from a karanga waterpot; kare—does; sarva-anga—all parts of the body; sincana—sprinkling; bahirvasa—covering cloth; lana—taking; kare—does; anga—the body; samvijana—fanning.

Govinda sprinkled water from a karanga waterpot all over the Lord’s body, and then, taking His own outer garment, he began to fan Sri Caitanya Mahaprabhu.

14.98

svarupadi-gana tahan asiya milila

prabhura avastha dekhi’ kandite lagila

SYNONYMS

svarupa-adi-gana—the devotees, headed by Svarupa Damodara Gosvami; tahan—there; asiya—coming; milila—met; prabhura—of Lord Sri Caitanya Mahaprabhu; avastha—condition; dekhi’-seeing; kandite lagila—began to cry.

When Svarupa Damodara and the other devotees reached the spot and saw the condition of Sri Caitanya Mahaprabhu, they began to cry.

14.99

prabhura ange dekhe asta-sattvika vikara

ascarya sattvika dekhi’ haila camatkara

SYNONYMS

prabhura—of Sri Caitanya Mahaprabhu; ange—in the body; dekhe—they see; asta-sattvika vikara—eight kinds of transcendental transformations; ascarya—wonderful; sattvika—transcendental; dekhi’-seeing; haila camatkara—they became struck with wonder.

All eight kinds of transcendental transformations were visible in the Lord’s body.

All the devotees were struck with wonder to see such a sight.

PURPORT

The eight ecstatic symptoms are the state of being stunned, perspiration, standing of the hairs on end, faltering of the voice, trembling, fading of the body’s color, tears and devastation.

14.100

ucca sankirtana kare prabhura sravane

sitala jale kare prabhura anga sammarjane

SYNONYMS

ucca—loud; sankirtana—chanting of the Hare Krsna mantra; kare—do; prabhura—of Sri Caitanya Mahaprabhu; sravane—within the hearing; sitala—cold; jale—with water; kare—do; prabhura—of Sri Caitanya Mahaprabhu; anga—body; sammarjane—washing.

The devotees loudly chanted the Hare Krsna mantra near Sri Caitanya Mahaprabhu and washed His body with cold water.

14.101

ei-mata bahu-bara kirtana karite

’hari-bola’ bali’ prabhu uthe acambite

SYNONYMS

ei-mata—in this way; bahu-bara—for a long time; kirtana karite—chanting; hari-bola bali’-uttering Hari bol; prabhu—Sri Caitanya Mahaprabhu; uthe—stands up; acambite—suddenly.

After the devotees had been chanting for a long time, Sri Caitanya Mahaprabhu suddenly stood up, shouting, “Hari bol!”

14.102

sanande sakala vaisnava bale ’hari’ ’hari’

uthila mangala-dhvani catur-dik bhari’

SYNONYMS

sa-anande—with great pleasure; sakala—all; vaisnava—devotees; bale—chanted; hari hari—the holy name of the Lord; uthila—there arose; mangala-dhvani—an auspicious sound; catuh-dik—all directions; bhari’-filling.

When Sri Caitanya Mahaprabhu stood up, all the Vaisnavas loudly chanted, “Hari! Hari!” in great jubilation.

The auspicious sound filled the air in all directions.

14.103

uthi’ mahaprabhu vismita, iti uti caya

ye dekhite caya, taha dekhite na paya

SYNONYMS

uthi’-standing up; mahaprabhu—Sri Caitanya Mahaprabhu; vismita—astonished; iti uti—here and there; caya—looks; ye—what; dekhite caya—He wanted to see; taha—that; dekhite na paya—He could not see.

Astonished, Sri Caitanya Mahaprabhu stood up and began looking here and there, trying to see something.

But He could not catch sight of it.

14.104

’vaisnava’ dekhiya prabhura ardha-bahya ha-ila

svarupa-gosanire kichu kahite lagila

SYNONYMS

vaisnava dekhiya—seeing the devotees; prabhura—of Sri Caitanya Mahaprabhu; ardha-bahya—half-external consciousness; ha-ila—there was; svarupa-gosanire—unto Svarupa Gosani; kichu—something; kahite lagila—began to speak.

