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href=&quot;11.49.html&quot;&gt;11.49&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.50.html&quot;&gt;11.50&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.51.html&quot;&gt;11.51&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.52.html&quot;&gt;11.52&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.53.html&quot;&gt;11.53&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.54.html&quot;&gt;11.54&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.55.html&quot;&gt;11.55&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.56.html&quot;&gt;11.56&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.57.html&quot;&gt;11.57&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.58.html&quot;&gt;11.58&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a 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href=&quot;11.99.html&quot;&gt;11.99&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.100.html&quot;&gt;11.100&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.101.html&quot;&gt;11.101&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.102.html&quot;&gt;11.102&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.103.html&quot;&gt;11.103&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.104.html&quot;&gt;11.104&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.105.html&quot;&gt;11.105&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.106.html&quot;&gt;11.106&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.107.html&quot;&gt;11.107&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.108.html&quot;&gt;11.108&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.109.html&quot;&gt;11.109&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.110.html&quot;&gt;11.110&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.111.html&quot;&gt;11.111&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.112.html&quot;&gt;11.112&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.113.html&quot;&gt;11.113&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.114.html&quot;&gt;11.114&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.115.html&quot;&gt;11.115&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.116.html&quot;&gt;11.116&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.117.html&quot;&gt;11.117&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.118.html&quot;&gt;11.118&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.119.html&quot;&gt;11.119&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.120-121.html&quot;&gt;11.120-121&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.122.html&quot;&gt;11.122&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.123.html&quot;&gt;11.123&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.124.html&quot;&gt;11.124&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.125.html&quot;&gt;11.125&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.126.html&quot;&gt;11.126&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.127.html&quot;&gt;11.127&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.128.html&quot;&gt;11.128&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.129.html&quot;&gt;11.129&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.130.html&quot;&gt;11.130&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.131.html&quot;&gt;11.131&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.132.html&quot;&gt;11.132&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.133.html&quot;&gt;11.133&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.134.html&quot;&gt;11.134&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.135-136.html&quot;&gt;11.135-136&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.137.html&quot;&gt;11.137&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.138.html&quot;&gt;11.138&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.139.html&quot;&gt;11.139&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.140.html&quot;&gt;11.140&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.141.html&quot;&gt;11.141&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.142.html&quot;&gt;11.142&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.143.html&quot;&gt;11.143&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.144.html&quot;&gt;11.144&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.145.html&quot;&gt;11.145&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.146.html&quot;&gt;11.146&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.147.html&quot;&gt;11.147&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.148.html&quot;&gt;11.148&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.149.html&quot;&gt;11.149&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;11.150.html&quot;&gt;11.150&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a 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                &lt;h1 class=&quot;menu-title&quot;&gt;Caitanya-caritamrta: Madhya-lila&lt;/h1&gt;

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href=&quot;10.18.html&quot;&gt;10.18&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.19.html&quot;&gt;10.19&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.20.html&quot;&gt;10.20&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.21.html&quot;&gt;10.21&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.22.html&quot;&gt;10.22&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.23.html&quot;&gt;10.23&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.24.html&quot;&gt;10.24&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.25.html&quot;&gt;10.25&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.26.html&quot;&gt;10.26&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.27.html&quot;&gt;10.27&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.28.html&quot;&gt;10.28&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.29.html&quot;&gt;10.29&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.30.html&quot;&gt;10.30&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.31.html&quot;&gt;10.31&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.32.html&quot;&gt;10.32&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.33.html&quot;&gt;10.33&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.34.html&quot;&gt;10.34&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.35.html&quot;&gt;10.35&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.36.html&quot;&gt;10.36&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.37.html&quot;&gt;10.37&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.38.html&quot;&gt;10.38&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.39.html&quot;&gt;10.39&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.40.html&quot;&gt;10.40&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.41.html&quot;&gt;10.41&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.42.html&quot;&gt;10.42&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.43.html&quot;&gt;10.43&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.44.html&quot;&gt;10.44&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.45.html&quot;&gt;10.45&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.46.html&quot;&gt;10.46&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.47.html&quot;&gt;10.47&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.48.html&quot;&gt;10.48&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.49.html&quot;&gt;10.49&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.50.html&quot;&gt;10.50&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.51.html&quot;&gt;10.51&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.52.html&quot;&gt;10.52&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.53.html&quot;&gt;10.53&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.54.html&quot;&gt;10.54&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.55.html&quot;&gt;10.55&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.56.html&quot;&gt;10.56&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.57.html&quot;&gt;10.57&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.58.html&quot;&gt;10.58&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.59.html&quot;&gt;10.59&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.60.html&quot;&gt;10.60&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.61.html&quot;&gt;10.61&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.62.html&quot;&gt;10.62&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.63.html&quot;&gt;10.63&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.64.html&quot;&gt;10.64&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.65.html&quot;&gt;10.65&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.66.html&quot;&gt;10.66&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.67.html&quot;&gt;10.67&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.68.html&quot;&gt;10.68&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.69.html&quot;&gt;10.69&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.70.html&quot;&gt;10.70&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.71.html&quot;&gt;10.71&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.72.html&quot;&gt;10.72&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.73.html&quot;&gt;10.73&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.74.html&quot;&gt;10.74&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.75.html&quot;&gt;10.75&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.76.html&quot;&gt;10.76&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.77.html&quot;&gt;10.77&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.78.html&quot;&gt;10.78&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.79.html&quot;&gt;10.79&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.80.html&quot;&gt;10.80&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.81.html&quot;&gt;10.81&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.82.html&quot;&gt;10.82&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.83.html&quot;&gt;10.83&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.84.html&quot;&gt;10.84&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.85.html&quot;&gt;10.85&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.86.html&quot;&gt;10.86&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.87.html&quot;&gt;10.87&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.88.html&quot;&gt;10.88&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.89.html&quot;&gt;10.89&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.90.html&quot;&gt;10.90&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.91.html&quot;&gt;10.91&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.92.html&quot;&gt;10.92&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.93.html&quot;&gt;10.93&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.94.html&quot;&gt;10.94&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.95.html&quot;&gt;10.95&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.96.html&quot;&gt;10.96&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.97.html&quot;&gt;10.97&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.98.html&quot;&gt;10.98&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.99.html&quot;&gt;10.99&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.100.html&quot;&gt;10.100&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.101.html&quot;&gt;10.101&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.102.html&quot;&gt;10.102&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.103.html&quot;&gt;10.103&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.104.html&quot;&gt;10.104&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.105.html&quot;&gt;10.105&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.106.html&quot;&gt;10.106&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.107.html&quot;&gt;10.107&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.108.html&quot;&gt;10.108&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.109.html&quot;&gt;10.109&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.110.html&quot;&gt;10.110&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.111.html&quot;&gt;10.111&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.112.html&quot;&gt;10.112&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.113.html&quot;&gt;10.113&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.114.html&quot;&gt;10.114&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.115.html&quot;&gt;10.115&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.116.html&quot;&gt;10.116&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.117.html&quot;&gt;10.117&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.118.html&quot;&gt;10.118&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.119.html&quot;&gt;10.119&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.120.html&quot;&gt;10.120&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.121.html&quot;&gt;10.121&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.122.html&quot;&gt;10.122&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.123.html&quot;&gt;10.123&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.124.html&quot;&gt;10.124&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.125.html&quot;&gt;10.125&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.126.html&quot;&gt;10.126&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.127.html&quot;&gt;10.127&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.128.html&quot;&gt;10.128&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.129.html&quot;&gt;10.129&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.130.html&quot;&gt;10.130&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.131.html&quot;&gt;10.131&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.132.html&quot;&gt;10.132&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.133.html&quot;&gt;10.133&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.134.html&quot;&gt;10.134&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.135.html&quot;&gt;10.135&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.136.html&quot;&gt;10.136&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.137.html&quot;&gt;10.137&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.138.html&quot;&gt;10.138&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.139.html&quot;&gt;10.139&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.140.html&quot;&gt;10.140&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.141.html&quot;&gt;10.141&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.142.html&quot;&gt;10.142&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.143.html&quot;&gt;10.143&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.144.html&quot;&gt;10.144&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.145.html&quot;&gt;10.145&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.146.html&quot;&gt;10.146&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.147.html&quot;&gt;10.147&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.148.html&quot;&gt;10.148&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.149.html&quot;&gt;10.149&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.150.html&quot;&gt;10.150&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.151.html&quot;&gt;10.151&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.152.html&quot;&gt;10.152&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.153.html&quot;&gt;10.153&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.154.html&quot;&gt;10.154&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.155.html&quot;&gt;10.155&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.156.html&quot;&gt;10.156&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.157.html&quot;&gt;10.157&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.158.html&quot;&gt;10.158&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.159.html&quot;&gt;10.159&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.160.html&quot;&gt;10.160&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.161.html&quot;&gt;10.161&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.162.html&quot;&gt;10.162&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.163.html&quot;&gt;10.163&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.164.html&quot;&gt;10.164&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.165.html&quot;&gt;10.165&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.166.html&quot;&gt;10.166&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a href=&quot;10.167.html&quot;&gt;10.167&lt;/a&gt;&lt;/li&gt;&lt;li class=&quot;affix&quot;&gt;&lt;a 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            &amp;lt;h1 class=&amp;quot;menu-title&amp;quot;&amp;gt;Caitanya-caritamrta: Madhya-lila&amp;lt;/h1&amp;gt;

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Home - Caitanya-caritamrta: Madhya-lila

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13.1

sa jiyat krsna-caitanyah

sri-rathagre nanarta yah

yenasij jagatam citram

jagannatho ’pi vismitah

SYNONYMS

sah—He; jiyat—may live long; krsna-caitanyah—Lord Sri Caitanya Mahaprabhu; sri-ratha-agre—in the front of the car; nanarta—danced; yah—who; yena—by whom; asit—there was; jagatam—of the whole universe; citram—wonder; jagannathah—Lord Jagannatha; api—also; vismitah—was astonished.

May the Supreme Personality of Godhead, Sri Krsna Caitanya, who danced in front of the car of Sri Jagannatha, be all glorified! By seeing His dancing, not only was the whole universe held in wonder, but Lord Jagannatha Himself became very much astonished.

13.2

jaya jaya sri-krsna-caitanya nityananda

jayadvaita-candra jaya gaura-bhakta-vrnda

SYNONYMS

jaya jaya—all glories; sri-krsna-caitanya—to Lord Sri Krsna Caitanya Mahaprabhu; nityananda—to Nityananda Prabhu; jaya—all glories; advaita-candra—to Advaita Acarya; jaya—all glories; gaura-bhakta-vrnda—to the devotees of Lord Caitanya Mahaprabhu.

All glories to Sri Krsna Caitanya and Prabhu Nityananda! All glories to Advaitacandra! And all glories to the devotees of Lord Sri Caitanya Mahaprabhu!

13.3

jaya srota-gana, suna, kari’ eka mana

ratha-yatraya nrtya prabhura parama mohana

SYNONYMS

jaya—all glories; srota-gana—to the listeners; suna—please hear; kari’-keeping yourself; eka mana—in one attention; ratha-yatraya—in the car festival; nrtya—dancing; prabhura—of Sri Caitanya Mahaprabhu; parama—extremely; mohana—enchanting.

All glories to the listeners of Caitanya-caritamrta.

Please hear the description of the dancing of Lord Caitanya Mahaprabhu at the Ratha-yatra festival.

His dancing is very enchanting.

Please hear of it with great attention.

13.4

ara dina mahaprabhu hana savadhana

ratre uthi’ gana-sange kaila pratah-snana

SYNONYMS

ara dina—the next day; mahaprabhu—Sri Caitanya Mahaprabhu; hana—becoming; savadhana—very careful; ratre uthi’-getting up at night; gana-sange—with His personal devotees; kaila—took; pratah-snana—bathing early in the morning.

The next day, Sri Caitanya Mahaprabhu and His personal associates got up in the dark and attentively took their early morning baths.

13.5

pandu-vijaya dekhibare karila gamana

jagannatha yatra kaila chadi’ simhasana

SYNONYMS

pandu-vijaya—the ceremony named Pandu-vijaya; dekhibare—for seeing; karila—did; gamana—go; jagannatha—Lord Jagannatha; yatra—departure; kaila—did; chadi’-leaving; simhasana—the throne.

Sri Caitanya Mahaprabhu and His personal associates then went to see the ceremony of Pandu-vijaya.

During this ceremony, Lord Jagannatha leaves His throne and gets up onto the car.

13.6

apani prataparudra lana patra-gana

mahaprabhura gane karaya vijaya-darsana

SYNONYMS

apani—personally; prataparudra—King Prataparudra; lana—taking with him; patra-gana—his associates; mahaprabhura—of Sri Caitanya Mahaprabhu; gane—associates; karaya—causes; vijaya-darsana—seeing the Pandu-vijaya ceremony.

King Prataparudra in person, as well as his entourage, allowed the Pandu-vijaya ceremony to be seen by all the associates of Sri Caitanya Mahaprabhu.

13.7

advaita, nitai adi sange bhakta-gana

sukhe mahaprabhu dekhe isvara-gamana

SYNONYMS

advaita—Advaita Acarya; nitai—Lord Nityananda Prabhu; adi—headed by; sange—with; bhakta-gana—devotees; sukhe—in great happiness; mahaprabhu—Sri Caitanya Mahaprabhu; dekhe—sees; isvara-gamana—how the Lord is starting.

Sri Caitanya Mahaprabhu and His prominent devotees-Advaita Acarya, Nityananda Prabhu and others-were very happy to observe how Lord Jagannatha began the Ratha-yatra.

13.8

balistha dayita’ gana-yena matta hati

jagannatha vijaya karaya kari’ hatahati

SYNONYMS

balistha dayita’ gana—very strong dayitas, or carriers of Jagannatha; yena—as if; matta hati—drunken elephants; jagannatha—of Lord Jagannatha; vijaya—departure; karaya—cause; kari’-performing; hatahati—hand to hand.

The very strongly built dayitas (carriers of the Jagannatha Deity) were as powerful as drunken elephants.

They manually carried Lord Jagannatha from the throne to the car.

PURPORT

The word dayita refers to one who has received the mercy of the Lord.

Lord Jagannatha has a number of stalwart servants known as dayitas.

These servants do not come from very high-caste families (brahmanas, ksatriyas or vaisyas), but because they are engaged in the service of the Lord, they have been elevated to a respected position.

Thus they are known as dayitas.

These servants of Lord Jagannatha take care of the Lord from the day of the Snana-yatra up to the time the Lord is carried from the throne to the Ratha car.

In the Ksetra-mahatmya these dayitas are said to come from the sabaras, a caste that keeps and sells pigs.

However, among the dayitas there are also many who come from the brahmana caste.

Those dayitas coming from the brahmana families are called dayita-patis, or leaders of the dayitas.

The dayita-patis offer food such as sweetmeats to Lord Jagannatha during the anavasara, the resting period after Snana-yatra.

They also make the early morning offering of sweetmeats daily, It is said that during the anavasara Lord Jagannatha suffers from fever and that the dayita-patis offer Him an infusion of drugs represented by fruit juice.

It is said that in the beginning Lord Jagannatha was worshiped by the sabaras and was known as the Deity Nila Madhava.

Later, when the Deity was established in the temple, the Lord became known as Jagannatha.

Because the Deities were taken from the sabaras, all the sabara devotees were elevated to the position of dayitas.

13.9

kataka dayita kare skandha alambana

kataka dayita dhare sri-padma-carana

SYNONYMS

kataka dayita—some of the dayitas; kare—do; skandha—of the shoulders; alambana—capturing; kataka—some; dayita—servants called dayitas; dhare—catch; sri-padma-carana—the lotus feet of the Lord.

While carrying the Deity of Lord Jagannatha, some of the dayitas took hold of the shoulders of the Lord, and some caught His lotus feet.

13.10

kati-tate baddha, drdha sthula patta-dori

dui dike dayita-gana uthaya taha dhari’

SYNONYMS

kati-tate—on the waist; baddha—bound; drdha—strong; sthula—thick; patta-dori—rope made of silk; dui dike—from two sides; dayita-gana—the dayitas; uthaya—raise; taha—that rope; dhari’-catching.

The Lord Jagannatha Deity was bound at the waist by a strong, thick rope made of silk.

From two sides the dayitas caught hold of this rope and raised the Deity.

13.11

ucca drdha tuli saba pati’ sthane sthane

eka tuli haite tvaraya ara tulite ane

SYNONYMS

ucca—puffed up; drdha—strong; tuli—pads made of cotton; saba—all; pati’-spreading; sthane sthane—from one place to another; eka tuli—one pad; haite—from; tvaraya—very soon; ara—next; tulite—on the pad; ane—bring.

Strong, puffed-up cotton pads called tulis were spread out from the throne to the car, and the heavy Deity of Lord Jagannatha was carried from one pillow-like pad to the next by the dayitas.

13.12

prabhu-padaghate tuli haya khanda khanda

tula saba udi’ yaya, sabda haya pracanda

SYNONYMS

prabhu-pada-aghate—by the kicking of Lord Jagannatha; tuli—the pads; haya—become; khanda khanda—broken to pieces; tula—cotton from inside; saba—all; udi’ yaya—rises; sabda—sound; haya—there is; pracanda—very much.

While the dayitas carried the heavy Jagannatha Deity from one pad to the next, some of the pads broke, and the cotton contents floated into the air.

When they broke, they made a heavy, cracking sound.

13.13

visvambhara jagannathe ke calaite pare?

apana icchaya cale karite vihare

SYNONYMS

visvambhara—the maintainer of the universe; jagannathe—Lord Jagannatha; ke—who; calaite—cause to be carried; pare—can; apana—personal; icchaya—by His will; cale—moves; karite—to act; vihare—in pastimes.

Lord Jagannatha is the maintainer of the whole universe.

Who can carry Him from one place to another? However, the Lord moves by His personal will just to perform His pastimes.

13.14

mahaprabhu ’manima’ ’manima’ kare dhvani

nana-vadya-kolahale kichui na suni

SYNONYMS

mahaprabhu—Sri Caitanya Mahaprabhu; manima—Manima; manima—Manima; kare—makes; dhvani—the sound; nana—various; vadya—of musical instruments; kolahale—by the tumultuous sound; kichui—anything; na—not; suni—can hear.

While the Lord was transported from the throne to the car, tumultuous sounds were made on various musical instruments.

Sri Caitanya Mahaprabhu was chanting “Manima Manima,” but He could not be heard.

PURPORT

The word manima is used to address a respectable person in Orissa.

Lord Jagannatha was being respectfully addressed by Sri Caitanya in this way.

13.15

tabe prataparudra kare apane sevana

suvarna-marjani lana kare patha sammarjana

SYNONYMS

tabe—at this time; prataparudra—King Prataparudra; kare—does; apane—personally; sevana—service; suvarna—golden; marjani—broom; lana—taking; kare—does; patha—road; sammarjana—cleansing.

While the Lord was being carried from the throne to the car, King Prataparudra personally engaged in the Lord’s service by cleansing the road with a broom that had a golden handle.

13.16

candana-jalete kare patha nisecane

tuccha seva kare vasi’ raja-simhasane

SYNONYMS

candana-jalete—with sandalwood water; kare—does; patha—road; nisecane—sprinkling; tuccha—insignificant, menial; seva—service; kare—performs; vasi’-although in possession of; raja-simhasane—the royal throne.

The King sprinkled the road with sandalwood-scented water.

Although he was the owner of the royal throne, he engaged in menial service for the sake of Lord Jagannatha.

13.17

uttama hana raja kare tuccha sevana

ataeva jagannathera krpara bhajana

SYNONYMS

uttama hana—although very respectable; raja—the King; kare—accepts; tuccha—menial; sevana—service; ataeva—therefore; jagannathera—of Lord Jagannatha; krpara—in the matter of mercy; bhajana—suitable candidate.

Although the King was the most exalted respectable person, still he accepted menial service for the Lord; he, therefore, became a suitable candidate for receiving the Lord’s mercy.

13.18

mahaprabhu sukha paila se-seva dekhite

mahaprabhura krpa haila se-seva ha-ite

SYNONYMS

mahaprabhu—Sri Caitanya Mahaprabhu; sukha paila—felt very happy; se-seva—that kind of service; dekhite—to see; mahaprabhura—of Sri Caitanya Mahaprabhu; krpa—mercy; haila—there was; se-seva ha-ite—because of that service.

Upon seeing the King engaged in such menial service, Caitanya Mahaprabhu became very happy.

Simply by rendering this service, the King received the mercy of the Lord.

PURPORT

Unless one receives the mercy of the Lord, he cannot understand the Supreme Personality of Godhead or engage in His devotional service athapi te deva padambuja-dvaya-

prasada-lesanugrhita eva hi

janati tattvam bhagavan-mahimno

na canya eko ’pi ciram vicinvan (Bhag.10.14.29) Only a devotee who has received a small fraction of the mercy of the Lord can understand Him.

Others may engage in theoretical speculation to understand the Lord, but they can not know anything about Him.

Although Maharaja Prataparudra was very eager to see Sri Caitanya Mahaprabhu, the Lord refused to see him.

However, when Sri Caitanya Mahaprabhu saw the King engaged in menial service for Lord Jagannatha, He became very happy.

Thus the King became eligible to receive Sri Caitanya Mahaprabhu’s mercy.

If a devotee accepts Lord Sri Caitanya Mahaprabhu as the universal guru and Lord Jagannatha as the Supreme Personality of Godhead Krsna, he is benefited by the combined mercy of Krsna and guru.

That is stated by Sri Caitanya Mahaprabhu in His instructions to Rupa Gosvami (Cc.Madhya 19.151)

brahmanda bhramite kona bhagyavan jiva

guru-krsna-prasade paya bhakti-lata-bija The seed of devotional service fructifies and becomes a transcendental creeper.

Finally it reaches the lotus feet of the Lord in the spiritual sky.

This seed is obtained by the mercy of the Lord and the guru.

By the Lord’s mercy one gets the association of a bona fide guru, and by the mercy of the guru, one gets a chance to render devotional service.

Devotional service, the science of bhakti-yoga, carries one from this material world to the spiritual world.

13.19

rathera sajani dekhi’ loke camatkara

nava hemamaya ratha-sumeru-akara

SYNONYMS

rathera—of the car; sajani—decoration; dekhi’-by seeing; loke—everyone; camatkara—astonished; nava—new; hema-ma ya—golden; ratha—chariot car; sumeru-akara—as high as the mountain Sumeru.

Everyone was astonished to see the decorations on the Ratha car.

The car appeared to be newly made of gold, and it was as high as Mount Sumeru.

PURPORT

In the year 1973 there was a gorgeous Ratha-yatra festival in London, England, and the car was brought to Trafalgar Square.

The London daily newspaper the Guardian published a front-page photo caption: “ISKCON Ratha-yatra is rival to the Nelson Column in Trafalgar Square.” The Nelson Column is a very impressive statue of Lord Nelson and can be seen from a good distance.

Just as the residents of Puri compared the Ratha-yatra car to Mount Sumeru, the residents of London considered the car rival to the Nelson Monument.

13.20

sata sata su-camara-darpane ujjvala

upare pataka sobhe candoya nirmala

SYNONYMS

sata sata—hundreds upon hundreds; su-camara—beautiful white whisks; darpane—with mirrors; ujjvala—very bright; upare—on the top; pataka—flag; sobhe—looks beautiful; candoya—canopy; nirmala—thoroughly cleansed.

The decorations included bright mirrors and hundreds and hundreds of camaras (white whisks made of yak tails).

On top of the car were a neat and clean canopy and very beautiful flag.

13.21

ghaghara, kinkini baje, ghantara kvanita

nana citra-patta-vastre ratha vibhusita

SYNONYMS

ghaghara—gongs; kinkini—ankle bells; baje—were sounding; ghantara—of bells; kvanita—tinkling sound; nana—various; citra—pictures; patta-vastre—with silken cloth; ratha—the car; vibhusita—decorated.

The car was also decorated with silken cloth and various pictures.

Many brass bells, gongs and ankle bells rang.

13.22

lilaya cadila isvara rathera upara

ara dui rathe cade subhadra, haladhara

SYNONYMS

lilaya—for the matter of pastimes; cadila—got up; isvara—the Supreme Personality of Godhead; rathera—a car; upara—aboard; ara dui—another two; rathe—in the cars; cade—got up; subhadra—the sister of Lord Jagannatha; haladhara—Balarama.

For the pastimes of the Ratha-yatra ceremony, Lord Jagannatha got aboard one car, and His sister, Subhadra, and elder brother, Balarama, got aboard two other cars.

13.23

panca-dasa dina isvara maha-laksmi lana

tanra sange krida kaila nibhrte vasiya

SYNONYMS

panca-dasa dina—fifteen days; isvara—the Lord; maha-laksmi—the supreme goddess of fortune; lana—with; tanra sange—in her company; krida—enjoyment; kaila—performed; nibhrte—in a solitary place; vasiya—sitting.

For fifteen days the Lord had remained in a secluded place with the supreme goddess of fortune and had performed His pastimes with her.

PURPORT

The fifteen-day period of anavasara is also called nibhrta, in honor of the solitary place where the supreme goddess of fortune lives.

After living there a fortnight, Lord Jagannatha took permission from the goddess of fortune to leave.

13.24

tanhara sammati lana bhakte sukha dite

rathe cadi’ bahira haila vihara karite

SYNONYMS

tanhara sammati—her permission; lana—taking; bhakte—the devotees; sukha dite—to please; rathe cadi’-riding on the car; bahira haila—came out; vihara karite—to perform pastimes.

Having taken permission from the goddess of fortune, the Lord came out to ride on the Ratha car and perform His pastimes for the pleasure of the devotees.

PURPORT

In this connection, Srila Bhaktisiddhanta Sarasvati Thakura comments that as an ideal husband, Lord Jagannatha remained fifteen days in a secluded place with His wife, the supreme goddess of fortune.

Nonetheless, the Lord wanted to come out of seclusion to give happiness to His devotees.

The Lord enjoys Himself in two ways, known as svakiya and parakiya.

The Lord’s conjugal love in the svakiya-rasa relates to the regulative principles observed in Dvaraka.

There the Lord has many married queens, but in Vrndavana the conjugal love of the Lord is not with His married wives but with His girl friends, the gopis.

Conjugal love with the gopis is called parakiya-rasa.

Lord Jagannatha leaves the secluded place where He enjoys the company of the supreme goddess of fortune in svakiya-rasa, and He goes to Vrndavana where He enjoys the parakiya-rasa.

Bhaktisiddhanta Sarasvati Thakura therefore reminds us that the Lord’s pleasure in parakiya-rasa is superior to His pleasure in svakiya-rasa.

In the material world, parakiya-rasa, or loving affairs with unmarried girl friends, is a most degraded relationship, but in the spiritual world this type of loving affair is considered the supreme enjoyment.

In the material world everything is but a reflection of the spiritual world, and that reflection is perverted.

We cannot understand the affairs of the spiritual world on the basis of our experience in the material world.

The Lord’s pastimes with the gopis are therefore misunderstood by mundane scholars and word-wranglers.

The parakiya-rasa of the spiritual world should not be discussed except by one who is very advanced in pure devotional service.

The parakiya-rasa in the spiritual world and that in the material world are not comparable.

The former is like gold, and the latter is like iron.

Because the difference between the two is so great, they cannot actually be compared.

However, one can easily distinguish the value of gold by seeing the value of iron.

One who has the proper realization can easily distinguish the transcendental activities of the spiritual world from material activities.

13.25

suksma sveta-balu pathe pulinera sama

dui dike tota, saba-yena vrndavana

SYNONYMS

suksma—fine; sveta-balu—white sand; pathe—on the path; pulinera sama—just like the bank of the Yamuna; dui dike—on two sides; tota—gardens; saba—all; yena—like; vrndavana—the holy place Vrndavana.

The fine, white sand spread all over the path resembled the bank of the Yamuna, and the small gardens on both sides looked just like those in Vrndavana.

13.26

rathe cadi’ jagannatha karila gamana

dui-parsve dekhi’ cale anandita-mana

SYNONYMS

rathe cadi’-riding on the car; jagannatha—Lord Jagannatha; karila gamana—was passing; dui-parsve—on both sides; dekhi’-seeing; cale—goes; anandita—full of pleasure; mana—mind.

As Lord Jagannatha rode in His car and saw the beauty on both sides, His mind was filled with pleasure.

13.27

’gauda’ saba ratha tane kariya ananda

ksane sighra cale ratha, ksane cale manda

SYNONYMS

gauda—the pullers of the car; saba—all; ratha—the car; tane—pull; kariya—feeling; ananda—happiness; ksane—sometimes; sighra cale—goes very fast; ratha—the car; ksane—sometimes; cale—goes; manda—very slow.

The pullers of the car were known as gaudas, and they pulled with great pleasure.

However, the car sometimes went very fast and sometimes very slow.

13.28

ksane sthira hana rahe, tanileha na cale

isvara-icchaya cale, na cale karo bale

SYNONYMS

ksane—sometimes; sthira—still; hana—becoming; rahe—stays; tanileha—in spite of being pulled; na cale—does not go; isvara-icchaya—by the will of the Lord; cale—goes; na cale—does not go; karo—of anyone; bale—by the strength.

Sometimes the car would stand still and not move, even though it was pulled very vigorously.

The chariot therefore moved by the will of the Lord, not by the strength of any ordinary person.

13.29

tabe mahaprabhu saba lana bhakta-gana

svahaste paraila sabe malya-candana

SYNONYMS

tabe—at that time; mahaprabhu—Sri Caitanya Mahaprabhu; saba—all; lana—taking; bhakta-gana—devotees; sva-haste—by His own hand; paraila—decorated; sabe—everyone; malya-candana—with flower garlands and pulp of sandalwood.

As the car stood still, Sri Caitanya Mahaprabhu gathered all His devotees and, with His own hand, decorated them with flower garlands and sandalwood pulp.

13.30

paramananda puri, ara bharati brahmananda

sri-haste candana pana badila ananda

SYNONYMS

paramananda puri—Paramananda Puri; ara—and; bharati brahmananda—Brahmananda Bharati; sri-haste—by the hand of Lord Caitanya Mahaprabhu; candana—sandalwood pulp; pana—getting; badila—increased; ananda—transcendental bliss.

Paramananda Puri and Brahmananda Bharati were both personally given garlands and sandalwood pulp from the very hands of Sri Caitanya Mahaprabhu.

This increased their transcendental pleasure.

13.31

advaita-acarya, ara prabhu-nityananda

sri-hasta-sparse dunhara ha-ila ananda

SYNONYMS

advaita-acarya—Advaita Acarya; ara—and; prabhu-nityananda—Lord Nityananda Prabhu; sri-hasta-sparse—by the touch of the transcendental hand of Lord Caitanya; dunhara—of both of Them; ha-ila—there was; ananda—transcendental bliss.

Similarly, when Advaita Acarya and Nityananda Prabhu felt the touch of the transcendental hand of Sri Caitanya Mahaprabhu, They were both very pleased.

13.32

kirtaniya-gane dila malya-candana

svarupa, srivasa,-yahan mukhya dui-jana

SYNONYMS

kirtaniya-gane—unto the performers of sankirtana; dila—gave; malya-candana—garlands and sandalwood pulp; svarupa—Svarupa; srivasa—Srivasa; yahan—where; mukhya—principal; dui-jana—two persons.

The Lord also gave garlands and sandalwood pulp to the performers of sankirtana.

The chief two performers were Svarupa Damodara and Srivasa Thakura.

13.33

cari sampradaye haila cabbisa gayana

dui dui mardangika haila asta jana

SYNONYMS

cari sampradaye—in the four parties; haila—there were; cabbisa—twenty-four; gayana—performers of kirtana; dui dui—two in each party; mardangika—players of mrdanga drums; haila—there were; asta jana—eight persons.

There were altogether four parties of kirtana performers, comprising twenty-four chanters.

In each party there were also two mrdanga players, making an additional eight persons.

13.34

tabe mahaprabhu mane vicara kariya

cari sampradaya dila gayana bantiya

SYNONYMS

tabe—after this; mahaprabhu—Sri Caitanya Mahaprabhu; mane—in the mind; vicara kariya—considering; cari sampradaya—four parties; dila—gave; gayana bantiya—dividing the singers.

When the four parties were formed, Sri Caitanya Mahaprabhu, after some consideration, divided the chanters.

13.35

nityananda, advaita, haridasa, vakresvare

cari jane ajna dila nrtya karibare

SYNONYMS

nityananda—Lord Nityananda; advaita—Advaita Acarya; haridasa—Haridasa Thakura; vakresvare—Vakresvara Pandita; cari jane—to these four persons; ajna dila—the Lord gave an order; nrtya karibare—to dance.

Sri Caitanya Mahaprabhu ordered Nityananda Prabhu, Advaita Acarya, Haridasa Thakura and Vakresvara Pandita to dance in each of the four respective parties.

13.36

prathama sampradaye kaila svarupa-pradhana

ara panca-jana dila tanra paligana

SYNONYMS

prathama sampradaye—in the first party; kaila—fixed; svarupa—Svarupa Damodara; pradhana—as the chief; ara—another; panca-jana—five persons; dila—gave; tanra—his; paligana—responders.

Svarupa Damodara was chosen as the leader of the first party and was given five assistants to respond to his chanting.

13.37

damodara, narayana, datta govinda

raghava pandita, ara sri-govindananda

SYNONYMS

damodara—Damodara Pandita; narayana—Narayana; datta govinda—Govinda Datta; raghava pandita—Raghava Pandita; ara—and; sri-govindananda—Sri Govindananda.

The five who responded to the singing of Svarupa Damodara were Damodara Pandita, Narayana, Govinda Datta, Raghava Pandita and Sri Govindananda.

13.38

advaitere nrtya karibare ajna dila

srivasa-pradhana ara sampradaya kaila

SYNONYMS

advaitere—unto Advaita Acarya; nrtya—dancing; karibare—for performing; ajna—order; dila—gave; srivasa—Srivasa Thakura; pradhana—chief; ara—another; sampradaya—group; kaila—formed.

Advaita Acarya Prabhu was ordered to dance in the first group.

The Lord then formed another group with Srivasa Thakura as the chief man.

PURPORT

In the first group, Damodara Svarupa was appointed chief singer, and the responding singers were Damodara Pandita, Narayana, Govinda Datta, Raghava Pandita and Govindananda.

Sri Advaita Acarya was appointed as a dancer.

The next group was formed, and the chief singer was Srivasa Thakura.

13.39

gangadasa, haridasa, sriman, subhananda

sri-rama pandita, tahan nace nityananda

SYNONYMS

gangadasa—Gangadasa; haridasa—Haridasa; sriman—Sriman; subhananda—Subhananda; sri-rama pandita—Sri Rama Pandita; tahan—there; nace—dances; nityananda—Lord Nityananda.

The five singers who responded to the singing of Srivasa Thakura were Gangadasa, Haridasa, Sriman, Subhananda and Sri Rama Pandita.

Sri Nityananda Prabhu was appointed as a dancer.

13.40

vasudeva, gopinatha, murari yahan gaya

mukunda-pradhana kaila ara sampradaya

SYNONYMS

vasudeva—Vasudeva; gopinatha—Gopinatha; murari—Murari; yahan—where; gaya—sing; mukunda—Mukunda; pradhana—chief; kaila—formed; ara—another; sampradaya—group.

Another group was formed consisting of Vasudeva, Gopinatha, and Murari.

All these were responsive singers, and Mukunda was the chief singer.

13.41

srikanta, vallabha-sena ara dui jana

haridasa-thakura tahan karena nartana

SYNONYMS

srikanta, vallabha-sena—Srikanta and Vallabha Sena; ara—another; dui jana—two persons; haridasa-thakura—Haridasa Thakura; tahan—there; karena—performs; nartana—dancing.

Another two persons, Srikanta and Vallabha Sena, joined as responsive singers.

In this group, Haridasa Thakura (the senior) was the dancer.

PURPORT

In the third group, Mukunda was appointed the chief singer.

This party was composed of Vasudeva, Gopinatha, Murari, Srikanta and Vallabha Sena.

The senior Haridasa Thakura was the dancer.

13.42

govinda-ghosa-pradhana kaila ara sampradaya

haridasa, visnudasa, raghava, yahan gaya

SYNONYMS

govinda-ghosa—Govinda Ghosh; pradhana—the chief; kaila—formed; ara—another; sampradaya—group; haridasa—the younger Haridasa; visnudasa—Visnudasa; raghava—Raghava; yahan—where; gaya—sing.

The Lord formed another group, appointing Govinda Ghosh as leader.

In this group the younger Haridasa, Visnudasa and Raghava were the responding singers.

13.43

madhava, vasudeva-ghosa,-dui sahodara

nrtya karena tahan pandita-vakresvara

SYNONYMS

madhava—Madhava; vasudeva-ghosa—Vasudeva Ghosh; dui sahodara—two brothers; nrtya karena—dances; tahan—there; pandita-vakresvara—Vakresvara Pandita.

Two brothers named Madhava Ghosh and Vasudeva Ghosh also joined this group as responsive singers.

Vakresvara Pandita was the dancer.

13.44

kulina-gramera eka kirtaniya-samaja

tahan nrtya karena ramananda, satyaraja

SYNONYMS

kulina-gramera—of the village known as Kulina-grama; eka—one; kirtaniya-samaja—sankirtana party; tahan—there; nrtya karena—dances; ramananda—Ramananda; satyaraja—Satyaraja Khan.

There was a sankirtana party from the village known as Kulina-grama, and Ramananda and Satyaraja were appointed the dancers in this group.

13.45

santipurera acaryera eka sampradaya

acyutananda nace tatha, ara saba gaya

SYNONYMS

santipurera—of Santipura; acaryera—of Advaita Acarya; eka—one; sampradaya—group; acyutananda—the son of Advaita Acarya; nace—dances; tatha—there; ara—the rest; saba—all; gaya—were singing.

There was another party that came from Santipura and was formed by Advaita Acarya.

Acyutananda was the dancer, and the rest of the men were singers.

13.46

khandera sampradaya kare anyatra kirtana

narahari nace tahan sri-raghunandana

SYNONYMS

khandera—of the place named Khanda; sampradaya—party; kare—performs; anyatra—in a different place; kirtana—chanting; narahari—Narahari; nace—dances; tahan—there; sri-raghunandana—Raghunandana.

Another party was formed by the people of Khanda.

These people were singing in a different place.

In that group, Narahari Prabhu and Raghunandana were dancing.

13.47

jagannathera age cari sampradaya gaya

dui pase dui, pache eka sampradaya

SYNONYMS

jagannathera age—in front of the Deity Lord Jagannatha; cari sampradaya gaya—four groups were chanting; dui pase—on two sides; dui—another two groups; pache—at the rear; eka sampradaya—another group.

Four parties chanted and danced in front of Lord Jagannatha, and on both sides were two other parties.

Another was at the rear.