When Sri Caitanya Mahaprabhu saw all the Vaisnavas, He returned to partial external consciousness and spoke to Svarupa Damodara.

14.105

"govardhana haite more ke ihan anila?

pana krsnera lila dekhite na paila

SYNONYMS

govardhana haite—from Govardhana Hill; more—Me; ke—who; ihan—here; anila—brought; pana—getting; krsnera lila—pastimes of Krsna; dekhite na paila—I could not see.

Sri Caitanya Mahaprabhu said, "Who has brought Me here from Govardhana Hill? I was seeing Lord Krsna’s pastimes, but now I cannot see them.

14.106

ihan haite aji mui genu govardhane

dekhon,--yadi krsna karena godhana-carane

SYNONYMS

ihan haite—from here; aji—today; mui—I; genu—went; govardhane—to Govardhana Hill; dekhon—I was searching; yadi—if; krsna—Lord Krsna; karena—does; godhana-carane—tending the cows "Today I went from here to Govardhana Hill to find out if Krsna were tending His cows there.

14.107

govardhane cadi’ krsna bajaila venu

govardhanera caudike care saba dhenu

SYNONYMS

govardhane—on Govardhana Hill; cadi’-going up; krsna—Lord Krsna; bajaila venu—played the flute; govardhanera—of Govardhana Hill; cau-dike—in four directions; care—graze; saba—all; dhenu—cows "I saw Lord Krsna climbing Govardhana Hill and playing His flute, surrounded on all sides by grazing cows.

14.108

venu-nada suni’ aila radha-thakurani

saba sakhi-gana-sange kariya sajani

SYNONYMS

venu-nada—the vibration of the flute; suni’-hearing; aila—came; radha-thakurani—Srimati Radharani; saba—all; sakhi-gana-sange—accompanied by gopis; kariya sajani—nicely dressed "Hearing the vibration of Krsna’s flute, Srimati Radharani and all Her gopi friends came there to meet Him.

They were all very nicely dressed.

14.109

radha lana krsna pravesila kandarate

sakhi-gana kahe more phula uthaite

SYNONYMS

radha lana—taking Srimati Radharani along; krsna—Lord Krsna; pravesila’-entered; kandarate—a cave; sakhi-gana—the gopis; kahe—said; more—unto Me; phula—flowers; uthaite—to pick up "When Krsna and Srimati Radharani entered a cave together, the other gopis asked Me to pick some flowers.

14.110

hena-kale tumi-saba kolahala kaila

tahan haite dhari’ more ihan lana aila

SYNONYMS

hena-kale—at this time; tumi-saba—all of you; kolahala kaila—made a tumultuous sound; tahan haite—from there; dhari’-catching; more—Me; ihan—here; lana aila—you have brought "Just then, all of you made a tumultuous sound and carried Me from there to this place.

14.111

kene va anila more vrtha duhkha dite

pana krsnera lila, na painu dekhite

SYNONYMS

kene—why; va—then; anila—brought; more—Me; vrtha—unnecessarily; duhkha dite—to give pain; pana—getting; krsnera lila—the pastimes of Krsna; na painu dekhite—I could not see “Why have you brought Me here, causing Me unnecessary pain? I had a chance to see Krsna’s pastimes, but I could not see them.”

14.112

eta bali’ mahaprabhu karena krandana

tanra dasa dekhi’ vaisnava karena rodana

SYNONYMS

eta bali’-saying this; mahaprabhu—Sri Caitanya Mahaprabhu; karena krandana—began to cry; tanra dasa—His state; dekhi’-seeing; vaisnava—the Vaisnavas; karena rodana—began to cry.

Saying this, Sri Caitanya Mahaprabhu began to weep.

When all the Vaisnavas saw the Lord’s condition, they also wept.

14.113

hena-kale aila puri, bharati,--dui-jana

dunhe dekhi’ mahaprabhura ha-ila sambhrama

SYNONYMS

hena-kale—at this time; aila—came; puri—Paramananda Puri; bharati—Brahmananda Bharati; dui-jana—two persons; dunhe dekhi’-seeing both of them; mahaprabhura—of Sri Caitanya Mahaprabhu; ha-ila—there was; sambhrama—respect.