13.48

sata sampradaye baje caudda madala

yara dhvani suni’ vaisnava haila pagala

SYNONYMS

sata sampradaye—in seven groups; baje—were beating; caudda—fourteen; madala—drums; yara—of which; dhvani—the sound; suni’-hearing; vaisnava—all the devotees; haila—became; pagala—mad.

There were altogether seven parties of sankirtana, and in each party two men were beating drums.

Thus fourteen drums were being played at once.

The sound was tumultuous, and all the devotees became mad.

13.49

vaisnavera megha-ghataya ha-ila badala

kirtananande saba varse netra-jala

SYNONYMS

vaisnavera—of the devotees; megha-ghataya—by the assembly of clouds; ha-ila—there was; badala—rainfall; kirtana-anande—in the blissful situation of chanting; saba—all of them; varse—rain; netra-jala—tears from the eyes.

All the Vaisnavas came together like an assembly of clouds.

As the devotees chanted the holy names, tears fell in great ecstasy like rainfall from their eyes.

13.50

tri-bhuvana bhari’ uthe kirtanera dhvani

anya vadyadira dhvani kichui na suni

SYNONYMS

tri-bhuvana bhari’-filling the three worlds; uthe—arose; kirtanera dhvani—vibration of sankirtana; anya—other; vadya-adira—of musical instruments; dhvani—the sound; kichui—anything; na—not; suni—hears.

When the sankirtana resounded, it filled the three worlds.

Indeed, no one could hear mundane sounds or musical instruments other than the sankirtana.

13.51

sata thani bule prabhu ’hari’ ’hari’ bali’

’jaya jagannatha’, balena hasta-yuga tuli’

SYNONYMS

sata thani—in the seven places; bule—wanders; prabhu—Sri Caitanya Mahaprabhu; hari hari bali’-chanting the holy names Hari, Hari; jaya jagannatha—all glories to Lord Jagannatha; balena—says; hasta-yuga—His two arms; tuli’-raising.

Lord Caitanya Mahaprabhu wandered through all seven groups chanting the holy name,“Hari, Hari!” Raising His arms, He shouted, “All glories to Lord Jagannatha!”

13.52

ara eka sakti prabhu karila prakasa

eka-kale sata thani karila vilasa

SYNONYMS

ara—another; eka—one; sakti—mystic power; prabhu—Lord Sri Caitanya Mahaprabhu; karila—made; prakasa—manifest; eka-kale—simultaneously; sata thani—in seven places; karila—performed; vilasa—pastimes.

Lord Caitanya Mahaprabhu then exhibited another mystic power by performing pastimes simultaneously in all seven groups.

13.53

sabe kahe,-prabhu achena mora sampradaya

anya thani nahi ya’na amare dayaya

SYNONYMS

sabe kahe—everyone said; prabhu—Sri Caitanya Mahaprabhu; achena—is present; mora sampradaya—in my group; anya thani—in other places; nahi—does not; ya’na—go; amare—unto me; dayaya—bestows His mercy.

Everyone said, “Lord Caitanya Mahaprabhu is present in my group.

Indeed, He does not go anywhere else.

He is bestowing His mercy upon us.”

13.54

keha lakhite nare prabhura acintya-sakti

antaranga-bhakta jane, yanra suddha-bhakti

SYNONYMS

keha—anyone; lakhite—see; nare—cannot; prabhura—of Sri Caitanya Mahaprabhu; acintya—inconceivable; sakti—power; antaranga—intimate; bhakta—devotee; jane—knows; yanra—whose; suddha-bhakti—pure devotional service.

Actually, no one could see the inconceivable potency of the Lord.

Only the most confidential devotees, those in pure, unalloyed devotional service, could understand.

13.55

kirtana dekhiya jagannatha harasita

sankirtana dekhe ratha kariya sthagita

SYNONYMS

kirtana dekhiya—by seeing the performance of sankirtana; jagannatha—Lord Jagannatha; harasita—very pleased; sankirtana—performance of sankirtana; dekhe—sees; ratha—the car; kariya sthagita—stopping.

Lord Jagannatha was very pleased by the sankirtana, and He brought His car to a standstill just to see the performance.

13.56

prataparudrera haila parama vismaya

dekhite vivasa raja haila premamaya

SYNONYMS

prataparudrera—of King Prataparudra; haila—there was; parama—very much; vismaya—astonishment; dekhite—to see; vivasa—inactive; raja—the King; haila—became; prema-maya—in ecstatic love.

King Prataparudra also was astonished to see the sankirtana.

He became inactive and was converted to ecstatic love of Krsna.

13.57

kasi-misre kahe raja prabhura mahima

kasi-misra kahe,-tomara bhagyera nahi sima

SYNONYMS

kasi-misre-unto Kasi Misra; kahe-said; raja-the King; prabhura mahima-the glories of Sri Caitanya Mahaprabhu; kasi-misra kahe-Kasi Misra said; tomara-your; bhagyera-of fortune; nahi-there is not; sima-a limit.

When the King informed Kasi Misra of the glories of the Lord, Kasi Misra replied,“O King, your fortune has no limit!”

13.58

sarvabhauma-sange raja kare tharathari

ara keha nahi jane caitanyera curi

SYNONYMS

sarvabhauma-sange—with Sarvabhauma Bhattacarya; raja—the King; kare—does; tharathari—indication; ara—further; keha—anyone; nahi—not; jane—knows; caitanyera—of Lord Sri Caitanya Mahaprabhu; curi—tricks.

The King and Sarvabhauma Bhattacarya were both aware of the Lord’s activities, but no one else could see the tricks of Lord Caitanya Mahaprabhu.

13.59

yare tanra krpa, sei janibare pare

krpa vina brahmadika janibare nare

SYNONYMS

yare—upon whom; tanra—His; krpa—mercy; sei—that person; janibare—to know; pare—is able; krpa—mercy; vina—without; brahma-adika—the demigods, headed by Lord Brahma; janibare—to know; nare—are not able.

Only a person who has received the mercy of the Lord can understand.

Without the Lord’s mercy, even the demigods, headed by Lord Brahma, cannot understand.

13.60

rajara tuccha seva dekhi’ prabhura tusta mana

sei ta’ prasade paila ’rahasya-darsana’

SYNONYMS

rajara—of the King; tuccha—insignificant, menial; seva—service; dekhi’-seeing; prabhura—of Sri Caitanya Mahaprabhu; tusta—satisfied; mana—mind; sei—that; ta’-indeed; prasade—by mercy; paila—got; rahasya-darsana—seeing of the mystery of the activities.

Sri Caitanya Mahaprabhu was very satisfied to see the King accept the menial task of sweeping the street, and for this humility, the King received the mercy of Sri Caitanya Mahaprabhu.

He could therefore observe the mystery of Sri Caitanya Mahaprabhu’s activities.

PURPORT

The mystery of the Lord’s activities is described by Srila Bhaktisiddhanta Sarasvati Thakura.

Lord Jagannatha was astonished to see the transcendental dancing and chanting of Sri Caitanya Mahaprabhu, and He stopped His car just to see the dancing.

Lord Caitanya Mahaprabhu then danced in such a mystical way that He pleased Lord Jagannatha.

The seer and the dancer were one and the same Supreme Person, but the Lord, being one and many at the same time, was exhibiting the variegatedness of His pastimes.

This is the meaning behind His mysterious exhibition.

By the mercy of Sri Caitanya Mahaprabhu, the King could understand how both of Them were enjoying each other’s activities.

Another mysterious exhibition was Sri Caitanya Mahaprabhu’s simultaneous presence in seven groups.

By the mercy of Sri Caitanya Mahaprabhu, the King could understand that also.

13.61

saksate na deya dekha, parokse ta’ daya

ke bujhite pare caitanya-candrera maya

SYNONYMS

saksate—directiy; na—not; deya—gives; dekha—interview; parokse—indirectly; ta’-indeed; daya—there was mercy; ke—who; bujhite—to understand; pare—is able; caitanya-candrera—of Lord Sri Caitanya Mahaprabhu; maya—internal potency.

Although the King was refused an interview, he was indirectly bestowed causeless mercy.

Who can understand the internal potency of Sri Caitanya Mahaprabhu?

PURPORT

As Sri Caitanya Mahaprabhu was playing the part of a world teacher, He did not agree to see the King because a king is a mundane person interested in money and women.

Indeed, the very name “king” suggests one who is always surrounded by money and women.

As a sannyasi, Sri Caitanya Mahaprabhu was afraid of both money and women.

The very word “king” is repugnant to one who is in the renounced order of life.

Sri Caitanya Mahaprabhu refused to see the King, but indirectly, by the Lord’s causeless mercy, the King was able to understand the Lord’s mysterious activities.

Lord Caitanya Mahaprabhu’s activities were exhibited sometimes to reveal Him as the Supreme Personality of Godhead and sometimes to show Him as a devotee.

Both kinds of activity are mysterious and appreciated only by pure devotees.

13.62

sarvabhauma, kasi-misra,-dui mahasaya

rajare prasada dekhi’ ha-ila vismaya

SYNONYMS

sarvabhauma—Sarvabhauma Bhattacarya; kasi-misra—Kasi Misra; dui mahasaya—two great personalities; rajare—unto the King; prasada—mercy; dekhi’-seeing; ha-ila—became; vismaya—astonished.

When the two great personalities Sarvabhauma Bhattacarya and Kasi Misra saw Caitanya Mahaprabhu’s causeless mercy upon the King, they were astonished.

13.63

ei-mata lila prabhu kaila kata-ksana

apane gayena, naca’na nija-bhakta-gana

SYNONYMS

ei-mata—in this way; lila—pastimes; prabhu—Sri Caitanya Mahaprabhu; kaila—performed; kata-ksana—for some time; apane gayena—personally sings; naca’na—made to dance; nija-bhakta-gana—His own personal devotees.

Lord Sri Caitanya Mahaprabhu performed His pastimes for some time in this way.

He personally sang and induced His personal associates to dance.

13.64

kabhu eka murti, kabhu hana bahu-murti

karya-anurupa prabhu prakasaye sakti

SYNONYMS

kabhu—sometimes; eka murti—one form; kabhu—sometimes; hana—becomes; bahu-murti—many forms; karya-anurupa—according to the program of activities; prabhu—Lord Sri Caitanya Mahaprabhu; prakasaye—exhibits; sakti—His internal potency.

According to His need, the Lord sometimes exhibited one form and sometimes many.

This was being executed by His internal potency.

13.65

lilavese prabhura nahi nijanusandhana

iccha jani ’lila sakti’ kare samadhana

SYNONYMS

lila-avese—in the ecstasy of transcendental pastimes; prabhura—of Sri Caitanya Mahaprabhu; nahi—there was not; nija-anusandhana—understanding about His personal self; iccha jani—knowing His desire; lila sakti—the potency known as lila-sakti; kare—does; samadhana—all arrangements.

Indeed, the Personality of Godhead forgot Himself in the course of His transcendental pastimes, but His internal potency (lila-sakti), knowing the intentions of the Lord, made all arrangements.

PURPORT

It is stated in the Upanisads:

parasya saktir vividhaiva sruyate

svabhaviki jnana-bala-kriya ca “The Supreme Lord has multi-potencies which act so perfectly that all consciousness, strength and activity are being directed solely by His will.” (Svetasvatara Upanisad 6.8) Sri Caitanya Mahaprabhu exhibited His mystic power in presenting Himself simultaneously in each and every sankirtana group.

Most people thought that He was one, but some saw that He was many.

The internal devotees could understand that the Lord, although one, was exhibiting Himself as many in the different sankirtana groups.

When Sri Caitanya Mahaprabhu danced, He forgot Himself and was simply absorbed in ecstatic bliss.

However, His internal potency arranged everything perfectly.

This is the difference between the internal and external potency.

In the material world, the external potency (material energy) can act only after one endeavors at great length, but when the Supreme Lord desires, everything is performed automatically by the internal potency.

By His will, things happen so nicely and perfectly that they appear to be carried out automatically.

Sometimes the activities of the internal potency are exhibited in the material world.

In fact, all the activities of material nature are actually performed by the inconceivable energies of the Lord, but so-called scientists and students of material nature are unable to understand ultimately how things are happening.

They evasively conclude that everything is being done by nature, but they do not know that behind nature is the potent Supreme Personality of Godhead.

This is explained in Bhagavad-gita:

mayadhyaksena prakrtih

suyate sa-caracaram

hetunanena kaunteya

jagad viparivartate “This material nature is working under My direction, O son of Kunti, and it is producing all moving and unmoving beings.

13.66

purve yaiche rasadi lila kaila vrndavane

alaukika lila gaura kaila ksane ksane

SYNONYMS

purve—formerly; yaiche—as; rasa-adi lila—the rasa-lila and other pastimes; kaila—performed; vrndavane—at Vrndavana; alaukika—uncommon; lila—pastimes; gaura—Lord Sri Caitanya Mahaprabhu; kaila—performed; ksane ksane—moment after moment.

Just as Lord Sri Krsna formerly performed the rasa-lila dance and other pastimes at Vrndavana, Lord Sri Caitanya Mahaprabhu performed uncommon pastimes moment after moment.

13.67

bhakta-gana anubhave, nahi jane ana

sri-bhagavata-sastra tahate pramana

SYNONYMS

bhakta-gana—all devotees; anubhave—could perceive; nahi jane—do not know; ana—others; sri-bhagavata-sastra—the revealed scripture Srimad-Bhagavatam; tahate—in that connection; pramana—evidence.

Sri Caitanya Mahaprabhu’s dancing before the Ratha-yatra car could be perceived only by pure devotees.

Others could not understand.

Descriptions of Lord Krsna’s uncommon dancing can be found in the revealed scripture Srimad-Bhagavatam.

PURPORT

Lord Sri Krsna expanded Himself into many forms while engaged in the rasa-lila dance, and He also expanded Himself when He married 16,000 wives in Dvaraka.

The same process was adopted by Sri Caitanya Mahaprabhu when He expanded Himself into seven forms to dance in each and every group of the sankirtana party.

These expansions were appreciated by pure devotees, including King Prataparudra.

Although for reasons of external formality Sri Caitanya Mahaprabhu refused to see King Prataparudra because he was a king, King Prataparudra became one of the Lord’s most confidential devotees by the Lord’s special mercy upon Him.

The King could see Sri Caitanya Mahaprabhu simultaneously present in all seven groups.

As confirmed in Srimad-Bhagavatam, one cannot see the expansions of the transcendental forms of the Lord unless one is a pure devotee of the Lord.

13.68

ei-mata mahaprabhu kare nrtya-range

bhasaila saba loka premera tarange

SYNONYMS

ei-mata—in this way; mahaprabhu—Sri Caitanya Mahaprabhu; kare—performs; nrtya-range—dancing in great pleasure; bhasaila—inundated; saba—all; loka—people; premera tarange—in waves of ecstatic love.

In this way Sri Caitanya Mahaprabhu danced in great jubilation and inundated all the people with waves of ecstatic love.

13.69

ei-mata haila krsnera rathe arohana

tara age prabhu nacaila bhakta-gana

SYNONYMS

ei-mata—in this way; haila—there was; krsnera—of Lord Sri Krsna; rathe—on the car; arohana—getting up; tara age—before it; prabhu—Sri Caitanya Mahaprabhu; nacaila—caused to dance; bhakta-gana—all devotees.

Thus Lord Jagannatha mounted His car, and Lord Sri Caitanya Mahaprabhu inspired all His devotees to dance in front of it.

13.70

age suna jagannathera gundica-gamana

tara age prabhu yaiche karila nartana

SYNONYMS

age—ahead; suna—hear; jagannathera—of Lord Jagannatha; gundica-gamana—going to the Gundica temple; tara age—before that; prabhu—Sri Caitanya Mahaprabhu; yaiche—as; karila—did; nartana—dancing.

Now please hear about Lord Jagannatha’s going to the Gundica temple while Sri Caitanya Mahaprabhu danced before the Ratha car.

13.71

ei-mata kirtana prabhu karila kata-ksana

apana-udyoge nacaila bhakta-gana

SYNONYMS

ei-mata—in this way; kirtana—chanting; prabhu—Sri Caitanya Mahaprabhu; karila—performed; kata-ksana—for some time; apana—personal; udyoge—by endeavor; nacaila—caused to dance; bhakta-gana—all the devotees.

The Lord performed kirtana for some time and, through His own endeavor, inspired all the devotees to dance.

13.72

apani nacite yabe prabhura mana haila

sata sampradaya tabe ekatra karila

SYNONYMS

apani—personally; nacite—to dance; yabe—when; prabhura—of Lord Sri Caitanya Mahaprabhu; mana—mind; haila—became; sata sampradaya—all the seven parties; tabe—at that time; ekatra karila—combined.

When the Lord Himself wanted to dance, all seven groups combined together.

13.73

srivasa, ramai, raghu, govinda, mukunda

haridasa, govindananda, madhava, govinda

SYNONYMS

srivasa—Srivasa; ramai—Ramai; raghu—Raghu; govinda—Govinda; mukunda—Mukunda; haridasa—Haridasa; govindananda—Govindananda; madhava—Madhava; govinda—Govinda.

The Lord’s devotees-including Srivasa, Ramai, Raghu, Govinda, Mukunda, Haridasa, Govindananda, Madhava and Govinda-all combined together.

13.74

uddanda-nrtye prabhura yabe haila mana

svarupera sange dila ei nava jana

SYNONYMS

uddanda-nrtye—in the dancing with high jumps; prabhura—of Sri Caitanya Mahaprabhu; yabe—when; haila mana—it was the mind; svarupera—Svarupa Damodara; sange—with; dila—gave; ei—these; nava jana—nine persons.

When Sri Caitanya Mahaprabhu desired to jump high while dancing, He placed these nine people in the charge of Svarupa Damodara.

13.75

ei dasa jana prabhura sange gaya, dhaya

ara saba sampradaya cari dike gaya

SYNONYMS

ei dasa jana—these ten persons; prabhura—Sri Caitanya Mahaprabhu; sange—with; gaya—chant; dhaya—run; ara—others; saba—all; sampradaya—groups of men; cari dike—all around; gaya—chant.

These devotees (Svarupa Damodara and the devotees in his charge) sang along with the Lord, and they also ran beside Him.

All the other groups of men also sang.

13.76

dandavat kari, prabhu yudi’ dui hata

urdhva-mukhe stuti kare dekhi’ jagannatha

SYNONYMS

dandavat kari—offering obeisances; prabhu—Sri Caitanya Mahaprabhu; yudi’-folding; dui hata—two hands; urdhva-mukhe—raising the face upward; stuti kare—offers prayer; dekhi’-seeing; jagannatha—the Deity of Lord Jagannatha.

Offering obeisances to the Lord with folded hands, Sri Caitanya Mahaprabhu raised His face toward Jagannatha and prayed as follows.

13.77

namo brahmanya-devaya

go-brahmana-hitaya ca

jagad-dhitaya krsnaya

govindaya namo namah

SYNONYMS

namah—all obeisances; brahmanya-devaya—to the Lord worshipable by persons in brahminical culture; go-brahmana—for cows and brahmanas; hitaya—beneficial; ca—also; jagat-hitaya—to one who always is benefiting the whole world; krsnaya—unto Krsna; govindaya—unto Govinda; namah namah—repeated obeisances " ’Let me offer my respectful obeisances unto Lord Krsna, who is the worshipable Deity for all brahminical men, who is the well-wisher of cows and brahmanas, and who is always benefiting the whole world.

I offer my repeated obeisances to the Personality of Godhead, known as Krsna and Govinda.’

PURPORT

This is a quotation from the Visnu Purana (1.19.65).

13.78

jayati jayati devo devaki-nandano ’sau

jayati jayati ko vrsni-vamsa-pradipah

jayati jayati megha-syamalah komalango

jayati jayati prthvi-bhara-naso mukundah

SYNONYMS

jayati—all glories; jayati—all glories; devah—to the Supreme Personality of Godhead; devaki-nandanah—the son of Devaki; asau—He; jayati jayati—all glories; krsnah—to Lord Krsna; vrsni-vamsa-pradipah—the light of the dynasty of Vrsni; jayati jayati—all glories; megha-syamalah—to the Supreme Personality of Godhead, who looks like a blackish cloud; komala-angah—with a body as soft as a lotus flower; jayati jayati—all glories; prthvi-bhara-nasah—to the deliverer of the whole world from its burden; mukundah—the deliverer of liberation to everyone " ’All glories unto the Supreme Personality of Godhead who is known as the son of Devaki.

All glories to the Supreme Personality of Godhead who is known as the light of the dynasty of Vrsni.

All glories to the Supreme Personality of Godhead whose bodily luster is like that of a new cloud and whose body is as soft as a lotus flower.

All glories to the Supreme Personality of Godhead who appeared on this planet to deliver the world from the burden of demons and who can offer liberation to everyone.’

PURPORT

This is a verse from the Mukunda-mala (3).

13.79

jayati jana-nivaso devaki-janma-vado

yadu-vara-parisat svair dorbhir asyann adharmam

sthira-cara-vrjina-ghnah susmita-sri-mukhena

vraja-pura-vanitanam vardhayan kama-devam

SYNONYMS

jayati—eternally lives gloriously; jana-nivasah—He who lives among human beings like the members of the Yadu dynasty and is the ultimate resort of all living entities; devaki-janma-vadah—known as the son of Devaki (No one can actually become the father or mother of the Supreme Personality of Godhead.

Therefore devaki-janma-vada means that He is known as the son of Devaki.

Similarly, He is also known as the son of mother Yasoda, Vasudeva or Nanda Maharaja.); yadu-vara-parisat—served by the members of the Yadu dynasty or the cowherd men of Vrndavana (all of whom are constant associates of the Supreme Lord and are the Lord’s eternal servants); svaih dorbhih—by His own arms, or by His devotees like Arjuna who are just like His own arms; asyan—killing; adharmam—demons or the impious; sthira-cara-vrjina-ghnah—the destroyer of all the ill fortune of all living entities, moving and not moving; su-smita—always smiling; sri-mukhena—by His beautiful face; vraja-pura-vanitanam—of the damsels of Vrndavana; vardhayan—increasing; kama-devam—the lusty desires " ’Lord Sri Krsna is He who is known as jana-nivasa, the ultimate resort of all living entities, and who is also known as Devaki-nandana or Yasoda-nandana, the son of Devaki and Yasoda.

He is the guide of the Yadu dynasty, and with His mighty arms He kills everything inauspicious as well as every man who is impious.

By His presence He destroys all things inauspicious for all living entities, moving and inert.

His blissful smiling face always increases the lusty desires of the gopis of Vrndavana.

May He be all glorious and happy!’

PURPORT

This is a quotation from Srimad-Bhagavatam (10.90.48).

13.80

naham vipro na ca nara-patir napi vaisyo na sudro

naham varni na ca grha-patir no vanastho yatir va

kintu prodyan-nikhila-paramananda-purnamrtabdher

gopi-bhartuh pada-kamalayor dasa-dasanudasah

SYNONYMS

na—not; aham—I; viprah—a brahmana; na—not; ca—also; nara-patih—a king or ksatriya; na—not; api—also; vaisyah—belonging to the mercantile class; na—not; sudrah—belonging to the worker class; na—not; aham—I; varni—belonging to any caste, or brahmacari (A brahmacari may belong to any caste.

Anyone can become a brahmacari or lead a life of celibacy.); na—not; ca—also; grha-patih—householder; no—not; vana-sthah—vanaprastha, one who, after retirement from family life, goes to the forest to learn how to be detached from family life; yatih—mendicant or renunciant; va—either; kintu—but; prodyan—brilliant; nikhila—universal; parama-ananda—with transcendental bliss; purna—complete; amrta-abdheh—who is the ocean of nectar; gopi-bhartuh—of the Supreme Person, who is the maintainer of the gopis; pada-kamalayoh—of the two lotus feet; dasa—of the servant; dasa-anudasah—the servant of the servant “ ’I am not a brahmana, I am not a ksatriya, I am not a vaisya or a sudra.

Nor am I a brahmacari, a householder, a vanaprastha or a sannyasi.

I identify Myself only as the servant of the servant of the servant of the lotus feet of Lord Sri Krsna, the maintainer of the gopis.

He is like an ocean of nectar, and He is the cause of universal transcendental bliss.

He is always existing with brilliance.’ ”

PURPORT

This verse is found in the Padyavali (74).

13.81

eta padi’ punarapi karila pranama

yoda-hate bhakta-gana vande bhagavan

SYNONYMS

eta padi’-reciting these; punarapi—again; karila—the Lord offered; pranama—obeisances; yoda-hate—with folded hands; bhakta-gana—all the devotees; vande—offer prayer; bhagavan—unto the Supreme Personality of Godhead.

Having recited all these verses from scripture, the Lord again offered His obeisances, and all the devotees, with folded hands, also offered prayers to the Supreme Personality of Godhead.

13.82

uddanda nrtya prabhu kariya hunkara

cakra-bhrami bhrame yaiche alata-akara

SYNONYMS

uddanda—jumping; nrtya—dancing; prabhu—Sri Caitanya Mahaprabhu; kariya—making; hunkara—loud vibration; cakra-bhrami—making a circular movement like a wheel; bhrame—moves; yaiche—as if; alata-akara—circle of fire.

When Sri Caitanya Mahaprabhu danced and jumped high, roaring like thunder and moving in a circle like a wheel, He appeared like a circling firebrand.

PURPORT

If a burning cinder of a firebrand is whirled about very swiftly, it gives the appearance of a circle of fire.

This is called alata-akara, or a firebrand circle.

This whole circle is not actually made of fire but is a single fire in motion.

Similarly, Lord Sri Caitanya Mahaprabhu is a single personality, but when He danced and jumped high in a circle, He appeared like the alata-cakra.

13.83

nrtye prabhura yahan yanha pade pada-tala

sasagara-saila mahi kare talamala

SYNONYMS

nrtye—while dancing; prabhura—of Sri Caitanya Mahaprabhu; yahan yanha—wherever; pade—steps; pada-tala—His foot; sa-sagara—with the oceans; saila—hills and mountains; mahi—the earth; kare—does; talamala—tilting.

Wherever Sri Caitanya Mahaprabhu stepped while dancing, the whole earth, with its hills and seas, appeared to tilt.

13.84

stambha, sveda, pulaka, asru, kampa, vaivarnya

nana-bhave vivasata, garva, harsa, dainya

SYNONYMS

stambha—being stunned; sveda—perspiration; pulaka—jubilation; asru—tears; kampa—trembling; vaivarnya—change of color; nana-bhave—in various ways; vivasata—helplessness; garva—pride; harsa—exuberation; dainya—humility.

When Caitanya Mahaprabhu danced, He displayed various blissful transcendental changes in His body.

Sometimes He appeared as though stunned.

Sometimes the hairs of His body stood on end.

Sometimes He perspired, cried, trembled and changed color, and sometimes He exhibited symptoms of helplessness, pride, exuberance and humility.

13.85

achada khana pade bhume gadi’ yaya

suvarna-parvata yaiche bhumete lotaya

SYNONYMS

achada khana—crashing; pade—falls; bhume—on the ground; gadi’-rolling; yaya—goes; suvarna-parvata—a golden mountain; yaiche—as if; bhumete—on the ground; lotaya—rolls.

When Sri Caitanya Mahaprabhu fell down with a crash while dancing, He would roll on the ground.

At such times it appeared that a golden mountain was rolling on the ground.

13.86

nityananda-prabhu dui hata prasariya

prabhure dharite cahe asa-pasa dhana

SYNONYMS

nityananda-prabhu—Lord Nityananda Prabhu; dui—two; hata—hands; prasariya—stretching; prabhure—Lord Sri Caitanya Mahaprabhu; dharite—to catch; cahe—wants; asa-pasa—here and there; dhana—running.

Nityananda Prabhu would stretch out His two hands and try to catch the Lord when He was running here and there.

13.87

prabhu-pache bule acarya kariya hunkara

’hari-bola’ ’hari-bola’ bale bara bara

SYNONYMS

prabhu-pache—behind the Lord; bule—was walking; acarya—Advaita Acarya; kariya—making; hunkara—a loud vibration; hari-bola hari-bola—chant the holy name of Hari; bale—says; bara bara—again and again.

Advaita Acarya would walk behind the Lord and loudly chant “Hari bol! Hari bol!” again and again.

13.88

loka nivarite haila tina mandala

prathama-mandale nityananda maha-bala

SYNONYMS

loka—the people; nivarite—to check; haila—there were; tina—three; mandala—circles; prathama-mandale—in the first circle; nityananda—Lord Nityananda; maha-bala—of great strength.

Just to check the crowds from coming too near the Lord, they formed three circles.

The first circle was guided by Nityananda Prabhu, who is Balarama Himself, the possessor of great strength.

13.89

kasisvara govindadi yata bhakta-gana

hatahati kari’ haila dvitiya avarana

SYNONYMS

kasisvara—Kasisvara; govinda-adi—headed by Govinda; yata—all; bhakta-gana—devotees; hatahati—linked hand to hand; kari’-doing; haila—became; dvitiya—a second; avarana—covering circle.

All the devotees headed by Kasisvara and Govinda linked hands and formed a second circle around the Lord.

13.90

bahire prataparudra lana patra-gana

mandala hana kare loka nivarana

SYNONYMS

bahire—outside; prataparudra—King Prataparudra; lana—taking; patra-gana—his own associates; mandala—circle; hana—becoming; kare—does; loka—of the crowd; nivarana—checking.

Maharaja Prataparudra and his personal assistants formed a third circle around the two inner circles just to check the crowd from coming too near.

13.91

haricandanera skandhe hasta alambiya

prabhura nrtya dekhe raja avista hana

SYNONYMS

haricandanera—of Haricandana; skandhe—on the shoulder; hasta—hand; alambiya—putting; prabhura—of Sri Caitanya Mahaprabhu; nrtya dekhe—sees the dancing; raja—Maharaja Prataparudra; avista hana—in great ecstasy.

With his hands on the shoulders of Haricandana, King Prataparudra could see Lord Caitanya Mahaprabhu dancing, and the King felt great ecstasy.

13.92

hena-kale srinivasa premavista-mana

rajara age rahi’ dekhe prabhura nartana

SYNONYMS

hena-kale—at this time; srinivasa—Srivasa Thakura; prema-avista-mana—with a greatly ecstatic mind; rajara age—in front of the King; rahi’-keeping himself; dekhe—sees; prabhura—of Sri Caitanya Mahaprabhu; nartana—the dancing.

While the King beheld the dancing, Srivasa Thakura, standing in front of him, became ecstatic as he saw the dancing of Sri Caitanya Mahaprabhu.

13.93

rajara age haricandana dekhe srinivasa

haste tanre sparsi’ kahe,-hao eka-pasa

SYNONYMS

rajara age—in front of the King; haricandana—Haricandana; dekhe—sees; srinivasa—Srivasa Thakura; haste—with his hand; tanre—him; sparsi’-touching; kahe—says; hao—please come; eka-pasa—to one side.

Seeing Srivasa Thakura standing before the King, Haricandana touched Srivasa with his hand and requested him to step aside.

13.94

nrtyavese srinivasa kichui na jane

bara bara thele, tenho krodha haila mane

SYNONYMS

nrtya-avese—fully absorbed in seeing the dancing of Sri Caitanya Mahaprabhu; srinivasa—Srivasa Thakura; kichui—anything; na—does not; jane—know; bara bara—again and again; thele—when he pushes; tenho—Srivasa; krodha—angry; haila—became; mane—in the mind.

Absorbed in watching Sri Caitanya Mahaprabhu dance, Srivasa Thakura could not understand why he was being touched and pushed.

After he was pushed again and again, he became angry.

13.95

capada mariya tare kaila nivarana

capada khana kruddha haila haricandana

SYNONYMS

capada mariya—slapping; tare—him; kaila nivarana—stopped; capada khana—getting the slap; kruddha—angry; haila—became; haricandana—Haricandana.

Srivasa Thakura slapped Haricandana to stop him from pushing him.

In turn, this made Haricandana angry.

13.96

kruddha hana tanre kichu cahe balibare

apani prataparudra nivarila tare

SYNONYMS

kruddha hana—becoming angry; tanre—unto Srivasa Thakura; kichu—something; cahe—wants; balibare—to speak; apani—personally; prataparudra—King Prataparudra; nivarila—stopped; tare—unto him.

As the angered Haricandana was about to speak to Srivasa Thakura, Prataparudra Maharaja personally stopped him.

13.97

bhagyavan tumi-inhara hasta-sparsa paila

amara bhagye nahi, tumi krtartha haila

SYNONYMS

bhagyavan tumi—you are very fortunate; inhara—of Srivasa Thakura; hasta—of the hand; sparsa—touch; paila—have received; amara bhagye—in my fortune; nahi—there is no such thing; tumi—you; krta-artha haila—have become graced.

King Prataparudra said, “You are very fortunate, for you have been graced by the touch of Srivasa Thakura.

I am not so fortunate.

You should feel obliged to him.”

13.98

prabhura nrtya dekhi’ loke haila camatkara

anya achuk, jagannathera ananda apara

SYNONYMS

prabhura—of Sri Caitanya Mahaprabhu; nrtya—dancing; dekhi’-seeing; loke—everyone; haila—became; camatkara—astonished; anya achuk—let alone others; jagannathera—of Lord Jagannatha; ananda apara—there was extreme happiness.

Everyone was astonished by the dancing of Caitanya Mahaprabhu, and even Lord Jagannatha became extremely happy to see Him.

13.99

ratha sthira kaila, age na kare gamana

animisa-netre kare nrtya darasana

SYNONYMS

ratha—the car; sthira kaila—stopped; age—forward; na—not; kare—does; gamana—moving; animisa—unblinking; netre—with eyes; kare—does; nrtya—of the dancing; darasana—seeing.

The car came to a complete standstill and remained immobile while Lord Jagannatha, with unblinking eyes, watched the dancing of Sri Caitanya Mahaprabhu.

13.100

subhadra-balaramera hrdaye ullasa

nrtya dekhi’ dui janara sri-mukhete hasa

SYNONYMS

subhadra—of the goddess Subhadra; balaramera—and of Balarama; hrdaye—in the hearts; ullasa—ecstasy; nrtya—dancing; dekhi’-seeing; dui janara—of the two persons; sri-mukhete—in the beautiful mouths; hasa—smiling.

The goddess of fortune, Subhadra, and Lord Balarama both felt great happiness and ecstasy within Their hearts.

Indeed, They were seen smiling at the dancing.

13.101

uddanda nrtye prabhura adbhuta vikara

asta sattvika bhava udaya haya sama-kala

SYNONYMS

uddanda—jumping; nrtye—by dancing; prabhura—of Sri Caitanya Mahaprabhu; adbhuta—wonderful; vikara—transformations; asta sattvika—eight transcendental kinds; bhava—ecstasy; udaya haya—awaken; sama-kala—simultaneously.

When Caitanya Mahaprabhu danced and jumped high, eight wonderful transformations indicative of divine ecstasy were seen in His body.

All these symptoms were visible simultaneously.

13.102

mamsa-vrana sama roma-vrnda pulakita

simulira vrksa yena kantaka-vestita

SYNONYMS

mamsa—skin; vrana—pimples; sama—like; roma-vrnda—the hairs of the body; pulakita—erupted; simulira vrksa—cotton tree; yena—as if; kantaka—by thorns; vestita—surrounded.

His skin erupted with goose pimples, and the hairs of His body stood on end.

His body resembled the simuli (silk cotton tree), all covered with thorns.

13.103

eka eka dantera kampa dekhite lage bhaya

loke jane, danta saba khasiya padaya

SYNONYMS

eka eka—one after another; dantera—of teeth; kampa—movement; dekhite—to see; lage—there is; bhaya—fear; loke jane—the people understood; danta—the teeth; saba—all; khasiya—being loosened; padaya—fall down.

Indeed, the people became afraid just to see His teeth chatter, and they even thought that His teeth would fall out.

13.104

sarvange prasveda chute tate raktodgama

jaja gaga’ ’jaja gaga’-gadgada-vacana

SYNONYMS

sarvange—all over the body; prasveda—perspiration; chute—flows; tate—along with it; rakta-udgama—oozing out of blood; jaja gaga jaja gaga—a sound indicating the name Jagannatha; gadgada—choked up due to ecstasy; vacana—words.

Sri Caitanya Mahaprabhu’s whole body flowed with perspiration and at the same time oozed blood.

He made the sounds “jaja gaga, jaja gaga” in a voice choked with ecstasy.

13.105

jalayantra-dhara yaiche vahe asru-jala

asa-pase loka yata bhijila sakala

SYNONYMS

jala-yantra—from a syringe; dhara—pouring of water; yaiche—as if; vahe—are flowing; asru-jala—tears from the eyes; asa-pase—on all sides; loka—people; yata—as many as there were; bhijila—become wet; sakala—all.

Tears came forcefully from the eyes of the Lord, as if from a syringe, and all the people surrounding Him became wet.

13.106

deha-kanti gaura-varna dekhiye aruna

kabhu kanti dekhi yena mallika-puspa-sama

SYNONYMS

deha-kanti—of the luster of the body; gaura-varna—white complexion; dekhiye—everyone saw; aruna—pink; kabhu—sometimes; kanti—the luster; dekhi—seeing; yena—as if; mallika-puspa-sama—resembling the mallika flower.

Everyone saw the complexion of His body change from white to pink, so that His luster resembled that of the mallika flower.

13.107

kabhu stambha, kabhu prabhu bhumite lotaya

suska-kastha-sama pada-hasta na calaya

SYNONYMS

kabhu—sometimes; stambha—stunned; kabhu—sometimes; prabhu—Lord Caitanya Mahaprabhu; bhumite—on the ground; lotaya—rolls; suska—dry; kastha—wood; sama—like; pada-hasta—legs and hands; na—do not; calaya—move.

Sometimes He appeared stunned, and sometimes He rolled on the ground.

Indeed, sometimes His legs and hands became as hard as dry wood, and He did not move.

13.108

kabhu bhume pade, kabhu svasa haya hina

yaha dekhi’ bhakta-ganera prana haya ksina

SYNONYMS

kabhu—sometimes; bhume—on the ground; pade—falls down; kabhu—sometimes; svasa—breathing; haya—becomes; hina—nil; yaha dekhi’-seeing which; bhakta-ganera—of the devotees; prana—life; haya—becomes; ksina—feeble.

When the Lord fell on the ground, sometimes His breathing almost stopped.

When the devotees saw this, their lives also became very feeble.

13.109

kabhu netre nasaya jala, mukhe pade phena

amrtera dhara candra-bimbe vahe yena

SYNONYMS

kabhu—sometimes; netre—from the eyes; nasaya—from the nostrils; jala—water; mukhe—from the mouth; pade—fell; phena—foam; amrtera—of nectar; dhara—torrents; candra-bimbe—from the moon; vahe—flow; yena—as if.

Water flowed from His eyes and sometimes through His nostrils, and foam fell from His mouth.

These flowings appeared to be torrents of nectar descending from the moon.