At that time, Paramananda Puri and Brahmananda Bharati arrived.

Seeing them, Sri Caitanya Mahaprabhu became somewhat respectful.

14.114

nipatta-bahya ha-ile prabhu dunhare vandila

mahaprabhure dui-jana premalingana kaila

SYNONYMS

nipatta-bahya—complete external consciousness; ha-ile—when there was; prabhu—Sri Caitanya Mahaprabhu; dunhare—to both of them; vandila—offered prayers; mahaprabhure—Sri Caitanya Mahaprabhu; dui-jana—both persons; prema-alingana kaila—embraced with love and affection.

Sri Caitanya Mahaprabhu returned to complete external consciousness and immediately offered prayers to them.

Then these two elderly gentlemen both embraced the Lord with loving affection.

14.115

prabhu kahe,--’dunhe kene aila eta dure’?

puri-gosani kahe,--’tomara nrtya dekhibare’

SYNONYMS

prabhu kahe—Sri Caitanya Mahaprabhu said; dunhe—both of you; kene—why; aila—have come; eta dure—so far; puri-gosani kahe—Puri Gosani said; tomara nrtya—Your dancing; dekhibare—to see.

Sri Caitanya Mahaprabhu said to Puri Gosvami and Brahmananda Bharati, “Why have you both come so far?” Puri Gosvami replied, “Just to see Your dancing.”

14.116

lajjita ha-ila prabhu purira vacane

samudra-ghata aila saba vaisnava-sane

SYNONYMS

lajjita—ashamed; ha-ila—became; prabhu—Sri Caitanya Mahaprabhu; purira vacane—by the words of Paramananda Puri; samudra—of the sea; ghata—to the bathing place; aila—came; saba vaisnava-sane—with all the Vaisnavas.

When He heard this, Sri Caitanya Mahaprabhu was somewhat ashamed.

Then He went to bathe in the sea with all the Vaisnavas.

14.117

snana kari’ mahaprabhu gharete aila

saba lana maha-prasada bhojana karila

SYNONYMS

snana kari’-after taking a bath; mahaprabhu—Sri Caitanya Mahaprabhu; gharete aila—returned home; saba lana—taking everyone with Him; maha-prasada—remnants of food from Jagannatha; bhojana karila—ate.

After bathing in the sea, Sri Caitanya Mahaprabhu returned to His residence with all the devotees.

Then they all lunched on the remnants of food offered to Lord Jagannatha.

14.118

ei ta’ kahilun prabhura divyonmada-bhava

brahmao kahite nare yahara prabhava

SYNONYMS

ei ta’-thus; kahilun—I have described; prabhura—of Sri Caitanya Mahaprabhu; divya-unmada-bhava—transcendental ecstatic emotions; brahmao—even Lord Brahma; kahite nare—cannot speak; yahara—of which; prabhava—the influence.

Thus I have described the transcendental ecstatic emotions of Sri Caitanya Mahaprabhu.

Even Lord Brahma cannot describe their influence.

14.119

’cataka’-giri-gamana-lila raghunatha-dasa

’gauranga-stava-kalpavrkse’ kariyachena prakasa

SYNONYMS

cataka-giri—the sand hill known as Cataka-parvata; gamana—of going to; lila—pastime; raghunatha-dasa—Raghunatha dasa Gosvami; gauranga-stava-kalpa-vrkse—in the book known as Gauranga-stava-kalpavrksa; kariyachena prakasa—has described.

In his book Gauranga-stava-kalpavrksa, Raghunatha dasa Gosvami has very vividly described Sri Caitanya Mahaprabhu’s pastime of running toward the Cataka-parvata sand dune.