13.110

sei phena lana subhananda kaila pana

krsna-prema-rasika tenho maha-bhagyavan

SYNONYMS

sei phena—that foam; lana—taking; subhananda—a devotee named Subhananda; kaila—did; pana—drinking; krsna-prema-rasika—relisher of ecstatic love of Krsna; tenho—he; maha-bhagyavan—very fortunate.

The foam which fell from the mouth of Sri Caitanya Mahaprabhu was taken and drunk by Subhananda because he was very fortunate and expert in relishing the mellow of ecstatic love of Krsna.

13.111

ei-mata tandava-nrtya kaila kata-ksana

bhava-visese prabhura pravesila mana

SYNONYMS

ei-mata—in this way; tandava-nrtya—devastating dancing; kaila—performed; kata-ksana—for some time; bhava-visese—in a particular ecstasy; prabhura—of Lord Caitanya Mahaprabhu; pravesila mana—the mind entered.

After performing His devastating dance for some time, Sri Caitanya Mahaprabhu’s mind entered into a mood of ecstatic love.

13.112

tandava-nrtya chadi’ svarupere ajna dila

hrdaya janiya svarupa gaite lagila

SYNONYMS

tandava-nrtya chadi’-giving up such devastating dancing; svarupere—unto Svarupa Damodara; ajna dila—gave an order; hrdaya—mind; janiya—knowing; svarupa—Svarupa Damodara; gaite lagila—began to sing.

After abandoning the dancing, the Lord ordered Svarupa Damodara to sing.

Understanding His mind, Svarupa Damodara began to sing as follows.

13.113

"sei ta parana-natha painu

yaha lagi’ madana-dahane jhuri’ genu"

SYNONYMS

sei ta—that indeed; parana-natha—the master of My life; painu—I have gotten; yaha lagi’-for whom; madana-dahane—being burned by Cupid; jhuri’ genu—I became dried up “Now I have gained the Lord of My life, in the absence of whom I was being burned by Cupid and was withering away.”

PURPORT

This song refers to Srimati Radharani’s meeting with Krsna at the holy place of Kuruksetra, where Lord Sri Krsna and His brother and sister came to visit when there was a solar eclipse.

It is a song of separation from Krsna.

When Radharani met Krsna at Kuruksetra, She remembered His intimate association in Vrndavana, and She thought, “Now I have gained the Lord of my life.

In His absence I was being burned by the arrow of Cupid, and thus I was withering away.

13.114

ei dhuya uccaih-svare gaya damodara

anande madhura nrtya karena isvara

SYNONYMS

ei dhuya—this refrain; uccaih-svare—loudly; gaya—sings; damodara—Svarupa Damodara; anande—in great ecstasy; madhura—rhythmic; nrtya—dancing; karena—performs; isvara—the Lord.

When this refrain was loudly sung by Svarupa Damodara, Sri Caitanya Mahaprabhu again began rhythmically dancing in transcendental bliss.

13.115

dhire dhire jagannatha karena gamana

age nrtya kari’ calena sacira nandana

SYNONYMS

dhire dhire—slowly, slowly; jagannatha—Lord Jagannatha; karena—does; gamana—movement; age—in front; nrtya—dancing; kari’-performing; calena—goes forward; sacira nandana—the son of mother Saci.

The car of Lord Jagannatha began to move slowly while the son of mother Saci went ahead and danced in front.

13.116

jagannathe netra diya sabe nace, gaya

kirtaniya saha prabhu pache pache yaya

SYNONYMS

jagannathe—on Lord Jagannatha; netra—the eyes; diya—keeping; sabe—all the devotees; nace gaya—dance and sing; kirtaniya—the performers of sankirtana; saha—with; prabhu—Sri Caitanya Mahaprabhu; pache pache—at the rear; yaya—goes forward.

While dancing and singing, all the devotees in front of Lord Jagannatha kept their eyes on Him.

Caitanya Mahaprabhu then went to the end of the procession with the sankirtana performers.

13.117

jagannathe magna prabhura nayana-hrdaya

sri-hasta-yuge kare gitera abhinaya

SYNONYMS

jagannathe—into Lord Jagannatha; magna—absorbed; prabhura—of Lord Caitanya Mahaprabhu; nayana-hrdaya—the eyes and mind; sri-hasta-yuge—with His two arms; kare—performed; gitera—of the song; abhinaya—dramatic movement.

His eyes and mind fully absorbed in Lord Jagannatha, Caitanya Mahaprabhu began to play the drama of the song with His two arms.

13.118

gaura yadi pache cale, syama haya sthire

gaura age cale, syama cale dhire-dhire

SYNONYMS

gaura—Sri Caitanya Mahaprabhu; yadi—if; pache cale—goes behind; syama—Jagannatha; haya—becomes; sthire—still; gaura—Sri Caitanya Mahaprabhu; age cale—goes forward; syama—Lord Jagannatha; cale—goes; dhire-dhire—slowly.

When Caitanya Mahaprabhu was dramatically enacting the song, He would sometimes fall behind in the procession.

At such times, Lord Jagannatha would come to a standstill.

When Caitanya Mahaprabhu again went forward, Lord Jagannatha’s car would slowly start again.

13.119

ei-mata gaura-syame, donhe thelatheli

svarathe syamere rakhe gaura maha-bali

SYNONYMS

ei-mata—in this way; gaura-syame—Lord Jagannatha and Lord Sri Caitanya Mahaprabhu; donhe—between both of Them; thelatheli—competition of pushing forward; sva-rathe—in His own car; syamere—Lord Jagannatha; rakhe—keeps; gaura—Lord Sri Caitanya Mahaprabhu; maha-bali—greatly powerful.

Thus there was a sort of competition between Caitanya Mahaprabhu and Lord Jagannatha in seeing who would lead, but Caitanya Mahaprabhu was so strong that He made Lord Jagannatha wait in His car.

PURPORT

After giving up the company of the gopis in Vrndavana, Sri Krsna, the son of Maharaja Nanda, engaged in His pastimes at Dvaraka.

When Krsna went to Kuruksetra with His brother and sister and others from Dvaraka, He again met the inhabitants of Vrndavana.

Sri Caitanya Mahaprabhu is radha-bhava-dyuti-suvalita, that is, Krsna Himself assuming the part of Srimati Radharani in order to understand Krsna.

Lord Jagannatha-deva is Krsna, and Sri Krsna Caitanya Mahaprabhu is Srimati Radharani.

Caitanya Mahaprabhu’s leading Lord Jagannatha toward Gundica temple corresponded to Srimati Radharani’s leading Krsna toward Vrndavana.

Sri Ksetra, Jagannatha Puri, was taken as the kingdom of Dvaraka, the place where Krsna enjoys supreme opulence.

However, He was being led by Sri Caitanya Mahaprabhu to Vrndavana, the simple village where all the inhabitants are filled with ecstatic love for Krsna.

Sri Ksetra is a place of aisvarya-lila, just as Vrndavana is the place of madhurya-lila.

Sri Caitanya Mahaprabhu’s following at the rear of the ratha indicated that Lord Jagannatha, Krsna, was forgetting the inhabitants of Vrndavana.

Although Krsna neglected the inhabitants of Vrndavana, He could not forget them.

Thus in His opulent Ratha-yatra, He was returning to Vrndavana.

In the role of Srimati Radharani, Sri Caitanya Mahaprabhu was examining whether the Lord still remembered the inhabitants of Vrndavana.

When Caitanya Mahaprabhu fell behind the Ratha car, Jagannatha-deva, Krsna Himself, understood the mind of Srimati Radharani.

Therefore, Jagannatha sometimes fell behind the dancing Sri Caitanya Mahaprabhu to indicate to Srimati Radharani that He had not forgotten.

Thus Lord Jagannatha would wait on the ratha for their forward march.

In this way Lord Jagannatha agreed that without the ecstasy of Srimati Radharani He could not feel satisfied.

While Jagannatha was thus waiting, Gaurasundara, Caitanya Mahaprabhu, in His ecstasy of Srimati Radharani, immediately came forward to Krsna.

At such times, Lord Jagannatha would proceed ahead very slowly.

These competitive exchanges were all part of the love affair between Krsna and Srimati Radharani.

In that competition between Lord Caitanya’s ecstasy for Jagannatha and Jagannatha’s ecstasy for Srimati Radharani, Caitanya Mahaprabhu emerged successful.

13.120

nacite nacite prabhura haila bhavantara

hasta tuli’ sloka pade kari’ uccaih-svara

SYNONYMS

nacite nacite—while dancing; prabhura—of Sri Caitanya Mahaprabhu; haila—there was; bhava-antara—a change of ecstasy; hasta tuli’-raising the arms; sloka pade—recites one verse; kari’-making; uccaih-svara—loud voice.

While Sri Caitanya Mahaprabhu was dancing, His ecstasy changed.

Raising His two arms, He began to recite the following verse in a loud voice.

13.121

yah kaumara-harah sa eva hi varas ta eva caitra-ksapas

te conmilita-malati-surabhayah praudhah kadambanilah

sa caivasmi tathapi tatra surata-vyapara-lila-vidhau

reva-rodhasi vetasi-taru-tale cetah samutkanthate

SYNONYMS

yah—that same person who; kaumara-harah—the thief of my heart during youth; sah—he; eva hi—certainly; varah—lover; tah—these; eva—certainly; caitra-ksapah—moonlit nights of the month of Caitra; te—those; ca—and; unmilita—fructified; malati—of malati flowers; surabhayah—fragrances; praudhah—full; kadamba—with the fragrance of the kadamba flower; anilah—the breezes; sa—that one; ca—also; eva—certainly; asmi—I am; tathapi—still; tatra—there; surata-vyapara—in intimate transactions; lila—of pastimes; vidhau—in the manner; reva—of the river named Reva; rodhasi—on the bank; vetasi—of the name Vetasi; taru-tale—underneath the tree; cetah—my mind; samutkanthate—is very eager to go “That very personality who stole away my heart during my youth is now again my master.

These are the same moonlit nights of the month of Caitra.

The same fragrance of malati flowers is there, and the same sweet breezes are blowing from the kadamba forest.

In our intimate relationship, I am also the same lover, yet still my mind is not happy here.

I am eager to go back to that place on the bank of the Reva under the Vetasi tree.

That is my desire.”

PURPORT

This verse appears in the Padyavali (382), an anthology of verses compiled by Srila Rupa Gosvami.

13.122

ei sloka mahaprabhu pade bara bara

svarupa vina artha keha na jane ihara

SYNONYMS

ei sloka—this verse; mahaprabhu—Sri Caitanya Mahaprabhu; pade—recites; bara bara—again and again; svarupa vina—except for Svarupa Damodara; artha—meaning; keha—anyone; na jane—does not know; ihara—of this.

This verse was recited by Sri Caitanya Mahaprabhu again and again.

But for Svarupa Damodara, no one could understand its meaning.

13.123

ei slokartha purve kariyachi vyakhyana

slokera bhavartha kari sanksepe akhyana

SYNONYMS

ei sloka-artha—the meaning of this verse; purve—previously; kariyachi—I have done; vyakhyana—explanation; slokera—of the same verse; bhava-artha—purport; kari—I do; sanksepe—in brief; akhyana—description.

I have already explained this verse.

Now I shall simply describe it in brief.

PURPORT

In this connection, see Madhya-lila, Chapter One, verses 53, 77-80 and 82-84.

13.124

purve yaiche kuruksetre saba gopi-gana

krsnera darsana pana anandita mana

SYNONYMS

purve yaiche—as previously; kuru-ksetre—in the holy place known as Kuruksetra; saba gopi-gana—all the gopis of Vrndavana; krsnera—of Lord Krsna; dar-sana—interview; pana—getting; anandita mana—very much pleased within the mind.

Formerly, all the gopis of Vrndavana were very pleased when they met with Krsna in the holy place Kuruksetra.

13.125

jagannatha dekhi’ prabhura se bhava uthila

sei bhavavista hana dhuya gaoyaila

SYNONYMS

jagannatha dekhi’-by seeing Lord Jagannatha; prabhura—of Sri Caitanya Mahaprabhu; se bhava—that ecstasy; uthila—awakened; sei—that; bhava-avista—absorbed in that ecstasy; hana—becoming; dhuya—refrain; gaoyaila—caused to sing.

Similarly, after seeing Lord Jagannatha, Sri Caitanya Mahaprabhu awoke with the ecstasy of the gopis.

Being absorbed in this ecstasy, He asked Svarupa Damodara to sing the refrain.

13.126

avesese radha krsne kare nivedana

sei tumi, sei ami, sei nava sangama

SYNONYMS

avasese—at last; radha—Srimati Radharani; krsne—unto Lord Krsna; kare—does; nivedana—submission; sei tumi—You are the same Krsna; sei ami—I am the same Radharani; sei nava sangama—We are meeting in the same new spirit as in the beginning.

Sri Caitanya Mahaprabhu spoke thus to Lord Jagannatha: "You are the same Krsna, and I am the same Radharani.

We are meeting again in the same way that We met in the beginning of Our lives.

13.127

tathapi amara mana hare vrndavana

vrndavane udaya karao apana-carana

SYNONYMS

tathapi—yet; amara—my; mana—mind; hare—attracts; vrndavana—Sri Vrndavana; vrndavane—at Vrndavana; udaya karao—please cause to reappear; apana-carana—the brilliance of Your lotus feet "Although We are both the same, My mind is still attracted to Vrndavana-dhama.

I wish that You will please again appear with Your lotus feet in Vrndavana.

13.128

ihan lokaranya, hati, ghoda, ratha-dhvani

tahan pusparanya, bhrnga-pika-nada suni

SYNONYMS

ihan—at this place, Kuruksetra; loka-aranya—too great a crowd of people; hati—elephants; ghoda—horses; ratha-dhvani—the rattling sound of chariots; tahan—there, in Vrndavana; puspa-aranya—the garden of flowers; bhrnga—of bumblebees; pika—of the birds; nada—sound; suni—I hear "Kuruksetra is crowded with people, their elephants and horses, and the rattling of chariots.

In Vrndavana, however, there are flower gardens, and the humming of the bees and chirping of the birds can be heard.

13.129

ihan raja-vesa, sange saba ksatriya-gana

tahan gopa-vesa, sange murali-vadana

SYNONYMS

ihan—here, at Kuruksetra; raja-vesa—dressed like a royal prince; sange—with You; saba—all; ksatriya-gana—great warriors; tahan—there, in Vrndavana; gopa-vesa—dressed like a cowherd boy; sange—with You; murali-vadana—the blowing of Your transcendental flute "Here at Kuruksetra You are dressed like a royal prince, accompanied by great warriors, but in Vrndavana You appeared just like an ordinary cowherd boy, accompanied only by Your beautiful flute.

13.130

vraje tomara sange yei sukha-asvadana

sei sukha-samudrera ihan nahi eka kana

SYNONYMS

vraje—at Vrndavana; tomara—of You; sange—in the company; yei—what; sukha-asvadana—taste of transcendental bliss; sei—that; sukha-samudrera—of the ocean of transcendental bliss; ihan—here, at Kuruksetra; nahi—there is not; eka—one; kana—drop "Here there is not even a drop of the ocean of transcendental happiness that I enjoyed with You in Vrndavana.

13.131

ama lana punah lila karaha vrndavane

tabe amara mano-vancha haya ta’ purane

SYNONYMS

ama lana—taking Me; punah—again; lila—pastimes; karaha—perform; vrndavane—at Vrndavana; tabe—then; amara manah-vancha—the desire of My mind; haya—becomes; ta’-indeed; purane—in fulfillment “I therefore request You to come to Vrndavana and enjoy pastimes with Me.

If You do so, My ambition will be fulfilled.”

13.132

bhagavate ache yaiche radhika-vacana

purve taha sutra-madhye kariyachi varnana

SYNONYMS

bhagavate—in Srimad-Bhagavatam; ache—there is; yaiche—as; radhika-vacana—the statement of Srimati Radhika; purve—previously; taha—that; sutra-madhye—in the synopsis; kariyachi varnana—I have described.

I have already described in brief Srimati Radharani’s statement from Srimad-Bhagavatam.

13.133

sei bhavavese prabhu pade ara sloka

sei saba slokera artha nahi bujhe loka

SYNONYMS

sei—that; bhava-avese—in ecstasy; prabhu—Sri Caitanya Mahaprabhu; pade—recites; ara—another; sloka—verse; sei—those; saba slokera—of all verses; artha—meaning; nahi—do not; bujhe—understand; loka—people in general.

In that ecstatic mood, Sri Caitanya Mahaprabhu recited many other verses, but people in general cannot understand their meaning.

13.134

svarupa-gosani jane, na kahe artha tara

sri-rupa-gosani kaila se artha pracara

SYNONYMS

svarupa-gosani—Svarupa Damodara Gosvami; jane—knows; na—does not; kahe—say; artha—the meaning; tara—of those verses; sri-rupa-gosani—Sri Rupa Gosvami; kaila—did; se—that; artha—of meaning; pracara—broadcasting.

The meaning of those verses was known to Svarupa Damodara Gosvami, but he did not reveal it.

However, Sri Rupa Gosvami has broadcast the meaning.

13.135

svarupa sange yara artha kare asvadana

nrtya-madhye sei sloka karena pathana

SYNONYMS

svarupa sange—in the association of Svarupa Damodara Gosvami; yara—of which; artha—meaning; kare—does; asvadana—taste; nrtya-madhye—in the midst of dancing; sei sloka—that verse; karena pathana—recites.

While dancing, Sri Caitanya Mahaprabhu again began to recite that verse, which He tasted in the association of Svarupa Damodara Gosvami.

13.136

ahus ca te nalina-nabha padaravindam

yogesvarair hrdi vicintyam agadha-bodhaih

samsara-kupa-patitottaranavalambam

geham jusam api manasy udiyat sada nah

SYNONYMS

ahuh—the gopis said; ca—and; te—Your; nalina-nabha—O Lord, whose navel is just like a lotus flower; pada-aravindam—lotus feet; yoga-isvaraih—by great mystic yogis; hrdi—within the heart; vicintyam—to be meditated upon; agadha-bodhaih—who are highly learned philosophers; samsara-kupa—in the dark well of material existence; patita—of those fallen; uttarana—for deliverance; avalambam—the only shelter; geham—in family affairs; jusam—of those engaged; api—although; manasi—in the minds; udiyat—let be awakened; sada—always; nah—our “The gopis spoke thus: ’Dear Lord, whose navel is just like a lotus flower, Your lotus feet are the only shelter for those who have fallen into the deep well of material existence.

Your feet are worshiped and meditated upon by great mystic yogis and highly learned philosophers.

We wish that these lotus feet may also be awakened within our hearts, although we are only ordinary persons engaged in household affairs.’ ”

PURPORT

This is a quotation from Srimad-Bhagavatam (10.82.48).

The gopis were never interested in karma-yoga, jnana-yoga, or dhyana-yoga.

They were simply interested in bhakti-yoga.

Unless they were forced, they never liked to meditate on the lotus feet of the Lord.

Rather, they preferred to take the lotus feet of the Lord and place them on their breasts.

Sometimes they regretted that their breasts were so hard, fearing that Krsna might not be very pleased to keep His soft lotus feet there.

When those lotus feet were pricked by the grains of sand in the Vrndavana pasturing ground, the gopis were pained and began to cry.

The gopis wanted to keep Krsna at home always, and in this way their minds were absorbed in Krsna consciousness.

Such pure Krsna consciousness can arise only in Vrndavana.

Thus Sri Caitanya Mahaprabhu began to explain His own mind, which was saturated in the ecstasy of the gopis.

13.137

anyera hrda ya-mana, mora mana-vrndavana, ’mane’ ’vane’ eka kari’ jani

tahan tomara pada-dvaya, karaha yadi udaya, tabe tomara purna krpa mani

SYNONYMS

anyera—of others; hrdaya—consciousness; mana—mind; mora mana—My mind; vrndavana—Vrndavana consciousness; mane—with the mind; vane—with Vrndavana; eka kari’-as one and the same; jani—I know; tahan—there, at Vrndavana; tomara—Your; pada-dvaya—two lotus feet; karaha—You do; yadi—if; udaya—appearance; tabe—then; tomara—Your; purna—complete; krpa—mercy; mani—I accept.

Speaking in the mood of Srimati Radharani, Caitanya Mahaprabhu said, " ’For most people, the mind and heart are one, but because My mind is never separated from Vrndavana, I consider My mind and Vrndavana to be one.

My mind is already Vrndavana, and since You like Vrndavana, will You please place Your lotus feet there? I would deem that Your full mercy.

PURPORT

Only when the mind is free from designations can one desire the association of the Supreme Personality of Godhead.

The mind must have some occupation.

If a person is to be free of material things, his mind cannot be vacant; there must be subject matters for thinking, feeling and willing.

Unless one’s mind is filled with thoughts of Krsna, feelings for Krsna and a desire to serve Krsna, the mind will be filled with material activities.

Those who have given up all material activities and have ceased thinking of them should always retain the ambition to think of Krsna.

Without Krsna, one cannot live, just as a person cannot live without some enjoyment for his mind.

13.138

prana-natha, suna mora satya nivedana

vraja-amara sadana, tahan tomara sangama, na paile na rahe jivana

SYNONYMS

prana-natha—O My Lord, master of My life; suna—please hear; mora—My; satya—true; nivedana—submission; vraja—Vrndavana; amara—My; sadana—place; tahan—there; tomara—Your; sangama—association; na paile—if I do not get; na—not; rahe—does remain; jivana—life " ’My dear Lord, kindly hear My true submission.

My home is Vrndavana, and I wish Your association there.

But if I do not get it, then it will be very difficult for Me to keep My life.

13.139

purve uddhava-dvare, ebe saksat amare, yoga-jnane kahila upaya

tumi-vidagdha, krpamaya, janaha amara hrdaya, more aiche kahite na yuyaya

SYNONYMS

purve—previously; uddhava-dvare—through Uddhava; ebe—now; saksat—directly; amare—unto Me; yoga—mystic yogic meditation; jnane—philosophical speculation; kahila—You have said; upaya—the means; tumi—You; vidagdha—very humorous; krpa-maya—mercifu1; janaha—You know; amara—My; hrdaya—mind; more—unto Me; aiche—in that way; kahite—to speak; na yuyaya—is not at all befitting “ ’My dear Krsna, formerly, when You were staying in Mathura, You sent Uddhava to teach Me speculative knowledge and mystic yoga.

Now You Yourself are speaking the same thing, but My mind doesn’t accept it.

There is no place in My mind for jnana-yoga or dhyana-yoga.

Although You know Me very well, You are still instructing Me in jnana-yoga and dhyana-yoga.

It is not right for You to do so.’ ”

PURPORT

The process of mystic yoga, the speculative method for searching out the Supreme Absolute Truth, does not appeal to one who is always absorbed in thoughts of Krsna.

A devotee is not at all interested in speculative activities.

Instead of cultivating speculative knowledge or practicing mystic yoga, a devotee should worship the Deity in the temple and continuously engage in the Lord’s service.

Temple Deity worship is realized by the devotees to be the same as direct service to the Lord.

The Deity is known as arca-vigraha or arca-avatara, an incarnation of the Supreme Lord in the form of a material manifestation (brass, stone or wood).

Ultimately there is no difference between Krsna manifest in matter or Krsna manifest in spirit because both are His energies.

For Krsna, there is no distinction between matter and spirit.

His manifestation in material form, therefore, is as good as His original form, sac-cid-ananda-vigraha.

A devotee constantly engaged in Deity worship according to the rules and regulations laid down in the sastras and given by the spiritual master realizes gradually that he is in direct contact with the Supreme Personality of Godhead.

Thus he loses all interest in so-called meditation, yoga practice and mental speculation.

13.140

citta kadhi’ toma haite, visaye cahi lagaite, yatna kari, nari kadhibare

tare dhyana siksa karaha, loka hasana mara, sthanasthana na kara vicare

SYNONYMS

citta kadhi’-withdrawing the consciousness; toma haite—from You; visaye—in mundane subject matters; cahi—Iwant; lagaite—to engage; yatna kari—I endeavor; nari kadhibare—I cannot withdraw; tare—to such a servant; dhyana—of meditation; siksa—instruction; karaha—You give; loka—people in general; hasana—laugh; mara—You kill; sthana-asthana—proper or improper place; na kara—You do not make; vicare—consideration.

Caitanya Mahaprabhu continued: " ’I would like to withdraw My consciousness from You and engage it in material activities, but even though I try, I cannot do so.

I am naturally inclined to You only.

Your instructions for Me to meditate on You are therefore simply ludicrous.

In this way, You are killing Me.

It is not very good for You to think of Me as a candidate for Your instructions.

PURPORT

Srila Rupa Gosvami says in the Bhakti-rasamrta-sindhu (1.1.11):

anyabhilasita-sunyam

jnana-karmady-anavrtam

anukulyena krsnanu-

silanam bhaktir uttama For a pure devotee, there is no scope for indulgence in mystic yoga practice or the cultivation of speculative philosophy.

It is indeed impossible for a pure devotee to engage his mind in such unwanted activities.

Even if a pure devotee wanted to, his mind would not allow him to do so.

That is a characteristic of a pure devotee-he is transcendental to all fruitive activity, speculative philosophy and mystic yoga meditation.

The gopis therefore expressed themselves as follows.

13.141

nahe gopi yogesvara, pada-kamala tomara, dhyana kari’ paibe santosa

tomara vakya-paripati, tara madhye kutinati, suni’ gopira aro badhe rosa

SYNONYMS

nahe—not; gopi—gopis; yogesvara—masters of mystic yoga practice; pada-kamala tomara—Your lotus feet; dhyana kari’-by meditation; paibe santosa—we get satisfaction; tomara—Your; vakya—words; paripati—very kindly composed; tara madhye—within that; kutinati—duplicity; suni’-hearing; gopira—of the gopis; aro—more and more; badhe—increases; rosa—anger “ ’The gopis are not like the mystic yogis.

They will never be satisfied simply by meditating on Your lotus feet and imitating the so-called yogis.

Teaching the gopis about meditation is another kind of duplicity.

When they are instructed to undergo mystic yoga practice, they are not at all satisfied.

On the contrary, they become more angry with You.’ ”

PURPORT

Srila Prabodhananda Sarasvati has stated (Caitanya-candramrta 5):

kaivalyam narakayate tri-dasa-pur akasa-puspayate

durdantendriya-kala-sarpa-patali protkhata-damstrayate

visvam purna-sukhayate vidhi-mahendradis ca kitayate

yat karunya-kataksa-vaibhavavatam tam gauram eva stumah For a pure devotee who has realized Krsna consciousness through Sri Caitanya Mahaprabhu, the monistic philosophy by which one becomes one with the Supreme appears hellish.

The mystic yoga practice by which the mind is controlled and the senses subjugated also appears ludicrous to a pure devotee.

The devotee’s mind and senses are already engaged in the transcendental service of the Lord.

In this way the poisonous effects of sense activities are removed.

If one’s mind is always engaged in the service of the Lord, there is no possibility that one will think, feel or act materially.

Similarly, the fruitive workers’ attempt to attain heavenly planets is nothing more than phantasmagoria for the devotee.

After all, the heavenly planets are material, and in due course of time they will all be dissolved.

Devotees do not care for such temporary things.

They engage in transcendental devotional activities because they desire elevation to the spiritual world, where they can live eternally and peacefully and with full knowledge of Krsna.

In Vrndavana, the gopis, cowherd boys and even the calves, cows, trees and water are fully conscious of Krsna.

They are never satisfied with anything but Krsna.

13.142

deha-smrti nahi yara, samsara-kupa kahan tara, taha haite na cahe uddhara

viraha-samudra-jale, kama-timingile gile, gopi-gane neha’ tara para

SYNONYMS

deha-smrti—bodily concept of life; nahi—not; yara—one whose; samsara-kupa—blind well of material life; kahan—where is; tara—his; taha haite—from that; na—does not; cahe—want; uddhara—liberation; viraha-samudra-jale—in the water of the ocean of separation; kama-timingile—the transcendental Cupid in the form of timingila fish; gile—swallow; gopi-gane—the gopis; neha’-please take out; tara para—beyond that.

Sri Caitanya Mahaprabhu continued: " ’The gopis are fallen in the great ocean of separation, and they are being devoured by the timingila fish, which represent their ambition to serve You.

The gopis are to be delivered from the mouths of these timingila fish, for they are pure devotees.

Since they have no material conception of life, why should they aspire for liberation? The gopis do not want that liberation desired by yogis and jnanis, for they are already liberated from the ocean of material existence.

PURPORT

The bodily conception is created by the desire for material enjoyment.

This is called vipada-smrti, which is the opposite of real life.

The living entity is eternally the servant of Krsna, but when he desires to enjoy the material world, he cannot progress in spiritual life.

One can never be happy by advancing materially.

This is also stated in Srimad-Bhagavatam (7.5.30): adanta-gobhir visatam tamisram punah-punas-carvita-carvananam.

Through the uncontrolled senses, one may advance one’s hellish condition.

He may continue to chew the chewed; that is, repeatedly accept birth and death.

The conditioned souls use the duration of life between birth and death only to engage in the same hackneyed activities-eating, sleeping, mating and defending.

In the lower animal species, we find the same activities.

Since these activities are repeated, engaging in them is like chewing that which has already been chewed.

If one can give up his ambition to engage in hackneyed material life and take to Krsna consciousness instead, he will be liberated from the stringent laws of material nature.

One does not need to make a separate attempt to become liberated.

If one simply engages in the service of the Lord, he will be liberated automatically.

As Srila Bilvamangala Thakura therefore says, muktih svayam mukulitanjali sevate ’sman: “Liberation stands before me with folded hands, begging to serve me.”

13.143

vrndavana, govardhana, yamuna-pulina, vana, sei kunje rasadika lila

sei vrajera vraja-jana, mata, pita, bandhu-gana, bada citra, kemane pasarila

SYNONYMS

vrndavana—the transcendental land known as Vrndavana; govardhana—Govardhana Hill; yamuna-pulina—the bank of the Yamuna; vana—all the forests where the pastimes of the Lord took place; sei kunje—in the bushes in that forest; rasa-adika lila—the pastimes of the rasa dance; sei—that; vrajera—of Vrndavana; vraja-jana—inhabitants; mata—mother; pita—father; bandhu-gana—friends; bada citra—most wonderful; kemane pasarila—how have You forgotten " ’It is amazing that You have forgotten the land of Vrndavana.

And how is it that You have forgotten Your father, mother and friends? How have You forgotten Govardhana Hill, the bank of the Yamuna, and the forest where You enjoyed the rasa-lila dance?

13.144

vidagdha, mrdu, sad-guna, susila, snigdha, karuna, tumi, tomara nahi dosabhasa

tabe ye tomara mana, nahi smare vraja-jana, se-amara durdaiva-vilasa

SYNONYMS

vidagdha—most refined; mrdu—gentle; sat-guna—endowed with all good qualities; su-sila—well-behaved; snigdha—softhearted; karuna—merciful; tumi—You; tomara—Your; nahi—there is not; dosa-abhasa—even a tinge of fault; tabe—still; ye—indeed; tomara—Your; mana—mind; nahi—does not; smare—remember; vraja-jana—the inhabitants of Vrndavana; se—that; amara—My; durdaiva-vilasa—suffering of past misdeeds " ’Krsna, You are certainly a refined gentleman with all good qualities.

You are well-behaved, softhearted and merciful.

I know that there is not even a tinge of fault to be found in You, yet Your mind does not even remember the inhabitants of Vrndavana.

This is only My misfortune, and nothing else.

13.145

na gani apana-duhkha, dekhi’ vrajesvari-mukha, vraja-janera hrdaya vidare

kiba mara’ vraja-vasi, kiba jiyao vraje asi’, kena jiyao duhkha sahaibare?

SYNONYMS

na gani—I do not care; apana-duhkha—My personal unhappiness; dekhi’-seeing; vrajesvari-mukha—the face of mother Yasoda; vraja-janera—of all the inhabitants of Vrndavana; hrdaya vidare—the hearts break; kiba—whether; mara’ vraja-vasi—You want to kill the inhabitants of Vrndavana; kiba—or; jiyao—You want to keep their lives; vraje asi’-coming in Vrndavana; kena—why; jiyao—You let them live; duhkha sahaibare—just to cause to suffer unhappiness " ’I do not care for My personal unhappiness, but when I see the morose face of Your mother Yasoda and the hearts of all the inhabitants of Vrndavana breaking because of You, I wonder whether You want to kill them all.

Is it that You want to enliven them by coming there? Why is it You are simply keeping them alive in a state of suffering?

13.146

tomara ye anya vesa, anya sanga, anya desa, vraja-jane kabhu nahi bhaya

vraja-bhumi chadite nare, toma na dekhile mare, vraja-janera ki habe upaya

SYNONYMS

tomara—Your; ye—that; anya vesa—different dress; anya sanga—other associates; anya desa—other countries; vraja-jane—to the inhabitants of Vrndavana; kabhu—at any time; nahi—does not; bhaya—appeal; vraja-bhumi—the land of Vrndavana; chadite nare—they do not like to leave; toma—You; na—not; dekhile—seeing; mare—they die; vraja-janera—of the inhabitants of Vrndavana; ki—what; habe—will be; upaya—means " ’The inhabitants of Vrndavana do not want You dressed like a prince, nor do they want You to associate with great warriors in a different country.

They cannot leave the land of Vrndavana, and without Your presence, they are all dying.

What is their condition to be?

13.147

tumi-vrajera jivana, vraja-rajera prana-dhana, tumi vrajera sakala sampad

krpardra tomara mana, asi’ jiyao vraja-jana, vraje udaya karao nija-pada

SYNONYMS

tumi—You; vrajera jivana—the life and soul of Vrndavana; vraja-rajera—and of the King of Vraja, Nanda Maharaja; prana-dhana—the only life; tumi—You; vrajera—of Vrndavana; sakala sampad—all opulence; krpa-ardra—melting with kindness; tomara mana—Your mind; asi’-coming; jiyao—give life; vraja-jana—to all the inhabitants of Vrndavana; vraje—in Vrndavana; udaya karao—cause to appear; nija-pada—Your lotus feet " ’My dear Krsna, You are the life and soul of Vrndavana-dhama.

You are especially the life of Nanda Maharaja.

You are the only opulence in the land of Vrndavana, and You are very merciful.

Please come and let them all live.

Kindly keep Your lotus feet again in Vrndavana.’

PURPORT

Srimati Radharani did not express Her personal unhappiness at being separated from Krsna.

She wanted to evoke Krsna’s feelings for the condition of all others in Vrndavana-dhama-mother Yasoda, Maharaja Nanda, the cowherd boys, the gopis, the birds and bees on the banks of the Yamuna, the water of the Yamuna, the trees, forests and all other paraphernalia associated with Krsna before He left Vrndavana for Mathura.

These feelings of Srimati Radharani were manifested by Sri Caitanya Mahaprabhu, and therefore He invited Lord Jagannatha, Krsna, to return to Vrndavana.

That is the purport of the Ratha-yatra car’s going from Jagannatha Puri to the Gundica temple.

13.148

suniya radhika-vani, vraja-prema mane ani, bhave vyakulita deha-mana

vraja-lokera prema suni’, apanake ’rni’ mani’, kare krsna tanre asvasana

SYNONYMS

suniya—after hearing; radhika-vani—the statement of Srimati Radharani; vraja-prema—the love of Vraja; mane ani—remembering; bhave—in that ecstasy; vyakulita—very much perturbed; deha-mana—the body and mind; vraja-lokera—of the inhabitants of Vrndavana; prema suni’-after hearing of the loving affairs; apanake—Himself; rni mani’-considering very indebted; kare—does; krsna—Lord Krsna; tanre—unto Her; asvasana—pacification "After hearing Srimati Radharani’s statements, Lord Krsna’s love for the inhabitants of Vrndavana was evoked, and His body and mind became very perturbed.

After hearing of their love for Him, He immediately thought Himself to be always indebted to the residents of Vrndavana.

Then Krsna began to pacify Srimati Radharani as follows.

13.149

prana-priye, suna, mora e-satya-vacana

toma-sabara smarane, jhuron muni ratri-dine, mora duhkha na jane kona jana

SYNONYMS

prana-priye—O My dearmost; suna—please hear; mora—of Me; e-satya-vacana—this true statement; toma-sabara—of all of you; smarane—by remembrance; jhuron—cry; muni—I; ratri-dine—both day and night; mora duhkha—My distress; na jane—does not know; kona jana—anyone " ’My dearest Srimati Radharani, please hear Me.

I am speaking the truth.

I cry day and night simply upon remembering all you inhabitants of Vrndavana.

No one knows how unhappy this makes Me.’

PURPORT

It is said: vrndavanam parityajya padam ekam na gacchati.

In one sense, Krsna, the original Personality of Godhead (isvarah paramah krsnah sac-cid-ananda-vigrahah), does not even take one step away from Vrndavana.

However, in order to take care of various duties, Krsna had to leave Vrndavana.

He had to go to Mathura to kill Kamsa, and then He was taken by His father to Dvaraka, where He was busy with state affairs and disturbances created by demons.

Krsna was away from Vrndavana, and He was not at all happy, as He plainly disclosed to Srimati Radharani.

She is the dearmost life and soul of Sri Krsna, and He expressed His mind to Her as follows.

13.150

vraja-vasi yata jana, mata, pita, sakha-gana, sabe haya mora prana-sama

tanra madhye gopi-gana, saksat mora jivana, tumi mora jivanera jivana

SYNONYMS

vraja-vasi yata jana—all the inhabitants of Vrndavana-dhama; mata—mother; pita—father; sakha-gana—boy friends; sabe—all; haya—are; mora prana-sama—as good as My life; tanra madhye—among them; gopi-gana—the gopis; saksat—directly; mora jivana—My life and soul; tumi—You; mora jivanera jivana—the life of My life "Sri Krsna continued: ’All the inhabitants of Vrndavana-dhama-My mother, father, cowherd boy friends and everything else-are like My life and soul.

And among all the inhabitants of Vrndavana, the gopis are My very life and soul.

Among the gopis, You, Srimati Radharani, are the chief.

Therefore You are the very life of My life.

PURPORT

Srimati Radharani is the center of all Vrndavana’s activities.

In Vrndavana, Krsna is the instrument of Srimati Radharani; therefore all the inhabitants of Vrndavana still chant “Jaya Radhe.” From Krsna’s own statement given herein, it appears that Radharani is the Queen of Vrndavana and that Krsna is simply Her decoration.

Krsna is known as Madana-mohana, the enchanter of Cupid, but Srimati Radharani is the enchanter of Krsna.

Consequently Srimati Radharani is called Madana-mohana-mohini, the enchanter of the enchanter of Cupid.

13.151

toma-sabara prema-rase, amake karila vase, ami tomara adhina kevala

toma-saba chadana, ama dura-dese lana, rakhiyache durdaiva prabala

SYNONYMS

toma-sabara—of all of you; prema-rase—by the ecstasy and mellows of loving affairs; amake—Me; karila—you have made; vase—subservient; ami—I; tomara—of you; adhina—subservient; kevala—only; toma-saba—from all of you; chadana—separating; ama—Me; dura-dese—to distant countries; lana—taking; rakhiyache—has kept; durdaiva—misfortune; prabala—very powerful " ’My dear Srimati Radharani, I am always subservient to the loving affairs of all of you.