14.120

samipe niladres cataka-giri-rajasya kalanad

aye gosthe govardhana-giri-patim lokitum itah

vrajann asmity uktva pramada iva dhavann avadhrto

ganaih svair gaurango hrdaya udayan mam madayati

SYNONYMS

samipe—near; niladreh—Jagannatha Puri; cataka—named Cataka; giri-rajasya—the king of sand hills; kalanat—account of seeing; aye—oh; gosthe—to the place for pasturing cows; govardhana-giri-patim—Govardhana, the king of hills; lokitum—to see; itah—from here; vrajan—going; asmi—I am; iti—thus; uktva—saying; pramadah—maddened; iva—as if; dhavan—running; avadhrtah—being followed; ganaih—by the devotees; svaih—own; gaurangah—Lord Sri Caitanya Mahaprabhu; hrdaye—in the heart; udayan—awakening; mam—me; madayati—maddens “Near Jagannatha Puri was a great sand dune known as Cataka-parvata.

Seeing that hill, Sri Caitanya Mahaprabhu said, ’Oh, I shall go to the land of Vraja to see Govardhana Hill.’ Then He began running madly toward it, and all the Vaisnavas ran after Him.

This scene awakens in my heart and maddens me.”

PURPORT

This verse is quoted from the Gauranga-stava-kalpavrksa (8).

14.121

ebe prabhu yata kaila alaukika-lila

ke varnite pare sei mahaprabhura khela?

SYNONYMS

ebe—now; prabhu—Sri Caitanya Mahaprabhu; yata—all that; kaila—performed; alaukika-lila—uncommon pastimes; ke—who; varnite pare—can describe; sei—they; mahaprabhura khela—the play of Sri Caitanya Mahaprabhu.

Who can properly describe all the uncommon pastimes of Sri Caitanya Mahaprabhu? They are all simply His play.

14.122

sanksepe kahiya kari dik darasana

yei iha sune, paya krsnera carana

SYNONYMS

sanksepe—in brief; kahiya—describing; kari dik darasana—I show an indication; yei—anyone who; iha—this; sune—hears; paya—gets; krsnera carana—the shelter of the lotus feet of Lord Krsna.

I have briefly described them just to give an indication of His transcendental pastimes.

Nevertheless, anyone who hears this will certainly attain the shelter of Lord Krsna’s lotus feet.

14.123

sri-rupa-raghunatha-pade yara asa

caitanya-caritamrta kahe krsnadasa

SYNONYMS

sri-rupa—Srila Rupa Gosvami; raghunatha—Srila Raghunatha dasa Gosvami; pade—at the lotus feet; yara—whose; asa—expectation; caitanya-caritamrta—the book named Caitanya-caritamrta; kahe—describes; krsnadasa—Srila Krsnadasa Kaviraja Gosvami.

Praying at the lotus feet of Sri Rupa and Sri Raghunatha, always desiring their mercy, I, Krsnadasa, narrate Sri Caitanya-caritamrta, following in their footsteps.

Thus end the Bhaktivedanta purports to Sri Caitanya-caritamrta, Antya-lila, Fourteenth Chapter, describing Sri Caitanya Mahaprabhu’s transcendental ecstatic emotions and His mistaking Cataka-parvata for Govardhana Hill.

The Transcendental Madness of Lord Sri Caitanya Mahaprabhu The following is a summary of the Fifteenth Chapter of Antya-lila.

After seeing the upala-bhoga ceremony of Lord Jagannatha, Sri Caitanya Mahaprabhu once more began to feel ecstatic emotions.

When He saw the garden on the beach by the sea, He again thought that He was in Vrndavana, and when He began to think of Krsna engaging in His different pastimes, transcendental emotions excited Him again.

On the night of the rasa dance, the gopis, bereaved by Krsna’s absence, searched for Krsna from one forest to another.

Sri Caitanya Mahaprabhu adopted the same transcendental thoughts as the gopis and was filled with ecstatic emotion.

Svarupa Damodara Gosvami recited a verse from Gita-govinda just suitable to the Lord’s emotions.

Caitanya Mahaprabhu then exhibited the ecstatic transformations known as bhavodaya, bhava-sandhi, bhava-sabalya and so on.

The Lord experienced all eight kinds of ecstatic transformations, and He relished them very much.