I am under your control only.

My separation from you and residence in distant places have occurred due to My strong misfortune.

13.152

priya priya-sanga-hina, priya priya-sanga vina, nahi jiye,-e satya pramana

mora dasa sone yabe, tanra ei dasa habe, ei bhaye dunhe rakhe prana

SYNONYMS

priya—a woman beloved; priya-sanga-hina—being separated from the man beloved; priya—the man beloved; priya-sanga vina—being separated from the woman beloved; nahi jiye—cannot live; e satya pramana—this is factual evidence; mora—My; dasa—situation; sone yabe—when one hears; tanra—his; ei—this; dasa—situation; habe—there will be; ei bhaye—out of this fear; dunhe—both; rakhe prana—keep their life " ’When a woman is separated from the man she loves or a man is separated from his beloved woman, neither of them can live.

It is a fact that they live only for one another, for if one dies and the other hears of it, he or she will die also.

13.153

sei sati premavati, premavan sei pati, viyoge ye vanche priya-hite

na gane apana-duhkha, vanche priyajana-sukha, sei dui mile acirate

SYNONYMS

sei sati—that chaste wife; prema-vati—full of love; prema-van—loving; sei pati—that husband; viyoge—in separation; ye—who; vanche—desire; priya-hite—for the welfare of the other; na gane—and do not care; apana-duhkha—for personal unhappiness; vanche—desire; priya-jana-sukha—the happiness of the dearmost beloved; sei—those; dui—two; mile—meet; acirate—without delay " ’A loving, chaste wife and a loving husband who desire all welfare for each other in separation and do not care for personal happiness, desire only one another’s well-being.

Such a pair certainly meet again without delay.

13.154

rakhite tomara jivana, sevi ami narayana, tanra saktye asi niti-niti

toma-sane krida kari’, niti yai yadu-puri, taha tumi manaha mora sphurti

SYNONYMS

rakhite—just to keep; tomara jivana—Your life; sevi ami narayana—I always worship Lord Narayana; tanra saktye—by His potency; asi niti-niti—I come to You daily; toma-sane—with You; krida kari’-enjoying pastimes; niti—daily; yai yadu-puri—I return to Dvaraka-dhama, known as Yadu-puri; taha—that; tumi—You; manaha—experience; mora—My; sphurti—manifestation " ’You are My most dear, and I know that in My absence You cannot live for a moment.

Just to keep You living, I worship Lord Narayana.

By His merciful potency, I come to Vrndavana every day to enjoy pastimes with You.

I then return to Dvaraka-dhama.

Thus You can always feel My presence here in Vrndavana.

13.155

mora bhagya mo-visaye, tomara ye prema haye, sei prema-parama prabala

lukana ama ane, sanga karaya toma-sane, prakateha anibe satvara

SYNONYMS

mora bhagya—My fortune; mo-visaye—in relation with Me; tomara—Your; ye—whatever; prema—love; haye—there is; sei prema—that love; parama pra-bala—very powerful; lukana—secretly; ama ane—brings Me; sanga karaya—obliges Me to associate; toma-sane—with You; prakateha—directly manifested; anibe—will bring; satvara—very soon " ’Our love affair is more powerful because of My good fortune in receiving Narayana’s grace.

This allows Me to come here unseen by others.

I hope that very soon I will be visible to everyone.

PURPORT

Krsna has two kinds of presence-prakata and aprakata, manifest and unmanifest.

Both are identical to the sincere devotee.

Even if Krsna is not physically present, the devotee’s absorption in the affairs of Krsna makes Him present.

This is confirmed in the Brahma-samhita (5.38):

premanjana-cchurita-bhakti-vilocanena

santah sadaiva hrdayesu vilokayanti

yam syamasundaram acintya-guna-svarupam

govindam adi-purusam tam aham bhajami Due to his intense love, the pure devotee always sees Lord Krsna present within his heart.

All glories to Govinda, the primeval Personality of Godhead! When Krsna is not manifest before the inhabitants of Vrndavana, they are always absorbed in thoughts of Him.

Therefore even though Krsna was living at that time at Dvaraka, He was simultaneously present before all the inhabitants of Vrndavana.

This was His aprakata presence.

Devotees who are always absorbed in thoughts of Krsna will soon see Krsna face to face without a doubt.

Devotees who are always engaged in Krsna consciousness and are fully absorbed in thoughts of Krsna certainly return home, back to Godhead.

They then see Krsna directly, face to face, take prasada with Him and enjoy His company.

This is confirmed in Bhagavad-gita: tyaktva deham punar janma naiti mam eti so ’rjuna (Bg.4.9).

During his lifetime, a pure devotee is always speaking of Krsna and engaging in His service, and as soon as he gives up his body, he immediately returns to Goloka Vrndavana, where Krsna is personally present.

He then meets Krsna directly.

This is successful human life.

This is the meaning of prakateha anibe satvara.

The pure devotee will soon see the personal manifestation of Lord Sri Krsna.

13.156

yadavera vipaksa, yata dusta kamsa-paksa, taha ami kailun saba ksaya

ache dui-cari jana, taha mari’ vrndavana, ailama ami, janiha niscaya

SYNONYMS

yadavera vipaksa—all the enemies of the Yadu dynasty; yata—all; dusta—mischievous; kamsa-paksa—the party of Kamsa; taha—them; ami—I; kailun saba ksaya—have annihilated all; ache—there are still; dui-cari jana—two or four demons; taha mari’-after killing them; vrndavana—to Vrndavana; ailama ami—I am coming very soon; janiha niscaya—please know it very well " ’I have already killed all the mischievous demons who are enemies of the Yadu dynasty, and I have also killed Kamsa and his allies.

However, there are two or four demons still living.

I want to kill them, and after doing so I shall very soon return to Vrndavana.

Please know this for certain.

PURPORT

Just as Krsna does not take a step away from Vrndavana, Krsna’s devotee also does not like to leave Vrndavana.

However, when he has to tend to Krsna’s business, he leaves Vrndavana.

After finishing his mission, a pure devotee returns home, back to Vrndavana, back to Godhead.

Krsna assured Radharani that after killing the demons outside Vrndavana, He would return.

13.157

sei satru-gana haite, vraja-jana rakhite, rahi rajye udasina hana

yeba stri-putra-dhane, kari rajya avarane, yadu-ganera santosa lagiya

SYNONYMS

sei—those; satru-gana haite—from enemies; vraja-jana—to the inhabitants of Vrndavana; rakhite—to give protection; rahi—I remain; rajye—in My kingdom; udasina—indifferent; hana—becoming; yeba—whatever; stri-putra-dhane—with wives, sons and wealth; kari rajya avarane—I decorate My kingdom; yadu-ganera—of the Yadu dynasty; santosa—satisfaction; lagiya—for the matter of " ’I wish to protect the inhabitants of Vrndavana from the attacks of My enemies.

That is why I remain in My kingdom; otherwise I am indifferent to My royal position.

Whatever wives, sons and wealth I maintain in the kingdom are only for the satisfaction of the Yadus.

13.158

tomara ye prema-guna, kare ama akarsana, anibe ama dina dasa bise

punah asi’ vrndavane, vraja-vadhu toma-sane, vilasiba rajani-divase

SYNONYMS

tomara—Your; ye—whatever; prema-guna—qualities in ecstatic love; kare—do; ama—Me; akarsana—attracting; anibe—will bring; ama—Me; dina dasa bise—within ten or twenty days; punah—again; asi’-coming; vrndavane—to Vrndavana; vraja-vadhu—all the damsels of Vrndavana; toma-sane—with You; vilasiba—I shall enjoy; rajani-divase—both day and night " ’Your loving qualities always attract Me to Vrndavana.

Indeed, they will bring Me back within ten or twenty days, and when I return I shall enjoy both day and night with You and all the damsels of Vrajabhumi.’

13.159

eta tanre kahi krsna, vraje yaite satrsna, eka sloka padi’ sunaila

sei sloka suni’ radha, khandila sakala badha, krsna-praptye pratiti ha-ila

SYNONYMS

eta—so much; tanre—unto Radharani; kahi—speaking; krsna—Lord Krsna; vraje—in Vrndavana; yaite—to go; sa-trsna—very anxious; eka sloka—one verse; padi’-reciting; sunaila—making Her hear; sei sloka—that verse; suni,—hearing; radha—Srimati Radharani; khandila—disappeared; sakala—all kinds of; badha—hindrances; krsna-praptye—in achieving Krsna; pratiti ha-ila—there was assurance "While speaking to Srimati Radharani, Krsna became very anxious to return to Vrndavana.

He made Her listen to a verse which banished all Her difficulties and which assured Her that She would again attain Krsna.

13.160

mayi bhaktir hi bhutanam

amrtatvaya kalpate

distya yad asin mat-sneho

bhavatinam mad-apanah

SYNONYMS

mayi—unto Me; bhaktih—the nine kinds of devotional service, such as sravana, kirtana and smarana; hi—certainly; bhutanam—of all living entities; amrtatvaya—for becoming eternal associates of the Lord; kalpate—is quite befitting; distya—by good fortune; yat—whatever; asit—there was; mat-snehah—love and affection for Me; bhavatinam—of all you gopis; mat-apanah—the cause for getting Me back “Lord Sri Krsna said: ’Devotional service unto Me is the only way to attain Me.

My dear gopis, whatever love and affection you have attained for Me by good fortune is the only reason for My returning to you.’ ”

PURPORT

This is a verse from Srimad-Bhagavatam (10.82.44).

13.161

ei saba artha prabhu svarupera sane

ratri-dine ghare vasi’ kare asvadane

SYNONYMS

ei saba—all these; artha—meanings; prabhu—Sri Caitanya Mahaprabhu; svarupera sane—with Svarupa Damodara; ratri-dine—both day and night; ghare vasi’-sitting within His room; kare—does; asvadane—taste.

Sri Caitanya Mahaprabhu would sit in His room with Svarupa Damodara and taste the topics of these verses day and night.

13.162

nrtya-kale sei bhave avista hana

sloka padi’ nace jagannatha-mukha cana

SYNONYMS

nrtya-kale—while dancing; sei bhave—in such ecstasy; avista—absorbed; hana—becoming; sloka padi’-reciting these verses; nace—dances; jagannatha-mukha—the face of Jagannatha; cana—looking upon.

Sri Caitanya Mahaprabhu danced completely absorbed in ecstatic emotion.

While looking at the face of Lord Jagannatha, He danced and recited these verses.

13.163

svarupa-gosanira bhagya na yaya varnana

prabhute avista yanra kaya, vakya, mana

SYNONYMS

svarupa-gosanira—of Svarupa Damodara Gosvami; bhagya—the fortune; na—not; yaya varnana—can be described; prabhute—in the service of the Lord; avista—fully absorbed; yanra—of whom; kaya—body; vakya—words; mana—mind.

No one can describe the good fortune of Svarupa Damodara Gosvami, for he is always absorbed in the service of the Lord with his body, mind and words.

13.164

svarupera indriye prabhura nijendriya-gana

avista hana kare gana-asvadana

SYNONYMS

svarupera—of Svarupa Damodara; indriye—in the senses; prabhura—of Sri Caitanya Mahaprabhu; nija-indriya-gana—own senses; avista hana—being fully absorbed; kare—does; gana—the singing; asvadana—tasting.

The senses of Lord Sri Caitanya Mahaprabhu were identical with the senses of Svarupa.

Therefore Caitanya Mahaprabhu used to become fully absorbed in tasting the singing of Svarupa Damodara.

13.165

bhavera avese kabhu bhumite vasiya

tarjanite bhume likhe adhomukha hana

SYNONYMS

bhavera avese—because of ecstatic emotion; kabhu—sometimes; bhumite—on the ground; vasiya—sitting; tarjanite—with the ring finger; bhume—on the ground; likhe—writes; adhomukha hana—looking down.

In emotional ecstasy, Caitanya Mahaprabhu would sometimes sit on the ground and, looking down, would write on the ground with His finger.

13.166

angulite ksata habe jani’ damodara

bhaye nija-kare nivaraye prabhu-kara

SYNONYMS

angulite—on the finger; ksata—injury; habe—will take place; jani’-knowing; damodara—Svarupa Damodara; bhaye—out of fear; nija-kare—by his own hand; nivaraye—checks; prabhu-kara—the hand of the Lord.

Feeling that the Lord would injure His finger by writing in this way, Svarupa Damodara checked Him with his own hand.

13.167

prabhura bhavanurupa svarupera gana

yabe yei rasa taha kare murtiman

SYNONYMS

prabhura—of Sri Caitanya Mahaprabhu; bhava-anurupa—following the ecstatic emotions; svarupera—of Svarupa Damodara; gana—the singing; yabe—when; yei—whatever; rasa—mellow; taha—that; kare—makes; murtiman—personified.

Svarupa Damodara used to sing exactly according to the ecstatic emotion of the Lord.

Whenever a particular mellow was being tasted by Sri Caitanya Mahaprabhu, Svarupa Damodara would personify it by singing.

13.168

sri-jagannathera dekhe sri-mukha-kamala

tahara upara sundara nayana-yugala

SYNONYMS

sri-jagannathera—of Lord Jagannatha; dekhe—sees; sri-mukha-kamala—the lotuslike face; tahara upara—upon this; sundara—beautiful; nayana-yugala—a pair of eyes.

Sri Caitanya Mahaprabhu looked upon the beautiful lotuslike face and eyes of Lord Jagannatha.

13.169

suryera kirane mukha kare jhalamala

malya, vastra, divya alankara, parimala

SYNONYMS

suryera—of the sun; kirane—by the rays of sunshine; mukha—the face; kare—does; jhalamala—glittering; malya—garland; vastra—garments; divya alankara—beautiful ornaments; parimala—surrounded by a fragrance.

Lord Jagannatha was garlanded, dressed with nice garments and adorned with beautiful ornaments.

His face was glittering from the rays of sunshine, and the entire atmosphere was fragrant.

13.170

prabhura hrdaye ananda-sindhu uthalila

unmada, jhanjha-vata tat-ksane uthila

SYNONYMS

prabhura hrdaye—in the heart of Sri Caitanya Mahaprabhu; ananda-sindhu—the ocean of transcendental bliss; uthalila—arose; unmada—madness; jhanjha—vata—hurricane; tat-ksane—immediately; uthila—intensified.

An ocean of transcendental bliss expanded in the heart of Lord Sri Caitanya Mahaprabhu, and symptoms of madness immediately intensified like a hurricane.

13.171

anandonmade uthaya bhavera taranga

nana-bhava-sainye upajila yuddha-ranga

SYNONYMS

ananda-unmade—the madness of transcendental bliss; uthaya—causes to arise; bhavera—of emotion; taranga—waves; nana—various; bhava—emotions; sainye—among soldiers; upajila—there appeared; yuddha-ranga—fighting.

The madness of transcendental bliss created waves of various emotions.

The emotions appeared like opposing soldiers staging a fight.

13.172

bhavodaya, bhava-santi, sandhi, sabalya

sancari, sattvika, sthayi svabhava-prabalya

SYNONYMS

bhava-udaya—awakening of emotion; bhava-santi—emotions of peace; sandhi—the junction of different emotions; sabalya—mixing of all emotions; sancari—impetuses for all kinds of emotion; sattvika—transcendental; sthayi—prevalent; svabhava—natural emotion; prabalya—increase.

There was an increase in all the natural emotional symptoms.

Thus there were awakening emotions, peacefulness, joined, mixed, transcendental and prevalent emotions, and impetuses for emotion.

13.173

prabhura sarira yena suddha-hemacala

bhava-puspa-druma tahe puspita sakala

SYNONYMS

prabhura—of Sri Caitanya Mahaprabhu; sarira—body; yena—as if; suddha—transcendental; hemacala—Himalayan mountain; bhava—emotional; puspa-druma—flower trees; tahe—in that situation; puspita—blooming with flowers; sakala—all.

Sri Caitanya Mahaprabhu’s body appeared like a transcendental Himalayan mountain bearing ecstatic emotional flower trees, all of them blooming.

13.174

dekhite akarsaye sabara citta-mana

premamrta-vrstye prabhu since sabara mana

SYNONYMS

dekhite—by seeing; akarsaye—attracts; sabara—of everyone; citta-mana—mind and consciousness; prema-amrta-vrstye—by pouring of the nectar of transcendental love for God; prabhu—Sri Caitanya Mahaprabhu; since—sprinkled; sabara—everyone’s; mana—mind.

Upon seeing all these symptoms, everyone’s mind and consciousness were attracted.

Indeed, the Lord sprinkled everyone’s mind with the nectar of transcendental love of Godhead.

13.175

jagannatha-sevaka yata raja-patra-gana

yatrika loka, nilacala-vasi yata jana

SYNONYMS

jagannatha-sevaka—the servants of Lord Jagannatha; yata—all; raja-patra-gana—and the government officers; yatrika—pilgrim visitors; loka—people in general; nilacala-vasi—the residents of Jagannatha Puri; yata jana—as many people as there were.

He sprinkled the minds of the servants of Lord Jagannatha, the government officers, the pilgrim visitors, the general populace and all the residents of Jagannatha Puri.

13.176

prabhura nrtya prema dekhi’ haya camatkara

krsna-prema uchalila hrdaye sabara

SYNONYMS

prabhura—of Sri Caitanya Mahaprabhu; nrtya—dancing; prema—love; dekhi’-seeing; haya—become; camatkara—astonished; krsna-prema—love of Krsna; uchalila—infatuated; hrdaye—in the hearts; sabara—of everyone.

After seeing the dancing and ecstatic love of Sri Caitanya Mahaprabhu, everyone became astonished.

In their hearts they became infatuated with love of Krsna.

13.177

preme nace, gaya, loka, kare kolahala

prabhura nrtya dekhi’ sabe anande vihvala

SYNONYMS

preme—in ecstatic love; nace—dance; gaya—chant; loka—people in general; kare—make; kolahala—a great noise; prabhura—of Sri Caitanya Mahaprabhu; nrtya—dancing; dekhi’-seeing; sabe—everyone; anande—in transcendental bliss; vihvala—overwhelmed.

Everyone danced and chanted in ecstatic love, and a great noise resounded.

Everyone was overwhelmed with transcendental bliss just to see the dancing of Sri Caitanya Mahaprabhu.

13.178

anyera ki kaya, jagannatha-haladhara

prabhura nrtya dekhi’ sukhe calila manthara

SYNONYMS

anyera ki kaya—apart from the actions of others; jagannatha—Lord Jagannatha; haladhara—Balarama; prabhura—of Sri Caitanya Mahaprabhu; nrtya—the dancing; dekhi’-seeing; sukhe—in great happiness; calila—moved; manthara—slowly.

Apart from the others, even Lord Jagannatha and Lord Balarama, with great happiness, began to move very slowly upon seeing the dancing of Sri Caitanya Mahaprabhu.

13.179

kabhu sukhe nrtya-ranga dekhe ratha rakhi’

se kautuka ye dekhila, sei tara saksi

SYNONYMS

kabhu—sometimes; sukhe—in great happiness; nrtya-ranga—amusement in dancing; dekhe—sees; ratha—the car; rakhi’-stopping; se kautuka—that amusement; ye—anyone who; dekhila—saw; sei—he; tara—of that; saksi—witness.

Lord Jagannatha and Lord Balarama sometimes stopped the car and happily observed Lord Caitanya’s dancing.

Anyone who was able to see Them stop and watch the dancing bore witness to Their pastimes.

13.180

ei-mata prabhu nrtya karite bhramite

prataparudrera age lagila padite

SYNONYMS

ei-mata—in this way; prabhu—Lord Sri Caitanya Mahaprabhu; nrtya karite—dancing; bhramite—wandering; prataparudrera-of King Prataparudra; age—in front; lagila—began; padite—to fall down.

When Lord Sri Caitanya Mahaprabhu was dancing and wandering in this way, He fell down in front of Maharaja Prataparudra.

13.181

sambhrame prataparudra prabhuke dharila

tanhake dekhite prabhura bahya-jnana ha-ila

SYNONYMS

sambhrame—with great respect; prataparudra—King Prataparudra; prabhuke—Lord Sri Caitanya Mahaprabhu; dharila—picked up; tanhake—Him; dekhite—to see; prabhura—of Sri Caitanya Mahaprabhu; bahya-jnana—external consciousness; ha-ila—there was.

Maharaja Prataparudra picked the Lord up with great respect, but upon seeing the King, Lord Caitanya Mahaprabhu came to His external senses.

13.182

raja dekhi’ mahaprabhu karena dhikkara

chi, chi, visayira sparsa ha-ila amara

SYNONYMS

raja dekhi’-by seeing the King; mahaprabhu—Sri Caitanya Mahaprabhu; karena—does; dhik-kara—condemnation; chi chi—how pitiable it is; visayira—of a person interested in mundane affairs; sparsa ha-ila—there has been touching; amara—of Me.

After seeing the King, Sri Caitanya Mahaprabhu condemned Himself, saying, “Oh, how pitiful it is that I have touched a person who is interested in mundane affairs.”

13.183

avesete nityananda na haila savadhane

kasisvara-govinda achila anya-sthane

SYNONYMS

avesete—in great ecstasy; nityananda—Nityananda Prabhu; na—not; haila—became; savadhane—careful; kasisvara—Kasisvara; govinda—Govinda; achila—were; anya-sthane—in another place.

Not even Lord Nityananda Prabhu, Kasisvara or Govinda took care of Lord Caitanya Mahaprabhu when He fell down.

Nityananda was in great ecstasy, and Kasisvara and Govinda were elsewhere.

13.184

yadyapi rajara dekhi’ hadira sevana

prasanna hanache tanre milibare mana

SYNONYMS

yadyapi—although; rajara—of the King; dekhi’-seeing; hadira sevana—the service of a sweeper; prasanna hanache—was satisfied; tanre milibare—to see him; mana—His mind.

Sri Caitanya Mahaprabhu had already been satisfied by the King’s behavior, for the King had accepted the service of a sweeper for Lord Jagannatha.

Therefore Lord Caitanya Mahaprabhu actually desired to see the King.

13.185

tathapi apana-gane karite savadhana

bahye kichu rosabhasa kaila bhagavan

SYNONYMS

tathapi—still; apana-gane—to personal associates; karite—to do; savadhana—warning; bahye—externally; kichu—some; rosa-abhasa—apparent anger; kaila—showed; bhagavan—the Supreme Personality of Godhead.

However, just to warn His personal associates, the Supreme Personality of Godhead, Sri Caitanya Mahaprabhu, externally expressed feelings of anger.

PURPORT

When Maharaja Prataparudra asked to see the Lord, Sri Caitanya Mahaprabhu immediately refused, saying:

niskincanasya bhagavad-bhajanonmukhasya

param param jigamisor bhava-sagarasya

sandarsanam visayinam atha yositam ca

ha hanta hanta visa-bhaksanato ’py asadhu (Cc.Madhya 11.8) The word niskincanasya refers to a person who has finished his material activities.

Such a person can begin to execute his activities in Krsna consciousness to cross over the ocean of nescience.

It is very dangerous for such a person to have intimate relationships with mundane people or to become intimately related with women.

This formality is to be observed by anyone who is serious about going back home, back to Godhead.

To teach His personal associates these principles, Sri Caitanya Mahaprabhu expressed external anger when touched by the King.

Since the Lord was very satisfied with the humble behavior of the King, He intentionally allowed the King to touch Him, but externally He expressed anger just to warn His personal associates.

13.186

prabhura vacane rajara mane haila bhaya

sarvabhauma kahe,-tumi na kaya samsaya

SYNONYMS

prabhura vacane—by the words of Sri Caitanya Mahaprabhu; rajara—of the King; mane—in the mind; haila—there was; bhaya—fear; sarvabhauma kahe—Sarvabhauma Bhattacarya said; tumi—you (the King); na kaya samsaya—do not be worried.

King Prataparudra became frightened when Lord Caitanya showed external anger, but Sarvabhauma Bhattacarya told the King, “Don’t worry.”

13.187

tomara upare prabhura suprasanna mana

toma laksya kari’ sikhayena nija gana

SYNONYMS

tomara upare—upon you; prabhura—of Lord Sri Caitanya Mahaprabhu; su-prasanna—very satisfied; mana—the mind; toma—you; laksya kari’-pointing out; sikhayena—He teaches; nija gana—His personal associates.

Sarvabhauma Bhattacarya informed the King, “The Lord is very satisfied with you.

By pointing you out, He was teaching His personal associates how to behave with mundane people.”

PURPORT

Although outwardly the King was a mundane man interested in money and women, internally he was purified by devotional activities.

He showed this by engaging as a street sweeper to please Lord Jagannatha.

A person may appear to be a pounds-and-shillings man interested in money and women, but if he is actually very meek and humble and surrendered to the Supreme Personality of Godhead, he is not mundane.

Such a judgment can be made only by Sri Caitanya Mahaprabhu and His very confidential devotees.

As a general principle, however, no devotee should intimately mix with mundane people interested in money and women.

13.188

avasara jani’ ami kariba nivedana

sei-kale yai’ kariha prabhura milana

SYNONYMS

avasara jani’-understanding an opportune moment; ami—I; kariba—shall do; nivedana—submission; sei-kale—at that time; yai’-coming; kariha—you do; prabhura milana—meeting with Lord Sri Caitanya Mahaprabhu.

Sarvabhauma Bhattacarya continued, “I shall submit your petition when there is an opportune moment.

It will then be easy for you to come and meet the Lord.”

13.189

tabe mahaprabhu ratha pradaksina kariya

ratha-pache yai’ thele rathe matha diya

SYNONYMS

tabe—at that time; mahaprabhu—Sri Caitanya Mahaprabhu; ratha—the car; pradaksina—circumambulation; kariya—doing; ratha-pache—to the rear of the car; yai’-going; thele—pushes; rathe—on the car; matha diya—by placing the head.

After circumambulating Jagannatha, Sri Caitanya Mahaprabhu went behind the car and began pushing it with His head.

13.190

thelitei calila ratha ’hada’ ’hada’ kari’

catur-dike loka saba bale ’hari’ ’hari’

SYNONYMS

thelitei—as soon as He pushed; calila—departed; ratha—the car; hada hada kari’-making a rattling noise; catuh-dike—all around; loka—people in general; saba—all; bale—chant; hari hari—the holy name of the Lord, Hari Hari.

As soon as He pushed, the car immediately started to move, making a rattling noise.

The people all around began to chant the holy name of the Lord, “Hari! Hari!”

13.191

tabe prabhu nija-bhakta-gana lana sange

baladeva-subhadragre nrtya kare range

SYNONYMS

tabe—at that time; prabhu—Sri Caitanya Mahaprabhu; nija—personal; bhakta-gana—devotees; lana—taking; sange—with Him; baladeva—of Lord Balarama; subhadra—of the goddess of fortune Subhadra; agre—in front; nrtya—dancing; kare—performed; range—in great amusement.

As the car began to move, Sri Caitanya Mahaprabhu took His personal associates in front of the cars occupied by Lord Balarama and Subhadra, the goddess of fortune.

Greatly inspired, He then began to dance in front of Them.

13.192

tahan nrtya kari’ jagannatha age aila

jagannatha dekhi’ nrtya karite lagila

SYNONYMS

tahan—there; nrtya kari’-after performing the dance; jagannatha—of Lord Jagannatha; age—in front; aila—appeared; jagannatha dekhi’-seeing Lord Jagannatha; nrtya—dancing; karite—to perform; lagila—began.

After finishing the dance before Lord Baladeva and Subhadra, Sri Caitanya Mahaprabhu came before Lord Jagannatha’s car.

Upon seeing Lord Jagannatha, He began to dance again.

13.193

caliya aila ratha ’balagandi’-sthane

jagannatha ratha rakhi’ dekhe dahine vame

SYNONYMS

caliya—moving; aila—came; ratha—the car; balagandi-sthane—at the place known as Balagandi; jagannatha—Lord Jagannatha; ratha—car; rakhi’-after stopping; dekhe—sees; dahine vame—left and right.

When they reached the place called Balagandi, Lord Jagannatha stopped His car and began to look left and right.

13.194

vame-’vipra-sasana’ narikela-vana

dahine ta’ puspodyana yena vrndavana

SYNONYMS

vame—on the left; vipra-sasana—the place known as vipra-sasana; narikela-vana—coconut grove; dahine—on the right side; ta’-indeed; puspa-udyana—flower gardens; yena—as if; vrndavana—Vrndavana.

On the left side, Lord Jagannatha saw the neighborhood of brahmanas known as vipra-sasana and the coconut tree grove.

On the right side, He saw nice flower gardens resembling those in the holy place Vrndavana.

PURPORT

Vipra-sasana is a name generally used in the Orissa province for the quarters where brahmanas live.

13.195

age nrtya kare gaura lana bhakta-gana

ratha rakhi’ jagannatha karena darasana

SYNONYMS

age-in front; nrtya kare-dances; gaura-Sri Caitanya Mahaprabhu; lana-accompanied by; bhakta-gana-the devotees; ratha rakhi’-after stopping the car; jagannatha-Lord Jagannatha; karena darasana-sees.

Sri Caitanya Mahaprabhu and His devotees were dancing in front of the car, and, having stopped the car, Lord Jagannatha watched the dancing.

13.196

sei sthale bhoga lage,-achaye niyama

koti bhoga jagannatha kare asvadana

SYNONYMS

sei sthale—in that place; bhoga lage—food is offered; achaye niyama—it is the custom; koti bhoga—millions of dishes; jagannatha—Lord Jagannatha; kare—does; asvadana—tasting.

It was customary that food be offered to the Lord at vipra-sasana.

Indeed, innumerable dishes of food were offered, and Lord Jagannatha tasted each one of them.

13.197

jagannathera chota-bada yata bhakta-gana

nija nija uttama-bhoga kare samarpana

SYNONYMS

jagannathera—of Lord Jagannatha; chota—neophyte; bada—advanced; yata—all; bhakta-gana—devotees; nija nija—personally cooked; uttama-bhoga—firstclass food; kare—do; samarpana—offering.

All kinds of devotees of Lord Jagannatha-from neophytes to the most advanced-offered their best cooked food to the Lord.

13.198

raja, raja-mahisi-vrnda, patra, mitra-gana

nilacala-vasi yata chota-bada jana

SYNONYMS

raja—the King; raja-mahisi-vrnda—the queens of the King; patra—ministers; mitra-gana—friends; nilacala-vasi—all the residents of Jagannatha Puri; yata—as many; chota-bada—small and big; jana—persons.

This included the King, his queens, his ministers and friends and all other big and small residents of Jagannatha Puri.

13.199

nana-desera desi yata yatrika jana

nija-nija-bhoga tahan kare samarpana

SYNONYMS

nana-desera—of various countries; desi—local; yata—all kinds of; yatrika—visiting; jana—people; nija-nija—personally cooked; bhoga—food; tahan—there; kare—do; samarpana—offering.

All the visitors who had come from different countries to Jagannatha Puri, as well as the local devotees, offered their personally cooked food to the Lord.

13.200

age pache, dui parsve puspodyana-vane

yei yaha paya, lagaya,-nahika niyame

SYNONYMS

age pache—in front or at the end; dui parsve—on two sides; puspa-udyana-vane—in the flower gardens; yei—one who; yaha paya—gets the opportunity; lagaya—offers; nahika niyame—there are no hard-and-fast rules.

The devotees offered their foods everywhere, in front and behind the car, on the two sides and within the flower garden.

Wherever possible, they made their offering to the Lord, for there were no hard-and-fast rules.

13.201

bhogera samaya lokera maha bhida haila

nrtya chadi’ mahaprabhu upavane gela

SYNONYMS

bhogera samaya—at the time the food was offered; lokera—of all the people; maha—great; bhida—crowd; haila—there was; nrtya chadi’-giving up His dancing; mahaprabhu—Sri Caitanya Mahaprabhu; upavane gela—went to a nearby garden.

While the food was being offered, a large crowd of people gathered.

At that time Sri Caitanya Mahaprabhu stopped His dancing and went to a nearby garden.

13.202

premavese mahaprabhu upavana pana

puspodyane grha-pindaya rahila padiya

SYNONYMS

prema-avese—in ecstatic love; mahaprabhu—Sri Caitanya Mahaprabhu; upavana pana—having come to a nice nearby garden; puspa-udyane—in that flower garden; grha-pindaya—on the raised platform; rahila—remained; padiya—falling flat.

Sri Caitanya Mahaprabhu went to the garden.

Immersed in a great ecstatic emotion, He fell flat on a raised platform there.

13.203

nrtya-parisrame prabhura dehe ghana gharma

sugandhi sitala-vayu karena sevana

SYNONYMS

nrtya-parisrame—by fatigue due to dancing; prabhura—of Sri Caitanya Mahaprabhu; dehe—on the body; ghana gharma—much perspiration; sugandhi—fragrant; sitala-vayu—cool breeze; karena sevana—enjoyed very much.

The Lord was very fatigued from the hard labor of dancing, and there was perspiration all over His body.

He therefore enjoyed the fragrant, cool breeze of the garden.

13.204

yata bhakta kirtaniya asiya arame

prati-vrksa-tale sabe karena visrame

SYNONYMS

yata bhakta—all the devotees; kirtaniya—who were performing sankirtana; asiya—coming; arame—in the resting place; prati-vrksa-tale—under each and every tree; sabe—all of them; karena—take; visrame—rest.

All the devotees who were performing sankirtana came there and took rest under each and every tree.

13.205

ei ta’ kahila prabhura maha-sankirtana

jagannathera age yaiche karila nartana

SYNONYMS

ei ta’-in this way; kahila—I have described; prabhura—of Lord Sri Caitanya Mahaprabhu; maha-sankirtana—the great congregational chanting; jagannathera age—in front of Lord Jagannatha; yaiche—as; karila—He did; nartana—dancing.

Thus I have described the great performance of congregational chanting by Lord Sri Caitanya Mahaprabhu as He danced in front of Lord Jagannatha.

13.206

rathagrete prabhu yaiche karila nartana

caitanyastake rupa-gosani karyache varnana

SYNONYMS

ratha-agrete—in front of the car; prabhu—Sri Caitanya Mahaprabhu; yaiche—as; karila—performed; nartana—dancing; caitanya-astake—in the prayer named Caitanyastaka; rupa-gosani—Rupa Gosvami; karyache—has done; varnana—a vivid description.

In his prayer known as the Caitanyastaka, Srila Rupa Gosvami has given a vivid description of the Lord’s dancing before the car of Jagannatha.

PURPORT

Srila Rupa Gosvami composed three prayers, each with the title Caitanyastaka.

The verse next quoted is from the first of the Caitanyastaka prayers included in the book Stava-mala.

13.207

ratharudhasyarad adhipadavi nilacala-pater

adabhra-premormi-sphurita-natanollasa-vivasah

saharsam gayadbhih parivrta-tanur vaisnava-janaih

sa caitanyah kim me punar api drsor yasyati padam

SYNONYMS

ratha-arudhasya—of the Supreme Lord, who was placed aboard the car; arat—in front; adhipadavi—on the main road; nilacala-pateh—of Lord Jagannatha, the Lord of Nilacala; adabhra—great; prema-urmi—by waves of love of Godhead; sphurita—which was manifested; natana-ullasa-vivasah—being overwhelmed by the transcendental bliss of dancing; sa-harsam—with great pleasure; gayadbhih—who were singing; parivrta—surrounded; tanuh—body; vaisnava-janaih—by the devotees; sah caitanyah—that Lord Sri Caitanya Mahaprabhu; kim—whether; me—my; punah api—again; drsoh—of vision; yasyati—will enter; padam—the path “Sri Caitanya Mahaprabhu danced down the main road in great ecstasy before Lord Jagannatha, the master of Nilacala, who was sitting on His car.

Overwhelmed by the transcendental bliss of dancing and surrounded by Vaisnavas who sang the holy names, He manifested waves of ecstatic love of Godhead.

When will Sri Caitanya Mahaprabhu again be visible to my vision?”

13.208

iha yei sune sei sri-caitanya paya

sudrdha visvasa-saha prema-bhakti haya

SYNONYMS

iha—this; yei—anyone who; sune—hears; sei—that person; sri-caitanya paya—will achieve Sri Caitanya Mahaprabhu; su-drdha—firm; visvasa—conviction; saha—with; prema-bhakti—devotional service in great love; haya—there is.

Anyone who hears this description of the car festival will attain Sri Caitanya Mahaprabhu.

He will also attain the elevated state by which he will have firm conviction in devotional service and love of Godhead.

13.209

sri-rupa-raghunatha-pade yara asa

caitanya-caritamrta kahe krsnadasa

SYNONYMS

sri-rupa—Srila Rupa Gosvami; raghunatha—Srila Raghunatha dasa Gosvami; pade—at the lotus feet; yara—whose; asa—expectation; caitanya-caritamrta—the book named Caitanya-caritamrta; kahe—describes; krsnadasa—Srila Krsnadasa Kaviraja Gosvami.

Praying at the lotus feet of Sri Rupa and Sri Raghunatha, always desiring their mercy, I, Krsnadasa, narrate Sri Caitanya-caritamrta, following in their footsteps.

Thus end the Bhaktivedanta purports to Sri Caitanya-caritamrta, Madhya-lila, Thirteenth Chapter, describing Sri Caitanya Mahaprabhu’s ecstatic dancing at Lord Jagannatha’s car festival.

Performance of the Vrndavana Pastimes Dressing himself as a Vaisnava, Maharaja Prataparudra entered a garden alone and began reciting verses from Srimad-Bhagavatam.

He then took the opportunity to massage the lotus feet of the Lord.

The Lord, in His ecstatic love for Krsna, immediately embraced the King and thus bestowed mercy upon him.

When there was an offering of prasada in the garden, Lord Caitanya also partook of it.

After this, when Lord Jagannatha’s Ratha car stopped moving, King Prataparudra called for many elephants to pull it, but they were unsuccessful.

Seeing this, Lord Caitanya began to push the car from behind with His head, and the chariot began moving.

Then the devotees began pulling the chariot with ropes.

Near the Gundica temple is a place known as Aitota.

This place was fixed up for Sri Caitanya Mahaprabhu to rest in.

When Lord Jagannatha was seated at Sundaracala, Sri Caitanya Mahaprabhu saw it as Vrndavana.

He performed sporting pastimes in the water of the lake known as Indradyumna.

For nine continuous days during Ratha-yatra, the Lord remained at Jagannatha Puri, and on the fifth day He and Svarupa Damodara observed the pastimes of Laksmi, the goddess of fortune.

During that time, there was much talk about the pastimes of the gopis.

When the ratha was again being drawn and the chanting resumed, Ramananda Vasu of Kulina-grama and Satyaraja Khan were requested to bring silk ropes every year for the Ratha-yatra ceremony.